Get Over It (Bonus Track)-Avril Lavigne(艾薇儿)_歌词分享_lrc歌词下载_找歌词_找歌名

歌曲：《Get Over It (Bonus Track)》

Get Over It (Bonus Track) - Avril Lavigne(艾薇儿) 文本歌词

歌手:Avril Lavigne(艾薇儿)
Avril Lavigne - Get Over It
Slipping down a slide
I did enjoy the ride
Don't know what to decide
You lied to me
You looked me in the eye
It took me by surprise
Now are you gratified
You cried to me
La, la, la, la, la
Don't turn around
I'm sick and I'm tired of your face
Don't make this worse
You've already gone and got me mad
It's too bad I'm not sad
It's casting over
It's just one of those things
You'll have to get over it
When I was feeling down
You'd start to hang around
And then I found your hands all over me
And that was out of bounds
You filthy rotten hound
It's better than it sounds, believe me
La, la, la, la, la
Don't turn around
I'm sick and I'm tired of your face
Don't make this worse
You've already gone and got me mad
It's too bad I'm not sad
It's casting over
It's just one of those things
You'll have to get over it
Hey, you gotta get over it
Hey, you gotta get over it
It's too bad I'm not sad
It's casting over
It's just one of those things
You'll have to get over it
Don't turn around
I'm sick and I'm tired of your face
Don't make this worse
You've already gone and got me mad
Don't turn around
I'm sick and I'm tired of your face
Don't make this worse
You've already gone and got me mad
It's too bad I'm not sad
It's casting over
It's just one of those things
You'll have to get over it
You'll have to get over it
END

Get Over It (Bonus Track) - Avril Lavigne(艾薇儿) LRC歌词

下载LRC歌词

[ti:Get Over It]
[ar:Avril Lavigne]
[al:Avril LavigneEP集锦]
[by:Van]
[offset:500]
[00:00.00]Avril Lavigne - Get Over It
[00:22.09]
[00:24.09]Slipping down a slide
[00:25.67]I did enjoy the ride
[00:27.45]Don't know what to decide
[00:29.34]You lied to me
[00:31.16]You looked me in the eye
[00:33.08]It took me by surprise
[00:34.94]Now are you gratified
[00:36.79]You cried to me
[00:38.89]
[00:41.48]La, la, la, la, la
[00:45.37]Don't turn around
[00:47.96]I'm sick and I'm tired of your face
[00:52.61]Don't make this worse
[00:55.34]You've already gone and got me mad
[00:59.78]It's too bad I'm not sad
[01:01.74]It's casting over
[01:03.48]It's just one of those things
[01:05.25]You'll have to get over it
[01:07.91]
[01:15.73]When I was feeling down
[01:17.60]You'd start to hang around
[01:19.42]And then I found your hands all over me
[01:23.12]And that was out of bounds
[01:25.00]You filthy rotten hound
[01:26.86]It's better than it sounds, believe me
[01:30.86]
[01:33.43]La, la, la, la, la
[01:37.23]Don't turn around
[01:39.78]I'm sick and I'm tired of your face
[01:44.51]Don't make this worse
[01:47.29]You've already gone and got me mad
[01:51.72]It's too bad I'm not sad
[01:53.58]It's casting over
[01:55.28]It's just one of those things
[01:57.10]You'll have to get over it
[01:59.76]Hey, you gotta get over it
[02:06.83]Hey, you gotta get over it
[02:13.25]
[02:13.83]It's too bad I'm not sad
[02:15.76]It's casting over
[02:17.62]It's just one of those things
[02:19.27]You'll have to get over it
[02:23.90]
[02:30.97]Don't turn around
[02:33.64]I'm sick and I'm tired of your face
[02:38.24]Don't make this worse
[02:40.92]You've already gone and got me mad
[02:45.16]
[02:45.72]Don't turn around
[02:48.40]I'm sick and I'm tired of your face
[02:53.12]Don't make this worse
[02:55.81]You've already gone and got me mad
[03:00.26]It's too bad I'm not sad
[03:02.00]It's casting over
[03:03.92]It's just one of those things
[03:05.69]You'll have to get over it
[03:08.84]
[03:13.00]You'll have to get over it
[03:16.68]
[03:20.67]
[03:26.05]END

Avril Lavigne(艾薇儿) 的歌曲

歌曲赏析

《Get Over It》作为艾薇儿早期作品中的隐藏曲目，以标志性的流行朋克风格展现了青春期特有的情绪张力。歌曲以失真吉他riff构建冲击性开场，配合密集的鼓点节奏，奠定了不妥协的对抗基调。

歌词采用直白的叙事语言，"So you had a bad day"的重复性hook句形成记忆锚点，通过第二人称视角构建对话感，将情感困境转化为具象化的生活场景。副歌部分爆发式的旋律线条与主歌的叙述性唱腔形成戏剧对比，体现从压抑到释放的情绪转折。

音乐制作上突出三大特点：一是刻意保留的粗粝音质强化真实感；二是桥段突然降调的变速处理制造听觉悬念；三是结尾处吉他solo与vocal的对抗性混音，象征自我挣扎后的突破。这些技术处理完美服务于歌曲"情绪宣泄-自我重建"的主题递进。

作为Bonus Track的特殊身份，这首歌既延续了艾薇儿早期作品中对青少年亚文化的精准捕捉，又在音乐性上展现出超越年龄的成熟度。失真音墙下隐藏的旋律性写作，预示了她后期创作中旋律深度的进化方向。