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歌曲:《The stage of the Paris opera, 1905》

The stage of the Paris opera, 1905 - 韦伯 文本歌词

The stage of the Paris opera, 1905
Phantom of the Opera - PROLOGUE
THE STAGE OF THE PARIS OPERA, 1905
(The opera house is being auctioned off. RAOUL is seventy now)
AUCTIONEER: Sold. Your number, sir? Thank you.
Lot 665, ladies and gentlemen:
a papier-maché musical box, in the shape of a barrel-organ.
Attached, the figure of a monkey in Persian robes
playing the cymbals. This item,
discovered in the vaults of the theatre, still in working order.
PORTER: Showing here. (He sets it in motion)
AUCTIONEER: May I start at 20 francs? 15, then? 15 I am bid.
(The bidding continues. RAOUL buys the box for 30 francs)
Sold, for 30 francs to the Vicomte de Chagny. Thank you, sir.
(The box is handed across to RAOUL. He studies it)
RAOUL (quietly, half to himself, half to the box)
A collector's piece indeed . .
every detail exactly as she said . . .
She often spoke of you, my friend ....
Your velvet lining, and your figurine of lead...
Will you still play,
when all the rest of us are dead?
AUCTIONEER: Lot 666, then: a chandelier in pieces.
Some of you may recall the strange affair
of the Phantom of the Opera:
a mystery never fully explained.
We are told ladies and gentlemen,
that this is the very chandelier
which figures in the famous disaster.
Our workshops have restored it and fitted up parts of it
with wiring for the new electric light,
so that we may get a hint of what it may look like when re-assembled.
Perhaps we may frighten away the ghost of so many years ago
with a little illumination, gentlemen?
LRC: yangchencen
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The stage of the Paris opera, 1905 - 韦伯 LRC歌词

[00:00.00]Phantom of the Opera - PROLOGUE
[00:01.00]
[00:01.50]THE STAGE OF THE PARIS OPERA, 1905
[00:02.00](The opera house is being auctioned off. RAOUL is seventy now)
[00:02.50]AUCTIONEER: Sold. Your number, sir? Thank you.
[00:08.93]Lot 665, ladies and gentlemen:
[00:12.03]a papier-maché musical box, in the shape of a barrel-organ.
[00:16.10]Attached, the figure of a monkey in Persian robes
[00:19.11]playing the cymbals. This item,
[00:21.36]discovered in the vaults of the theatre, still in working order.
[00:26.63]PORTER: Showing here. (He sets it in motion)
[00:28.68]AUCTIONEER: May I start at 20 francs? 15, then? 15 I am bid.
[00:32.92](The bidding continues. RAOUL buys the box for 30 francs)
[00:37.40]Sold, for 30 francs to the Vicomte de Chagny. Thank you, sir.
[00:42.59](The box is handed across to RAOUL. He studies it)
[00:47.92]RAOUL (quietly, half to himself, half to the box)
[00:49.92]A collector's piece indeed . .
[00:55.09]every detail exactly as she said . . .
[01:00.59]She often spoke of you, my friend ....
[01:04.11]Your velvet lining, and your figurine of lead...
[01:10.67]Will you still play,
[01:13.00]when all the rest of us are dead?
[01:19.19]AUCTIONEER: Lot 666, then: a chandelier in pieces.
[01:23.66]Some of you may recall the strange affair
[01:26.07]of the Phantom of the Opera:
[01:28.15]a mystery never fully explained.
[01:30.30]We are told ladies and gentlemen,
[01:31.99]that this is the very chandelier
[01:34.09]which figures in the famous disaster.
[01:37.67]Our workshops have restored it and fitted up parts of it
[01:41.07]with wiring for the new electric light,
[01:43.16]so that we may get a hint of what it may look like when re-assembled.
[01:47.74]Perhaps we may frighten away the ghost of so many years ago
[01:51.99]with a little illumination, gentlemen?
[01:52.50]
[01:53.00]LRC: yangchencen
LRC歌词网音乐网 http://悦笙音乐网提供

韦伯 的歌曲

歌曲赏析

《The Stage of the Paris Opera, 1905》是韦伯音乐剧《歌剧魅影》中的一首重要器乐作品,以恢弘的管弦乐编织出巴黎歌剧院的艺术灵魂。以下为歌曲的深度赏析:

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1. 音乐结构的戏剧性铺陈
乐曲以弦乐颤音与竖琴滑奏开场,营造出歌剧院帷幕初启的神秘感。中段铜管与定音鼓的加入形成强烈对比,暗示剧中权力与欲望的冲突。韦伯通过复调手法让木管与弦乐声部交织,象征剧中人物关系的复杂纠缠。

2. 空间感的音画塑造
运用回声效果和音区跳跃(如低音提琴的持续音与长笛高音旋律的对位),精准复现了歌剧院建筑的金碧辉煌与隐秘角落的阴翳。钟琴的穿插宛如水晶吊灯折射的光斑,赋予听觉以视觉层次的通感体验。

3. 时代符号的音乐转译
圆舞曲节奏的变形处理既呼应1905年的欧洲沙龙文化,又通过不规则的切分音打破传统,预示旧秩序下暗涌的现代性危机。单簧管独奏段落采用全音阶,模糊调性的手法暗合德彪西印象派风格,展现世纪之交的艺术思潮碰撞。

4. 叙事潜文本的器乐表达
大提琴声部反复出现的下行四度动机,实为剧中"魅影"主题的变体。定音鼓的渐强滚奏并非单纯的力度变化,而是对后续戏剧冲突的预言式陈述,体现韦伯"主导动机"创作理念的高度成熟。

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该曲堪称"无词歌剧",通过纯器乐语言完成了场景描绘、性格暗示与命运预兆的三重功能,展现了音乐剧配乐从伴奏升华为独立叙事体的艺术高度。

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