here today gone tomorrow-The Ramones[雷蒙斯]_歌词分享_lrc歌词下载_找歌词_找歌名

歌曲：《here today gone tomorrow》

here today gone tomorrow - The Ramones[雷蒙斯] 文本歌词

The Afters - the secret parade
活在当下制作
Don't try to lose us cause it's right where you'll find us
Don't try to bruise us cause it's right where you bleed
Don't call me a stranger, we're your brothers and sisters
Try to refuse when it's just what you need
Here tomorrow, gone today
We're a part of the secret parade
Here tomorrow, gone today
We're a part of the secret parade

here today gone tomorrow - The Ramones[雷蒙斯] LRC歌词

下载LRC歌词

[ar:The Afters]
[ti:the secret parade]
[al:Never Going Back To OK]
[by:活在当下]
[00:01.12]The Afters - the secret parade
[00:07.69] 活在当下制作
[00:36.65]
[00:37.89]Don't try to lose us cause it's right where you'll find us
[00:43.88]Don't try to bruise us cause it's right where you bleed
[00:49.42]Don't call me a stranger, we're your brothers and sisters
[00:55.72]Try to refuse when it's just what you need
[01:03.36]
[01:06.13]Here tomorrow, gone today
[01:12.01]We're a part of the secret parade
[01:17.92]Here tomorrow, gone today
[01:23.80]We're a part of the secret parade
[01:33.92]

The Ramones[雷蒙斯] 的歌曲

歌曲赏析

《Here Today, Gone Tomorrow》是雷蒙斯乐队1976年专辑《Leave Home》中的一首作品，延续了乐队标志性的简约朋克风格，却展现出罕见的抒情内核。全曲以两分钟不到的短促篇幅，通过重复的三大和弦推进与乔伊·雷蒙标志性的扁平化唱腔，构建出一种戏谑与感伤并存的矛盾美学。

歌词以第一人称视角展开，叙述者用"我本可以成为你的父亲/兄弟/情人"的排比句式，揭示人际关系中角色期待的荒谬性。雷蒙斯将存在主义的虚无感包裹在看似幼稚的词汇中，"here today, gone tomorrow"的副歌重复如同命运谶语，配合密集的鼓点形成令人不安的律动。特别值得注意的是约翰尼·雷蒙在间奏部分刻意制造的吉他走音，这些"错误音符"成为对完美主义的有意冒犯。

歌曲在结构上打破传统verse-chorus模式，采用ABAC的非常规编排，每个段落都像被强行截断的未完成态。这种反商业化的处理恰恰强化了"转瞬即逝"的主题表达，使作品成为早期朋克运动中少见的存在主义寓言。迪·迪·雷蒙的贝斯线在看似单调的八分音符中暗藏微妙变奏，如同试图在既定命运中的微小反抗。