Deep Blue Day-Brian Eno[布赖恩·伊诺]_歌词分享_lrc歌词下载_找歌词_找歌名

歌曲：《Deep Blue Day》

Deep Blue Day - Brian Eno[布赖恩·伊诺] 文本歌词

A midnight swim
Is what I'm needing
A careless will
A fast for feeding
I take to the deep
Where the lights been til now
Gotta break out and find
What the day left behind
So into blue
Begin an ark
The man was you
True and spark oh
I take to the deep
Where the lights been til now, safe
Gotta break and out and find
What the day left behind
Water and salt
Secrets like new
Arrive salt
A midnight swim
I take to the deep
Where the lights, until now, asleep
Gotta break in and find
What the day left behind

Deep Blue Day - Brian Eno[布赖恩·伊诺] LRC歌词

下载LRC歌词

[ti:Midnight Swim]
[ar:Incubus]
[al:Monuments And Melodies]
[by: ]
[00:-04.00]Incubus - Midnight Swim
[00:-03.00]LRC by lzh ,from jiangxi pingxiang
[00:-02.00]@ @
[00:-01.00]
[00:01.20]A midnight swim
[00:05.70]Is what I'm needing
[00:11.53]A careless will
[00:15.77]A fast for feeding
[00:20.75]
[00:21.57]I take to the deep
[00:27.50]Where the lights been til now
[00:32.63]Gotta break out and find
[00:38.65]What the day left behind
[00:42.97]
[00:44.71]So into blue
[00:49.66]Begin an ark
[00:54.51]The man was you
[00:59.56]True and spark oh
[01:04.30]
[01:05.05]I take to the deep
[01:10.50]Where the lights been til now, safe
[01:15.66]Gotta break and out and find
[01:21.71]What the day left behind
[01:26.51]
[01:53.94]Water and salt
[01:59.55]Secrets like new
[02:04.51]Arrive salt
[02:09.60]A midnight swim
[02:13.46]
[02:16.55]I take to the deep
[02:21.75]Where the lights, until now, asleep
[02:29.44]Gotta break in and find
[02:36.50]What the day left behind
[02:41.18]

Brian Eno[布赖恩·伊诺] 的歌曲

歌曲赏析

《Deep Blue Day》是英国音乐家Brian Eno创作的一首氛围音乐（Ambient Music）代表作，收录于1983年发行的专辑《Apollo: Atmospheres and Soundtracks》中。这首作品最初为纪录片《For All Mankind》配乐而作，以空灵深邃的音景描绘宇宙的浩瀚与静谧。

从音乐结构来看，作品采用极简主义的创作手法，通过缓慢延展的合成器长音构建出无重力的漂浮感。Eno标志性的"沉浸式"音色设计在此曲中尤为突出：朦胧的电子音效模拟出液态金属般的流动质感，高频泛音如星光闪烁，低频铺底则形成深海般的空间纵深感。和声进行采用悬浮式的非功能性和声，主属关系的消解带来失重般的听觉体验。

节奏处理上完全摒弃传统律动，以不规则的气态音簇营造时间停滞的错觉。特别值得注意的是钢棒吉他（slide guitar）的运用，其滑音技巧产生的微分音波动，与合成器形成虚实相映的声学对话，既赋予作品人性化的温度，又强化了宇宙漫游的孤独诗意。

作为氛围音乐的典范之作，《Deep Blue Day》通过声场空间的精密控制，实现了Eno提出的"可被忽视又值得细品"的美学主张。其音色层次既像俯瞰地球的宇航视角，又似潜入深海的意识潜游，在科技感与有机感之间达到精妙平衡。这种多义性的声音景观，使作品超越单纯的太空主题，成为人类面对无限时空时精神状态的抽象呈现。