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歌曲:《Bangarang》

Bangarang - 跑步音乐 文本歌词

Bangarang
Bangarang - Skrillex
Shout to all my lost boys
Sh-sh-sh-sh-sh-shout to all my lost boys
We rowdy
Shout to all my lost boys
Sh-sh-sh-sh-sh-shout to all my lost boys
We rowdy
Shout to all my lost boys
Sh-sh-sh-sh-sh-shout to all my lost boys
We rowdy
Shout to all my lost boys
Sh-sh-sh-sh-sh-shout to all my lost boys
Bangarang! (BASS!)
Bangarang
Take me under
Bangarang
Take me under (BASS)
Bangarang
Take me under
Bangarang
Take me under (BASS)
Shout to all my lost boys
Sh-sh-sh-sh-sh-shout to all my lost boys
We rowdy
Shout to all my lost boys
Sh-sh-sh-sh-sh-shout to all my lost boys
Bangarang!
Shout to all my lost boys
Sh-sh-sh-sh-sh-shout to all my lost boys
Bangarang! (BASS!)
Take me under
Take me under
Take me under
Bangarang (BASS)
Shout to all my lost boys
Sh-sh-sh-sh-sh-shout to all my lost boys
We rowdy
Shout to all my lost boys
Sh-sh-sh-sh-sh-shout to all my lost boys
We rowdy
Shout to all my lost boys
Sh-sh-sh-sh-sh-shout to all my lost boys
We rowdy
Shout to all my lost boys
Sh-sh-sh-sh-sh-shout to all my lost boys
We rowdy
Shout to all my lost boys
Sh-sh-sh-sh-sh-shout to all my lost boys
Bangarang! (BASS!)
Take me under
Take me under
Bangarang
Take me under
Bangarang
Take me under (bass)
They say I lost my marbles,
but I got these beats banging out the back of my Toy car
Aye yo! I m eating fun-dip right now,
not giving a fuuuuucckkk.

Bangarang - 跑步音乐 LRC歌词

[ti:Bangarang]
[ar:Skrillex]
[00:00.51]Bangarang - Skrillex
[00:09.31]Shout to all my lost boys
[00:10.44]Sh-sh-sh-sh-sh-shout to all my lost boys
[00:12.95]We rowdy
[00:13.67]Shout to all my lost boys
[00:15.00]Sh-sh-sh-sh-sh-shout to all my lost boys
[00:17.22]We rowdy
[00:17.99]Shout to all my lost boys
[00:19.30]Sh-sh-sh-sh-sh-shout to all my lost boys
[00:21.51]We rowdy
[00:22.33]Shout to all my lost boys
[00:23.70]Sh-sh-sh-sh-sh-shout to all my lost boys
[00:25.77]Bangarang! (BASS!)
[00:27.47]
[00:30.29]Bangarang
[00:35.00]Take me under
[00:36.12]
[00:39.24]Bangarang
[00:39.89]
[00:43.59]Take me under (BASS)
[00:46.81]
[00:47.77]Bangarang
[00:48.62]
[00:52.29]Take me under
[00:55.57]
[00:56.51]Bangarang
[00:57.32]
[01:01.00]Take me under (BASS)
[01:02.54]Shout to all my lost boys
[01:03.56]Sh-sh-sh-sh-sh-shout to all my lost boys
[01:05.19]We rowdy
[01:06.00]Shout to all my lost boys
[01:07.28]Sh-sh-sh-sh-sh-shout to all my lost boys
[01:09.59]Bangarang!
[01:10.46]Shout to all my lost boys
[01:11.75]Sh-sh-sh-sh-sh-shout to all my lost boys
[01:14.47]
[01:18.53]Bangarang! (BASS!)
[01:19.69]
[01:27.25]Take me under
[01:28.18]
[01:35.91]Take me under
[01:37.75]
[01:44.61]Take me under
[01:53.14]Bangarang (BASS)
[01:54.85]
[02:03.12]Shout to all my lost boys
[02:04.25]Sh-sh-sh-sh-sh-shout to all my lost boys
[02:06.42]We rowdy
[02:07.22]Shout to all my lost boys
[02:08.43]Sh-sh-sh-sh-sh-shout to all my lost boys
[02:10.64]We rowdy
[02:11.97]
[02:33.57]Shout to all my lost boys
[02:34.71]Sh-sh-sh-sh-sh-shout to all my lost boys
[02:36.83]We rowdy
[02:37.72]Shout to all my lost boys
[02:38.98]Sh-sh-sh-sh-sh-shout to all my lost boys
[02:41.31]We rowdy
[02:42.09]Shout to all my lost boys
[02:43.31]Sh-sh-sh-sh-sh-shout to all my lost boys
[02:45.45]Bangarang! (BASS!)
[02:46.82]
[02:54.31]Take me under
[03:03.12]Take me under
[03:07.38]Bangarang
[03:11.90]Take me under
[03:16.11]Bangarang
[03:17.02]
[03:20.68]Take me under (bass)
[03:21.67]They say I lost my marbles,
[03:22.69]but I got these beats banging out the back of my Toy car
[03:26.58]Aye yo! I m eating fun-dip right now,
[03:28.98]not giving a fuuuuucckkk.
[03:30.20]

跑步音乐 的歌曲

歌曲赏析

《Bangarang》作为一首典型的电子舞曲,其赏析可从以下几个维度展开:

1. 节奏设计
- 采用EDM经典的4/4拍结构,BPM维持在140左右,契合高强度跑步的步频需求
- 副歌部分通过密集的底鼓和军鼓叠加,形成脉冲式节奏驱动,模拟运动时的心跳加速感
- 桥段加入变速处理,类似跑步中的间歇训练节奏变化

2. 音色运用
- 主旋律使用锯齿波合成器音色,高频段能量突出,刺激听觉神经保持兴奋状态
- 低频部分采用分层贝斯设计,既保证胸腔共振又不失清晰度
- 环境音效中融入金属碰撞声,暗合跑步时的器械训练联想

3. 动态编排
- 前奏以渐进式滤波开场,模拟运动前的热身准备
- 主歌到预副歌的16小节能量积累,对应跑步中的配速提升阶段
- 副歌后突然的静默处理,制造类似"跑者高潮"的生理刺激点

4. 心理映射
- 重复的呐喊式人声采样激活大脑奖励机制
- 持续上升的旋律线暗示运动中的突破感
- 未解决的终止式营造继续运动的心理期待

该曲通过精确的声学工程,将运动生理反应转化为可听化结构,其价值在于用音乐语法重构了运动体验的时间维度。高频能量与节奏张力的配比经过科学计算,使听者在无意识中进入最佳运动状态。

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