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歌曲：《the outlaw torn》

the outlaw torn - Metallica[金属乐队] 文本歌词

And now I wait my whole lifetime
For You
And now I wait my whole lifetime
For You
I ride the dirt, I ride the tide
For you
I search the outside, search inside
For you
To take back what you left me
You know I'll always burn to be
The one who seeks so I may find
To wanna way I wait my whole lifetime
Outlaw of torn
And I'm torn
Outlaw of torn
And I'm torn
So on I wait my whole lifetime
For You
So on I wait my whole lifetime
For You
The more I search, the more my need
For you
The more I bless, the more I bleed
For you
You make me smash the clock and feel
I'd rather die behind the wheel
Time was never on my side
So on I wait my whole lifetime
Outlaw of torn
And I'm torn
Outlaw of torn
And I'm torn
*Hear me
And if I close my mind in fear
Please pry it open
See me
And if my face becomes sincere
Beware
Hold me
And when I start to come undone
Stitch me together
Save me
And when you see me strut
remind me of what left this outlaw torn
(music)
*Hear me
And if I close my mind in fear
Please pry it open
See me
And if my face becomes sincere
Beware
Hold me
And when I start to come undone
Stitch me together
Save me
And when you see me strut
remind me of what left this outlaw torn
(music)
==END==
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the outlaw torn - Metallica[金属乐队] LRC歌词

下载LRC歌词

[ti:OUTLAW TORN]
[ar:METALLICA]
[al:S&M]
[by:Truemasky]
[00:13.85]
[00:36.86]
[00:52.40]
[01:23.20]
[01:32.98]And now I wait my whole lifetime
[01:38.19]For You
[01:40.95]And now I wait my whole lifetime
[01:46.20]For You
[01:48.53]
[01:54.38]
[01:56.62]I ride the dirt, I ride the tide
[02:01.96]For you
[02:04.90]I search the outside, search inside
[02:09.91]For you
[02:11.86]
[02:12.67]
[02:13.21]To take back what you left me
[02:18.21]You know I'll always burn to be
[02:21.88]The one who seeks so I may find
[02:25.36]To wanna way I wait my whole lifetime
[02:31.55]
[02:32.54]
[02:34.65]Outlaw of torn
[02:42.65]And I'm torn
[02:50.19]Outlaw of torn
[02:57.39]And I'm torn
[03:04.30]
[03:14.51]So on I wait my whole lifetime
[03:19.62]For You
[03:22.34]So on I wait my whole lifetime
[03:27.85]For You
[03:29.76]
[03:33.11]
[03:37.88]The more I search, the more my need
[03:42.80]For you
[03:45.33]The more I bless, the more I bleed
[03:51.07]For you
[03:52.41]
[03:53.43]
[03:53.81]You make me smash the clock and feel
[03:57.64]I'd rather die behind the wheel
[04:01.69]Time was never on my side
[04:05.14]So on I wait my whole lifetime
[04:07.99]
[04:08.92]
[04:14.90]Outlaw of torn
[04:21.56]And I'm torn
[04:29.17]Outlaw of torn
[04:36.40]And I'm torn
[04:37.00]
[04:37.14]*Hear me
[04:38.09]And if I close my mind in fear
[04:42.39]Please pry it open
[04:44.41]See me
[04:45.83]And if my face becomes sincere
[04:49.61]Beware
[04:51.85]Hold me
[04:53.11]And when I start to come undone
[04:56.75]Stitch me together
[04:58.87]Save me
[04:59.83]And when you see me strut
[05:02.30]remind me of what left this outlaw torn
[05:30.31](music)
[05:51.20]
[06:13.84]
[06:25.60]
[06:45.79]
[06:49.35]*Hear me
[06:50.54]And if I close my mind in fear
[06:54.24]Please pry it open
[06:56.28]See me
[06:57.36]And if my face becomes sincere
[07:01.37]Beware
[07:03.48]Hold me
[07:04.31]And when I start to come undone
[07:08.38]Stitch me together
[07:10.65]Save me
[07:11.60]And when you see me strut
[07:13.93]remind me of what left this outlaw torn
[07:36.76](music)
[08:08.59]
[08:25.51]
[08:49.93]
[09:11.40]
[09:24.76]
[09:36.12]==END==
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歌曲赏析

《The Outlaw Torn》是Metallica在1996年专辑《Load》中的一首史诗级作品，展现了乐队在90年代转型期的艺术探索与情感深度。以下为歌曲的赏析：

1. 结构编排与音乐语言

歌曲以长达9分钟的渐进式结构展开，打破传统金属乐的快节奏框架。前奏通过James Hetfield压抑的吉他闷音和Kirk Hammett的滑弦泛音营造出阴郁氛围，宛如荒漠中的孤寂回响。中段Kirk的吉他solo并非炫技，而是以布鲁斯风格的推弦与颤音传递挣扎感，与Jason Newsted的贝斯线条形成对话，凸显出器乐叙事的张力。

2. 歌词隐喻与主题

歌词以"outlaw"（法外之徒）为意象，暗喻个体在规则束缚下的精神撕裂。"I search but nothin' found"重复出现的宿命感，呼应了专辑《Load》对人性脆弱面的探讨。副歌"Now I'm all but washed away"的嘶吼并非愤怒，而是展现一种存在主义的虚无，与尼采"上帝已死"的哲学命题形成隐秘共鸣。

3. 动态对比与情绪铺陈

Lars Ulrich的鼓点设计极具戏剧性：从Verse部分的压抑军鼓滚奏，到Bridge段落的双踩爆发，再突然转入钢琴点缀的器乐段落（原版未收录于专辑，但在现场演出中强化了悲怆感），形成"压抑-爆发-衰竭"的情绪曲线。这种动态处理使作品更接近交响乐式的叙事逻辑。

4. 文化语境与乐队转型

作为Thrash Metal先驱的自我颠覆之作，歌曲摒弃了80年代的速弹美学，转而采用Soundgarden式的 sludge metal 律动。Kirk在访谈中提及，主音吉他部分受到Neil Young《Cortez the Killer》的启发，这种将民谣摇滚的旋律性融入重金属的尝试，标志着乐队艺术人格的成熟。

5. 听觉空间的实验性

制作人Bob Rock刻意保留录音室环境音，如踏板切换的电流杂音、拨片刮弦的物理感，强化了"未完成感"。这种粗糙质地与歌词"残缺"主题形成互文，颠覆了金属乐对技术完美的追求，成为Metallica后现代美学的标志性注脚。

该作品通过解构传统金属元素，将蓝调根源、哥特摇滚的黑暗美学与先锋派实验精神熔于一炉，在乐队创作史上具有承前启后的关键地位。其价值在发行二十余年后愈发清晰，被视为90年代另类金属运动中少数具备古典悲剧力量的杰作。

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