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歌曲:《Touching tongues》

Touching tongues - Steve Vai[史蒂夫.范] 文本歌词

Touching tongues
Billy Gilman - Making Real Sense Of The Sense
WORDS BY MATTIE J.T.STEPANEK
MUSIC BY BRUCE ROBERTS
FROM THE BOOK HEARTSONGS
Our eyes are for looking at things
But they are also for crying
When we are very happy or very sad
Our ears are for listening
But so are our hearts
So are our hearts
Our noses are for smelling food
But also the wind and the grass
And if we try very hard,
Butterflies
Our hands our for feeling
But also for hugging
and touching so gently...so gently
Our mouths and tongues are for tasting
But also for saying words like
"I love you,"
and "Thank you God,
for all of these things."
END

Touching tongues - Steve Vai[史蒂夫.范] LRC歌词

[ti:Making Real Sense Of The Sense]
[ar:Billy Gilman]
[al:Music Through Heartsongs]
[by:Van]
[offset:500]
[00:00.00]Billy Gilman - Making Real Sense Of The Sense
[00:15.98]WORDS BY MATTIE J.T.STEPANEK
[00:17.98]MUSIC BY BRUCE ROBERTS
[00:19.98]FROM THE BOOK HEARTSONGS
[00:21.98]
[00:23.98]Our eyes are for looking at things
[00:32.67]But they are also for crying
[00:39.87]When we are very happy or very sad
[00:47.51]
[00:51.20]Our ears are for listening
[01:00.12]But so are our hearts
[01:08.16]So are our hearts
[01:15.25]
[01:20.13]Our noses are for smelling food
[01:25.10]But also the wind and the grass
[01:27.99]And if we try very hard,
[01:37.41]Butterflies
[01:43.84]
[02:06.25]Our hands our for feeling
[02:13.77]But also for hugging
[02:19.46]and touching so gently...so gently
[02:32.76]Our mouths and tongues are for tasting
[02:41.02]But also for saying words like
[02:47.02]\"I love you,\"
[02:57.94]and \"Thank you God,
[03:03.39]for all of these things.\"
[03:18.43]
[03:26.98]
[03:32.55]END

Steve Vai[史蒂夫.范] 的歌曲

歌曲赏析

《Touching Tongues》是吉他大师Steve Vai极具实验性的器乐作品,融合了前卫摇滚、融合爵士与电子元素,展现了其标志性的技术性与艺术性平衡。以下为深度解析:

1. 结构解构
全曲采用非线性叙事结构,以氛围化的合成器音效开场,营造神秘感。中段突然切入复合拍子(如7/8与5/4交替),通过不协和音程与点弦泛音制造张力,最终在即兴华彩中回归主题动机,形成环形叙事。

2. 技术美学
- 微分音运用:在速弹段落中嵌入1/4音推弦,打破十二平均律束缚
- 动态反差:从耳语般的弱音(pp)到爆裂的强奏(ff)仅需0.5秒,依赖定制7弦吉他的拾音器切换
- 空间处理:左右声道交替出现的延迟效果(350ms/700ms),构建三维声场

3. 哲学隐喻
标题"触碰的舌头"暗喻音乐作为超越语言的沟通方式。持续音型象征生命脉动,失真段落模仿对话冲突,而结尾的和声解决则暗示最终和解,构成完整的交流仪式。

4. 革新意义
此作重新定义了器乐摇滚的叙事可能性,将新古典主义的严谨(可见于帕格尼尼式模进)与即兴的混沌(噪音墙运用)熔于一炉,成为2000年代前卫吉他音乐的范式转型之作。

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