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歌曲:《ネジ巻き師と太虚鳥》

ネジ巻き師と太虚鳥 - 欧美 文本歌词

ネジ巻き師と太虚鳥
one white crow said
you've been chosen
to wind this world
until the end
the first end came so suddenly
you couldn't say goodbye to me
the tenth came with agnony
I thought that we were meant to be
the hundredth end was simply
just an apathetic day for me
the thousandth end was ecstasy
the people begged for me to bleed
the millionth end was vanity
I thought I saw you smile at me
the billionth or the trillionth end
I gave up counting how many
remember when I used to be you?
unwind the world and your nightmare's gone
no,I can't leave the world by itself
—it needs me until "the end"
remember when we used to be two?
unwind the world and your nightmare's done
no, I refuse to know what is true
—the world's the same without me
one black crow said
you're not chosen
to wind the world
wait for the end
I killed the crow that tried deceiving
"no the world is up to me!"
the hundreds and the millions
are depending on what I believe
I buried him so deeply with the words
that always haunted me
his eyes reminded me of someone
who I used to long and grieve
remember when I used to be you?
unwind the world and your nightmare's gone
no,I can't leave the world by itself
—it needs me until "the end"
remember when we used to be two?
unwind the world and your nightmare's done
no, I refuse to know what is true
—the world's the same without me
which of the crows told you the truth?
unwind the world, is your nightmare gone
so, tell me, what's the "end of the world"
the crows were both myself
or was it you?

ネジ巻き師と太虚鳥 - 欧美 LRC歌词

[00:24.980]one white crow said
[00:29.990]you've been chosen
[00:36.050]to wind this world
[00:42.420]until the end
[00:49.900]the first end came so suddenly
[00:53.640]you couldn't say goodbye to me
[00:56.770]the tenth came with agnony
[00:59.910]I thought that we were meant to be
[01:03.150]the hundredth end was simply
[01:05.910]just an apathetic day for me
[01:09.840]the thousandth end was ecstasy
[01:12.870]the people begged for me to bleed
[01:16.610]the millionth end was vanity
[01:19.330]I thought I saw you smile at me
[01:22.480]the billionth or the trillionth end
[01:25.910]I gave up counting how many
[01:28.830]remember when I used to be you?
[01:31.940]unwind the world and your nightmare's gone
[01:35.160]no,I can't leave the world by itself
[01:38.230]—it needs me until \"the end\"
[01:41.700]remember when we used to be two?
[01:44.520]unwind the world and your nightmare's done
[01:47.820]no, I refuse to know what is true
[01:50.830]—the world's the same without me
[02:07.360]one black crow said
[02:12.510]you're not chosen
[02:18.450]to wind the world
[02:25.680]wait for the end
[02:32.020]I killed the crow that tried deceiving
[02:36.040]\"no the world is up to me!\"
[02:39.120]the hundreds and the millions
[02:41.830]are depending on what I believe
[02:45.590]I buried him so deeply with the words
[02:49.760]that always haunted me
[02:52.050]his eyes reminded me of someone
[02:55.540]who I used to long and grieve
[02:58.770]remember when I used to be you?
[03:01.360]unwind the world and your nightmare's gone
[03:04.700]no,I can't leave the world by itself
[03:07.820]—it needs me until \"the end\"
[03:11.350]remember when we used to be two?
[03:14.030]unwind the world and your nightmare's done
[03:17.440]no, I refuse to know what is true
[03:20.280]—the world's the same without me
[03:24.000]which of the crows told you the truth?
[03:27.000]unwind the world, is your nightmare gone
[03:30.330]so, tell me, what's the \"end of the world\"
[03:33.150]the crows were both myself
[03:36.940]or was it you?

欧美 的歌曲

歌曲赏析

《ネジ巻き師と太虚鳥》是一首融合东西方音乐美学的实验性作品,通过机械意象与虚空意象的碰撞构建出独特的听觉宇宙。以下从三个维度展开赏析:

一、音色设计的二元对立
全曲以发条齿轮的金属敲击音效开场,通过合成器模拟机械运转的节奏律动,与空灵飘渺的女声形成材质对抗。第二段加入的电子脉冲音效如同数据洪流,与尺八的苍凉音色形成数字与传统的对话,这种音效拼贴手法暗喻工业文明与自然哲学的冲突。

二、节奏结构的解构美学
4/4拍基础节奏中频繁插入3/8拍的齿轮卡顿式变奏,配合突然的休止符制造时间停滞感。副歌部分采用螺旋上升的旋律线,每小节递增半音阶模仿发条 tightening 的机械过程,与歌词"虚空に溶ける羽音"(溶解于虚空的羽音)形成听觉通感。

三、文化符号的跨域重构
标题中的"ネジ巻き師"(发条匠)象征西欧精密机械文明,而"太虚鸟"化用庄子《逍遥游》的鲲鹏意象。bridge部分将巴洛克式复调与日本都节音阶叠合,在G大调主旋律上叠加阴音阶的装饰音,构成文化基因的量子纠缠状态。

该作品通过声音炼金术将蒸汽朋克的机械美学与东方玄学思想熔铸为听觉装置艺术,每个音符都成为连接唯物与唯心的哲学接口,在电子音墙的缝隙间闪烁着物哀美学的幽光。

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