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歌曲：《The Show Must Go On》

The Show Must Go On - Gregorian Chants[格林高 文本歌词

The Show Must Go On
BoA - The Show Must Go On
附中译歌词
请用LRC编辑器或记事本打开查看
Iron ne mosubur gyorkho noegenun boigi shirho
ohiryo nega nungirur phihago ijiman
onjenga shigani dashi narur jayurobge hageji
jujo anja borir mankhum nanun yaghaji anhunika
(THE SHOW MUST GO ON)
(THE SHOW MUST GO ON)
Isesang kuthna girur gidaryo bwado
ne jormangi kuth nanun gon aniji
(THE SHOW MUST GO ON)
charari sarajigirur baranda hedo
iaphumi sarajijin anhji
Uriga ganun giri yogiso gallajyoya handamyon
son hunduro junun go jumun oryobji anhdago
damdamhan chog hancho ne jashinur
sogyo boado donun sumgirsu obso
Iron ne mosubur gyorkho noegenun boigi shirho
ohiryo nega nungirur phihago ijiman
onjenga shigani dashi narur jayurobge hageji
jujo anja borir mankhum nanun yaghaji anhunika
Isesang kuthna girur gidaryo bwado
ne jormangi kuth nanun gon aniji
(THE SHOW MUST GO ON)
charari sarajigirur baranda hedo
iaphumi sarajijin anhji
Uriga ganun giri yogiso gallajyoya handamyon
son hunduro junun go jumun oryobji anhdago
damdamhan chog hancho ne jashinur
sogyo boado donun sumgirsu obso
Iron ne mosubur gyorkho noegenun boigi shirho
ohiryo nega nungirur phihago ijiman
onjenga shigani dashi narur jayurobge hageji
jujo anja borir mankhum nanun yaghaji anhunika
YES, I CAN GO MY WAY
TIME WILL BE ON MY SIDE
THE SHOW MUST GO ON
END

The Show Must Go On - Gregorian Chants[格林高 LRC歌词

下载LRC歌词
[ti:The Show Must Go On]
[ar:BoA]
[al:Atlantis Princess]
[by:Van]
[offset:500]
[00:00.00]BoA - The Show Must Go On
[00:00.09]
[00:00.19]附中译歌词
[00:00.29]请用LRC编辑器或记事本打开查看
[00:00.39]
[00:00.49]Iron ne mosubur gyorkho noegenun boigi shirho
[00:09.12]ohiryo nega nungirur phihago ijiman
[00:15.78]onjenga shigani dashi narur jayurobge hageji
[00:22.44]jujo anja borir mankhum nanun yaghaji anhunika
[00:29.82]
[00:30.22](THE SHOW MUST GO ON)
[00:33.53]
[00:36.76](THE SHOW MUST GO ON)
[00:40.00]
[00:42.40]Isesang kuthna girur gidaryo bwado
[00:48.54]ne jormangi kuth nanun gon aniji
[00:53.53](THE SHOW MUST GO ON)
[00:55.60]charari sarajigirur baranda hedo
[01:01.81]iaphumi sarajijin anhji
[01:06.28]
[01:08.84]Uriga ganun giri yogiso gallajyoya handamyon
[01:16.26]son hunduro junun go jumun oryobji anhdago
[01:22.69]damdamhan chog hancho ne jashinur
[01:26.87]sogyo boado donun sumgirsu obso
[01:33.16]
[01:35.31]Iron ne mosubur gyorkho noegenun boigi shirho
[01:42.12]ohiryo nega nungirur phihago ijiman
[01:48.51]onjenga shigani dashi narur jayurobge hageji
[01:55.33]jujo anja borir mankhum nanun yaghaji anhunika
[02:02.95]
[02:15.40]Isesang kuthna girur gidaryo bwado
[02:21.50]ne jormangi kuth nanun gon aniji
[02:27.24](THE SHOW MUST GO ON)
[02:28.44]charari sarajigirur baranda hedo
[02:34.72]iaphumi sarajijin anhji
[02:39.17]
[02:41.68]Uriga ganun giri yogiso gallajyoya handamyon
[02:49.25]son hunduro junun go jumun oryobji anhdago
[02:55.41]damdamhan chog hancho ne jashinur
[02:59.50]sogyo boado donun sumgirsu obso
[03:06.90]
[03:08.12]Iron ne mosubur gyorkho noegenun boigi shirho
[03:14.98]ohiryo nega nungirur phihago ijiman
[03:20.50]onjenga shigani dashi narur jayurobge hageji
[03:28.13]jujo anja borir mankhum nanun yaghaji anhunika
[03:35.72]YES, I CAN GO MY WAY
[03:41.68]TIME WILL BE ON MY SIDE
[03:45.82]THE SHOW MUST GO ON
[03:49.69]
[03:56.24]
[04:03.30]END
=============
[中译歌词]
※我这个样子　不想被你看到
虽然是我在躲开那个眼神
但总有一天时间会再次让我自由吧
因为我不止于事会瘫坐在地的那么柔弱
(The Show Must Go On)
就算在等待这世界的末日　但不代表我的绝望就此结束
(The Show Must Go On)
就算你希望还不如消失掉　但这伤痛并不会消失
我们要走的路　如果说要在这里分割　挥挥手应该也不算什么
装做自信满满的欺骗自己　但无法欺骗下去了
repeat※
就算在等待这个世界的末日　但不代表我的绝望就此结束
(The Show Must Go On)
就算你希望还不如消失掉　但这伤痛并不会消失
我们要走的路　如果说要在这里分割　挥挥手应该也不算什么
装做自信满满的欺骗自己　但无法欺骗下去了
repeat※
Yes, I can go my way
Time will be on my side
The show must go on

Gregorian Chants[格林高 的歌曲

歌曲赏析

《The Show Must Go On - Gregorian Chants》是一首将现代摇滚经典与中世纪宗教音乐形式融合的跨界作品。以下从音乐改编、艺术表现和文化内涵三方面进行赏析：

1. 音乐改编的颠覆性
格林高利圣咏版本彻底重构了皇后乐队原作的电子摇滚基底，以无伴奏纯人声形式呈现。多声部拉丁文吟唱替代了原版强烈的节奏推进，管风琴式的和声织体营造出哥特式穹顶般的空间感。男声部采用中世纪调式音阶，女声部则以泛音点缀，形成神圣与戏剧性的张力。

2. 艺术表现的二元对立
作品通过宗教音乐形式解构了原曲关于死亡与坚持的命题。缓慢的韵律将"演出必须继续"的摇滚宣言转化为宿命般的宗教箴言，持续低音声部象征不可逆转的命运，而不断攀升的高音声部则体现灵魂的挣扎。这种处理使作品获得超越流行文化的仪式感。

3. 文化符号的当代转译
将20世纪摇滚经典植入8世纪音乐形式，构成跨越千年的艺术对话。拉丁文歌词的模糊发音消解了具体语义，使作品成为可承载多重解读的声音容器。圣咏形式赋予原曲新的精神维度，暗示流行文化中同样存在永恒的生命追问。

这种改编证明了经典旋律的无限可塑性，也展现了中世纪音乐形式在现代语境下的表现力。作品成功构建了连接世俗与神圣、古典与当代的听觉桥梁，其价值在于打破时空界限的艺术再创造。

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