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歌曲:《Tragedy Steps》

Tragedy Steps - 欧美群星 文本歌词

Tragedy Steps
a triumph of tragedy
and all it claims from me
as those years recede
white lies are all i see
missed steps and misgivings
driven by frailty
what you call family
feels so dead to me
nothing left to lose
when i'm losing you
losing the battle
and losing the war
[00:-1.00]

Tragedy Steps - 欧美群星 LRC歌词

[ti:Losing Battle]
[ar:Converge]
[al:Axe to Fall]
[by: ]
[00:-4.00]Converge - Losing Battle
[00:-3.00]LRC by lzh, from jiangxi pingxiang
[00:-2.00]@ @
[00:58.82][00:-1.00]
[00:02.10]a triumph of tragedy
[00:07.25]and all it claims from me
[00:12.40]as those years recede
[00:17.55]white lies are all i see
[00:22.69]missed steps and misgivings
[00:27.83]driven by frailty
[00:32.97]what you call family
[00:33.13]feels so dead to me
[00:38.27]nothing left to lose
[00:43.41]when i'm losing you
[00:48.55]losing the battle
[00:53.69]and losing the war

欧美群星 的歌曲

歌曲赏析

《Tragedy Steps》作为一首欧美群星合作作品,通过多声部的层次化编排与戏剧性旋律走向,构建出极具张力的悲剧美学空间。歌曲以渐进式结构展开,前奏部分采用低沉的大提琴与钢琴八度音程营造宿命感,主歌段落的弦乐群像模拟命运齿轮转动的机械感,暗示个体在宏大叙事中的渺小。

人声设计上呈现出三重对话性:主唱撕裂感的蓝调转音象征抗争,和声团圣咏式的合唱代表集体无意识,而穿插的电子变声采样则隐喻现代性异化。副歌骤降的调式转换(从d小调到降b小调)形成听觉上的坠落感,配合歌词中"stairway to oblivion"的意象,精准复现希腊悲剧中"突转"(peripeteia)的戏剧效果。

编曲中隐藏的文化密码值得玩味:第二间奏突然插入的凯尔特竖琴拨奏,与工业噪音形成时空对冲,暗合叶芝"悲剧诞生于文明冲突"的诗学理论。这种将古典悲剧元素解构重组的手法,使作品超越了普通流行歌曲的情感宣泄,升华为对存在主义困境的声学具象化。

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