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歌曲:《no man s land》

no man s land - Tangerine Dream[橘红梦/ 文本歌词

no man s land
Tilly and the Wall - Blood Flower
卜超 制作
The scent of flowers in the crowded street
A lonely bell singing for passing feet
“You may not come in here
(You may not come in here)
Sweaty time, dirty time to stand
Watch out mouth, hard argument
You may not come in here
(You may not come in here)”
Hey, fold your flag out a steer(?) (fold your flag)
Hoist it up high to make it real (hoist it high)
A canvas bag to fit it all (a canvas bag)
Hands suspended all, needs to bend and crawl
Well, whose land are you standing on?
Lines, lines, lines
Poor man’s ice cream
Poor man’s ice cream
And this is so, so, so real
You can see that, shining in the gutter
It’s right over there
(no, it’s not over here)
Then which way are you supposed to fear?
A full set of broken teeth to bear
It’s right over there
(no, it’s not over here)
They built a wall out of bricks (built a wall)
Made it real long, made sure everyone could see it (made it real long)
A message write and this (a message write)
“This is not your home
You do not belong here”
Well, whose land are you standing on?
They’re na-na-na-na-knocking on your door
Well, whose land are you standing on?
They’re na-na-na-na-knocking on your store
What were you dreaming of?
Yeah, what were you dreaming of?
Poor man’s ice cream
Poor man’s ice cream
What do you want from us?
Yeah, what do you want from us?
Poor man’s ice cream
Poor man’s ice cream
What were you dreaming of?
Yeah, what were you dreaming of?
Poor man’s ice cream
Poor man’s ice cream

no man s land - Tangerine Dream[橘红梦/ LRC歌词

[ti:Blood Flower]
[ar:Tilly and the Wall]
[al:o]
[by:活在当下]
[00:01.24]Tilly and the Wall - Blood Flower
[00:02.63]
[00:02.83] 卜超 制作
[00:04.37]
[00:04.54]The scent of flowers in the crowded street
[00:07.95]A lonely bell singing for passing feet
[00:11.44]“You may not come in here
[00:13.25](You may not come in here)
[00:15.05]Sweaty time, dirty time to stand
[00:18.59]Watch out mouth, hard argument
[00:22.14]You may not come in here
[00:23.94](You may not come in here)”
[00:25.70]
[00:25.90]Hey, fold your flag out a steer(?) (fold your flag)
[00:29.09]Hoist it up high to make it real (hoist it high)
[00:32.99]A canvas bag to fit it all (a canvas bag)
[00:36.03]Hands suspended all, needs to bend and crawl
[00:39.68]
[00:39.93]Well, whose land are you standing on?
[00:43.17]Lines, lines, lines
[00:46.78]Poor man’s ice cream
[00:48.58]Poor man’s ice cream
[00:51.16]
[00:54.54]And this is so, so, so real
[00:57.88]You can see that, shining in the gutter
[01:01.34]It’s right over there
[01:03.17](no, it’s not over here)
[01:04.84]Then which way are you supposed to fear?
[01:08.16]
[01:08.58]A full set of broken teeth to bear
[01:11.88]It’s right over there
[01:13.74](no, it’s not over here)
[01:15.67]
[01:15.86]They built a wall out of bricks (built a wall)
[01:18.84]Made it real long, made sure everyone could see it (made it real long)
[01:22.66]A message write and this (a message write)
[01:25.96]“This is not your home
[01:27.61]You do not belong here”
[01:29.76]
[01:29.97]Well, whose land are you standing on?
[01:32.87]They’re na-na-na-na-knocking on your door
[01:36.45]Well, whose land are you standing on?
[01:39.96]They’re na-na-na-na-knocking on your store
[01:43.53]
[01:50.71]What were you dreaming of?
[01:54.10]Yeah, what were you dreaming of?
[01:57.73]Poor man’s ice cream
[01:59.65]Poor man’s ice cream
[02:01.49]What do you want from us?
[02:04.90]Yeah, what do you want from us?
[02:08.57]Poor man’s ice cream
[02:10.27]Poor man’s ice cream
[02:12.07]What were you dreaming of?
[02:15.55]Yeah, what were you dreaming of?
[02:19.24]Poor man’s ice cream
[02:20.84]Poor man’s ice cream
[02:29.18]

Tangerine Dream[橘红梦/ 的歌曲

歌曲赏析

《No Man's Land》是德国电子音乐先驱Tangerine Dream(橘红梦)的代表作之一,展现了乐队标志性的氛围电子风格。作品通过合成器音色堆叠与渐进式结构,构建出一个充满未来感的声学空间。

音乐以缓慢铺陈的电子脉冲开场,模拟出荒芜之地的空旷感。中段通过模块化合成器制造的蜂鸣式音效,形成类似地质运动的机械韵律,暗喻人类文明与自然力量的对抗。高潮部分采用重复的琶音序列,配合延迟效果营造出迷幻的时空错位感,象征科技文明对未知领域的探索。

作品突破传统旋律框架,通过频率调制技术实现音色的动态演变,每个声部都像具有生命力的有机体相互渗透。打击乐元素被处理成金属质感的回声,强化了"无人之境"的科幻意象。结尾部分逐渐消解的音符,暗示着人类在永恒宇宙中的渺小存在。

这首作品体现了70年代柏林学派的电子乐美学,将科技工具转化为艺术表达媒介,用声音雕塑出超越现实的精神图景。其声场设计不仅具有空间叙事性,更蕴含着对人类文明边界的哲学思考。

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