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歌曲:《back to the world VOGUE 2012 remix (Daniel Merlot 》

back to the world VOGUE 2012 remix (Daniel Merlot - 尚雯婕 文本歌词

back to the world VOGUE 2012 remix (Daniel Merlot
ack to the world VOGUE 2012 remix (Daniel Merlot Remix) - 尚雯婕
词:尚雯婕
曲:尚雯婕
Remix:Daniel Merlot
I've conquered
I've suffered
Now I'm back in here
I wish that life could change
It could have been
A different way
When you're in the dark
You feel the pain
You count the days
Still no way to escape
In the tunnel
Never lose your heart
Hum along hum along
You see the hell and suddenly
The air comes in and you start to breath
A place you long to be
Let's get back to the world
Let's get back to the world

back to the world VOGUE 2012 remix (Daniel Merlot - 尚雯婕 LRC歌词

[ti:back to the world VOGUE 2012 remix (Daniel Merlot Remix)]
[ar:尚雯婕]
[al:The Black Remix]
[by:]
[offset:0]
[00:00.10]back to the world VOGUE 2012 remix (Daniel Merlot Remix) - 尚雯婕
[00:00.20]
[00:02.62]词:尚雯婕
[00:03.38]曲:尚雯婕
[00:04.16]Remix:Daniel Merlot
[00:04.98]
[00:26.88]I've conquered
[00:27.85]
[00:28.64]I've suffered
[00:29.67]
[00:30.53]Now I'm back in here
[00:32.61]
[00:33.22]I wish that life could change
[00:35.15]
[00:35.72]It could have been
[00:36.76]
[00:37.49]A different way
[00:38.73]
[00:39.30]When you're in the dark
[00:42.24]You feel the pain
[00:43.94]You count the days
[00:47.68]Still no way to escape
[00:50.07]
[00:52.32]In the tunnel
[00:54.99]Never lose your heart
[00:57.06]
[02:08.26]Hum along hum along
[02:11.69]You see the hell and suddenly
[02:15.24]The air comes in and you start to breath
[02:20.20]A place you long to be
[02:25.22]
[02:26.34]Let's get back to the world
[02:28.29]Let's get back to the world

尚雯婕 的歌曲

专辑 The Black Remix 的歌曲

歌曲赏析

《Back to the World (VOGUE 2012 Remix)》是Daniel Merlot对原曲进行电子化重构的再创作作品。作为典型的欧陆浩室混音版本,这首作品通过以下艺术特征展现其独特魅力:

1. 结构设计
采用渐进式电子音乐架构,前奏以脉冲合成器音色营造太空感,在1分12秒处通过骤升的BPM实现情绪转折。副歌部分重复出现的锯齿波lead音色与原始人声采样形成冷暖对比,体现remix对原曲的解构哲学。

2. 音色处理
典型运用了2010年代初期Progressive House的声效特征:侧链压缩制造的"呼吸感"低音、高频延展的pluck音色、经过声码器处理的碎片化人声。特别在2分45秒处,通过自动化滤波将人声转化为乐器化元素。

3. 节奏美学
在128BPM框架下植入拉丁打击乐元素,hi-hat节奏型明显受到瑞典浩室流派影响。3分30秒出现的breakdown段落采用反向混响技术,制造出标志性的"坠落式"听觉体验。

4. 空间营造
混音工程突出三维声场设计,主旋律在左右声道交替出现,背景pad音色采用ambient录音室技巧制造空间纵深感,体现制作人对电子音乐空间叙事的把控力。

该作品成功将流行人声转化为电子乐叙事载体,通过精确的频段分配和动态控制,在商业舞曲框架内实现了技术性表达,堪称2010年代欧陆电子乐转型期的代表性混音范例。

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