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歌曲:《shadow》

shadow - 苏打绿 文本歌词

shadow
Shadow
苏打绿
I was six years old
When my parents went away
I was stuck inside a broken life
I couldn t wish away
She was beautiful
She had everything and more
And my escape was hiding out and running for the door
Somebody listen please
It used to be so hard being me
Living in the shadow
Of someone else s dream
Trying to find a hand to hold but every touch felt cold to me
Living in a nightmare
A never-ending sleep
But now that I am wide awake
My chains are finally free
Don t feel sorry for me
All the days collided
One less perfect than the next
I was stuck inside someone else s life and always second best
Oh, I love you now cause now I realize
That it s safe outside to come alive in my identity
So if you re listening
There s so much more to me you haven t seen
Living in the shadow
Of someone else s dream
Trying to find a hand to hold but every touch felt cold to me
Living in a nightmare
A never-ending sleep
But now that I am wide awake
Then I can finally see
Don t feel sorry for me
Mother, sister, father, sister, mother
Everything s cool now
Mother, sister, father, sister, mother
Everything s cool now
Oh, my life is good
I ve got more than anyone should
Oh, my life is good
And the past is in the past
I was living in the shadow
Of someone else s dream
Trying to find a hand to hold but every touch felt cold to me
I m living in a new day
I m living it for me
And now that I am wide awake
Then I can finally see
Don t feel sorry for me
Don t feel sorry, don t feel sorry for me
Don t feel sorry, don t feel sorry for me
Living in, living in, living in the shadow
Living in, living in, living in a new day

shadow - 苏打绿 LRC歌词

[00:01.98]Shadow
[00:04.74]苏打绿
[00:07.30]
[00:09.73]I was six years old
[00:12.55]When my parents went away
[00:15.48]I was stuck inside a broken life
[00:19.04]I couldn t wish away
[00:22.05]She was beautiful
[00:25.61]She had everything and more
[00:29.29]And my escape was hiding out and running for the door
[00:35.98]Somebody listen please
[00:41.42]It used to be so hard being me
[00:46.61]Living in the shadow
[00:49.48]Of someone else s dream
[00:53.29]Trying to find a hand to hold but every touch felt cold to me
[00:59.98]Living in a nightmare
[01:03.42]A never-ending sleep
[01:06.98]But now that I am wide awake
[01:10.04]My chains are finally free
[01:13.68]Don t feel sorry for me
[01:21.00]All the days collided
[01:24.12]One less perfect than the next
[01:27.25]I was stuck inside someone else s life and always second best
[01:31.43]Oh, I love you now cause now I realize
[01:41.31]That it s safe outside to come alive in my identity
[01:47.94]So if you re listening
[01:53.09]There s so much more to me you haven t seen
[01:58.03]Living in the shadow
[02:01.47]Of someone else s dream
[02:04.59]Trying to find a hand to hold but every touch felt cold to me
[02:12.09]Living in a nightmare
[02:15.53]A never-ending sleep
[02:19.03]But now that I am wide awake
[02:22.47]Then I can finally see
[02:25.59]Don t feel sorry for me
[02:28.22]Mother, sister, father, sister, mother
[02:32.65]Everything s cool now
[02:35.09]Mother, sister, father, sister, mother
[02:39.71]Everything s cool now
[02:42.78]Oh, my life is good
[02:46.21]I ve got more than anyone should
[02:49.65]Oh, my life is good
[02:53.15]And the past is in the past
[03:00.27]I was living in the shadow
[03:03.59]Of someone else s dream
[03:07.15]Trying to find a hand to hold but every touch felt cold to me
[03:13.84]I m living in a new day
[03:17.27]I m living it for me
[03:20.90]And now that I am wide awake
[03:23.71]Then I can finally see
[03:27.27]Don t feel sorry for me
[03:32.27]Don t feel sorry, don t feel sorry for me
[03:39.27]Don t feel sorry, don t feel sorry for me
[03:57.72]Living in, living in, living in the shadow
[04:03.78]Living in, living in, living in a new day
[04:04.78]

苏打绿 的歌曲

歌曲赏析

《shadow-苏打绿》赏析

作为苏打绿极具实验性的作品,《shadow》以迷幻电子为基底,构建出一个虚实交错的听觉空间。歌曲通过合成器音色与不规则节拍的编织,营造出如影随形般的漂浮感,呼应"影子"这一核心意象。

歌词层面运用大量隐喻,将"影子"拟人化为内心潜意识的投射——"你是我不能拥抱的太阳"暗示理想与现实的永恒距离,而"越是光明越被拉长"则辩证地探讨了存在与虚无的关系。青峰独特的气声唱法在真假音转换间,强化了歌词中若即若离的孤独感。

音乐编排上,失真吉他与电子脉冲音效形成冷暖碰撞,副歌部分突然抽离的留白处理,宛如影子在强光下骤然消失的瞬间。这种解构式的编曲手法,巧妙呼应了现代人面对自我认同时的碎片化体验。

歌曲最终在渐弱的电子噪音中结束,留下开放式思考:当主体与影子、真实与虚幻的界限被消解,我们或许终将在光影交织处,触碰到那个被自己长久回避的内心镜像。

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