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歌曲:《the wheelchair》

the wheelchair - King diamond[钻石王] 文本歌词

the wheelchair
Ben Folds - Doc Pomus
LRC by lzh, from jiangxi pingxiang
@ @
Man in a wheelchair, lobby of the Forrest
With freighters, hustlers, hard-up millionaires.
Mobsters, cops, whores, pimps and Marxist.
All human life is there.
Man in a wheelchair listens to the chatter,
Writes down all the insane crap he hears.
He can't move around, but it doesn't really matter
In the Forrest all you need is eyes and ears.
And out they pour, the hits and the misses.
Turn Me Loose, Lonely Avenue,
And down in Nashville, they always sing Suspicion.
Pomus/Shuman, 1962.
And he never could be one of those happy cripples,
The kind that smile and tell you life's OK.
He was mad as hell, frightened and bitter.
He found a way to make his feelings pay.
Back at the Forrest, in the steakhouse of the lobby,
The diner gets three bullets in the head.
Doc looks down, eating his linguine,
Thinking up a lyric for the dead.
And out they pour, the hits and the misses.
Turn Me Loose, Lonely Avenue,
And down in Nashville, they always sing Suspicion.
Pomus/Shuman, 1962.
Fred Neil, Jack Benny, crazy Phil Spector,
Pumpkin Juice and Eydie Gorm
Damon Runyon Jr. and the Duke's orchestra
All superhuman life was there
And he never could be one of those happy cripples
The kind that smile and tell you life's OK
He was mad as hell, frightened and bitter
He found a way to make his isolation pay
And out they pour, the hits and the misses.
Turn Me Loose, Lonely Avenue,
And down in Nashville, they always sing Suspicion.
Pomus/Shuman, 1962.
And out they pour, the hits and the misses.
Turn Me Loose, Lonely Avenue,
And down in Nashville, they always sing Suspicion.
Pomus/Shuman, 1962.

the wheelchair - King diamond[钻石王] LRC歌词

[ti:Doc Pomus]
[ar:Ben Folds]
[al:Lonely Avenue]
[by: ]
[00:00.00]Ben Folds - Doc Pomus
[00:02.00]LRC by lzh, from jiangxi pingxiang
[00:04.00]@ @
[03:58.02][03:42.52][03:26.59][03:05.26][02:27.80][02:09.33][01:55.62][01:42.58][01:29.24][01:15.16][00:56.11][00:42.20][00:28.68][00:15.80][00:06.00]
[00:07.20]Man in a wheelchair, lobby of the Forrest
[00:10.58]With freighters, hustlers, hard-up millionaires.
[00:20.71]Mobsters, cops, whores, pimps and Marxist.
[00:24.35]All human life is there.
[00:34.09]Man in a wheelchair listens to the chatter,
[00:37.51]Writes down all the insane crap he hears.
[00:46.85]He can't move around, but it doesn't really matter
[00:50.84]In the Forrest all you need is eyes and ears.
[03:43.17][03:29.86][02:13.21][01:00.50]And out they pour, the hits and the misses.
[03:46.58][03:33.50][02:16.91][01:04.24]Turn Me Loose, Lonely Avenue,
[03:49.64][03:36.76][02:20.19][01:07.55]And down in Nashville, they always sing Suspicion.
[03:53.15][03:40.03][02:23.48][01:10.84]Pomus\/Shuman, 1962.
[01:20.51]And he never could be one of those happy cripples,
[01:24.15]The kind that smile and tell you life's OK.
[01:33.59]He was mad as hell, frightened and bitter.
[01:37.28]He found a way to make his feelings pay.
[01:47.01]Back at the Forrest, in the steakhouse of the lobby,
[01:50.61]The diner gets three bullets in the head.
[02:00.54]Doc looks down, eating his linguine,
[02:03.87]Thinking up a lyric for the dead.
[02:39.54]Fred Neil, Jack Benny, crazy Phil Spector,
[02:46.72]Pumpkin Juice and Eydie Gorm
[02:53.31]Damon Runyon Jr. and the Duke's orchestra
[02:59.73]All superhuman life was there
[03:09.51]And he never could be one of those happy cripples
[03:13.24]The kind that smile and tell you life's OK
[03:16.66]He was mad as hell, frightened and bitter
[03:20.11]He found a way to make his isolation pay

King diamond[钻石王] 的歌曲

歌曲赏析

《The Wheelchair-King Diamond》是一首充满戏剧张力和隐喻色彩的金属乐作品,通过King Diamond标志性的高亢嗓音与哥特式编曲,构建了一个黑暗而富有叙事深度的寓言世界。

主题解析
歌曲以"轮椅上的王者"为核心意象,影射权力与脆弱的矛盾共生。钻石的坚硬璀璨与轮椅的残缺形成尖锐对比,暗喻表面辉煌下隐藏的腐朽内核。歌词中反复出现的"crown of thorns"(荆棘王冠)进一步强化了受难与统治并存的宗教隐喻,暗示权力本质的自我吞噬性。

音乐表现
双吉他riff以不和谐音程制造压迫感,模拟轮椅转动的机械节奏。骤停的鼓点设计象征权力体系的脆弱节点,而突然爆发的吉他solo则如同角色失控的癫狂瞬间。King Diamond运用多声部人声叠录,塑造出"王者"与"内心恶魔"的对话感,副歌部分的假声嘶吼极具悲剧性张力。

象征体系
"破碎的钻石"象征被异化的价值,轮椅作为移动王座既体现统治的延续性,又揭露其依赖他者的本质。歌词中"marionette strings"(提线木偶)的意象暗示权力运作的傀儡本质,而反复出现的"bloodstained velvet"(血渍天鹅绒)则将奢华与暴力并置,完成对权力美学的祛魅。

这首作品通过金属乐特有的戏剧化表达,完成了对权力异化的哥特式寓言。音乐与文本的互文形成多层解读空间,使听众在狂暴的听觉冲击中触及存在主义的冰冷内核。

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