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歌曲:《Send In The Clowns -》

Send In The Clowns - - 欧美群星 文本歌词

Send In The Clowns -
isn't it rich,are we a pair
me here at last on the ground
you in mid-air
where are the clowns
Isn't it bliss,don't you approve
one who keeps tearing around
one who can't move
but where are the clowns
send in the clowns
just when I stopped openning door
finally knowing the one that I wanted was yours
making my entrance again
with my usual flair
sure of my lines
no one is there
don't you love farce,my fault I fear
I thought that you'd want what I want
sorry my dear
but where are the clowns
quick,send in the clowns
don't bother,they're here
isn't it rich,isn't it queer
losing my timing this lat is my career
but where are the clowns
there ought to be clowns
well,maybe next year

Send In The Clowns - - 欧美群星 LRC歌词

[ti:send in the clowns]
[ar:齐豫]
[al:tears]
[offset:500]
[00:00.00]isn't it rich,are we a pair
[00:13.41]me here at last on the ground
[00:13.62]you in mid-air
[00:13.81]where are the clowns
[00:13.97]
[00:14.16]Isn't it bliss,don't you approve
[00:14.34]one who keeps tearing around
[00:14.47]one who can't move
[00:14.66]but where are the clowns
[00:14.79]send in the clowns
[00:14.98]
[00:15.24]just when I stopped openning door
[00:15.28]finally knowing the one that I wanted was yours
[00:15.34]making my entrance again
[00:15.48]with my usual flair
[00:15.70]sure of my lines
[00:15.84]no one is there
[00:16.02]
[00:16.41]don't you love farce,my fault I fear
[00:16.68]I thought that you'd want what I want
[00:16.90]sorry my dear
[00:17.08]but where are the clowns
[00:17.31]quick,send in the clowns
[00:17.53]don't bother,they're here
[00:17.76]
[00:17.99]isn't it rich,isn't it queer
[00:18.21]losing my timing this lat is my career
[00:18.56]but where are the clowns
[00:18.92]there ought to be clowns
[00:19.64]well,maybe next year
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欧美群星 的歌曲

专辑 重回木吉他 2 Let is Fol 的歌曲

歌曲赏析

《Send In The Clowns》是一首充满戏剧性与人生哲思的经典歌曲,由斯蒂芬·桑德海姆创作于1973年音乐剧《小夜曲》(A Little Night Music)。歌曲以马戏团"小丑登场"的意象为隐喻,通过细腻的歌词与旋律,探讨了爱情中错位、遗憾与自嘲的复杂情感。

艺术特色分析:
1. 反讽式隐喻
"小丑"象征人生舞台上荒诞的错位感——当主角意识到爱情时机已逝时,戏谑地呼唤小丑登场,实则暗指自己才是情感闹剧中的"小丑"。这种自我解构的笔法强化了悲剧内核。

2. 音乐与文本的张力
旋律采用不规则的切分节奏与频繁的休止,模拟戏剧中"欲言又止"的停顿感。副歌部分突然的转调,映射情感爆发与理智克制的矛盾,与歌词"Isn't it rich?"(多么可笑)形成声韵互文。

3. 叙事视角的独特性
第二人称叙事("Don't you love farce?")营造对话感,将听众拉入角色自省的情境。歌词中大量反问句堆砌出层层递进的心理独白,展现成年人面对感情失误时的苦涩幽默。

情感层次解读:
- 表层是自嘲的轻快,内里却暗涌着深刻的孤独。
- "时机永远不对"的宿命感通过"clowns"的重复出现被具象化,暗示人生如戏的无常。
- 终句"Maybe next time..."的留白,在虚妄希望中透露出人性永恒的脆弱性。

经典演绎对比
朱迪·科林斯1975年版本以民谣式吟唱强化哀愁,而弗兰克·西纳特拉的爵士改编则突出沧桑感。不同演绎共同揭示了歌曲的核心——人类在情感废墟上苦笑着自我救赎的永恒命题。

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