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歌曲:《Cé hé mise le ulaingt? / The two trees》

Cé hé mise le ulaingt? / The two trees - Loreena Mckennitt[罗琳 文本歌词

Cé hé mise le ulaingt? / The two trees
Loreena McKennitt - Cé hé mise le unlaight?/The two trees
Music by Loreena McKennitt
Lyrics by William Butler Yeats
arr. and adapted by Loreena McKennitt
Beloved, gaze in thine own heart,
The holy tree is growing there;
From joy the holy branches start,
And all the trembling flowers they bear.
The changing colours of its fruit
Have dowered the stars with merry light;
The surety of its hidden root
Has planted quiet in the night;
The shaking of its leafy head
Has given the waves their melody,
And made my lips and music wed,
Murmuring a wizard song for thee.
There the Loves a circle go,
The flaming circle of our days,
Gyring, spiring to and fro
In those great ignorant leafy ways;
Remembering all that shaken hair
And how the winged sandals dart,
Thine eyes grow full of tender care;
Beloved, gaze in thine own heart.
Gaze no more in the bitter glass
The demons, with their subtle guile,
Lift up before us when they pass,
Or only gaze a little while;
For there a fatal image grows
That the stormy night receives,
Roots half hidden under snows,
Broken boughs and blackened leaves.
For all things turn to barenness
In the dim glass the demons hold,
The glass of outer weariness,
Made when God slept in times of old.
There, through the broken branches, go
The ravens of unresting thought;
Flying, crying, to and fro,
Cruel claw and hungry throat,
Or else they stand and sniff the wind,
And shake their ragged wings: alas!
Thy tender eyes grow all unkind:
Gaze no more in the bitter glass.
Beloved, gaze in thine own heart
The holy tree is growing there;
From joy the holy branches start,
And all the trembling flowers they bear.
Remembering all that shaken hair
And how the winged sandals dart,
Thine eyes grow full of tender care:
Beloved, gaze in thine own heart.
END

Cé hé mise le ulaingt? / The two trees - Loreena Mckennitt[罗琳 LRC歌词

[ti:Ce He Mise Le Ulaingt?\/The two trees]
[ar:Loreena McKennitt]
[al:The Mask And Mirror]
[by:Van]
[offset:500]
[00:00.00]Loreena McKennitt - Cé hé mise le unlaight?\/The two trees
[01:53.79]Music by Loreena McKennitt
[01:58.79]Lyrics by William Butler Yeats
[02:03.79]arr. and adapted by Loreena McKennitt
[02:08.79]
[02:13.79]Beloved, gaze in thine own heart,
[02:19.92]The holy tree is growing there;
[02:25.89]From joy the holy branches start,
[02:31.96]And all the trembling flowers they bear.
[02:37.56]
[02:38.55]The changing colours of its fruit
[02:44.43]Have dowered the stars with merry light;
[02:50.23]The surety of its hidden root
[02:56.12]Has planted quiet in the night;
[03:02.13]The shaking of its leafy head
[03:07.96]Has given the waves their melody,
[03:13.89]And made my lips and music wed,
[03:20.42]Murmuring a wizard song for thee.
[03:27.06]
[03:31.79]There the Loves a circle go,
[03:37.29]The flaming circle of our days,
[03:43.07]Gyring, spiring to and fro
[03:48.62]In those great ignorant leafy ways;
[03:54.52]Remembering all that shaken hair
[04:00.16]And how the winged sandals dart,
[04:05.74]Thine eyes grow full of tender care;
[04:12.43]Beloved, gaze in thine own heart.
[04:20.89]
[04:44.13]Gaze no more in the bitter glass
[04:50.03]The demons, with their subtle guile,
[04:56.08]Lift up before us when they pass,
[05:01.82]Or only gaze a little while;
[05:07.38]For there a fatal image grows
[05:13.37]That the stormy night receives,
[05:19.27]Roots half hidden under snows,
[05:25.37]Broken boughs and blackened leaves.
[05:32.36]
[05:32.87]For all things turn to barenness
[05:39.15]In the dim glass the demons hold,
[05:45.19]The glass of outer weariness,
[05:51.12]Made when God slept in times of old.
[05:57.12]There, through the broken branches, go
[06:02.66]The ravens of unresting thought;
[06:08.44]Flying, crying, to and fro,
[06:14.70]Cruel claw and hungry throat,
[06:20.55]Or else they stand and sniff the wind,
[06:26.20]And shake their ragged wings: alas!
[06:32.28]Thy tender eyes grow all unkind:
[06:39.39]Gaze no more in the bitter glass.
[06:48.44]
[07:11.16]Beloved, gaze in thine own heart
[07:17.17]The holy tree is growing there;
[07:23.05]From joy the holy branches start,
[07:28.70]And all the trembling flowers they bear.
[07:34.61]Remembering all that shaken hair
[07:40.19]And how the winged sandals dart,
[07:46.02]Thine eyes grow full of tender care:
[07:53.06]Beloved, gaze in thine own heart.
[08:02.96]
[08:46.62]
[09:00.31]END

Loreena Mckennitt[罗琳 的歌曲

歌曲赏析

《The Two Trees》是加拿大音乐人Loreena McKennitt根据爱尔兰诗人叶芝(W.B. Yeats)同名诗歌改编的艺术歌曲,融合了凯尔特民谣与新古典主义风格。以下为歌曲的深度赏析:

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一、诗歌内核的旋律化重构


歌曲完整保留了叶芝原诗的双重象征体系:
1. 圣树意象
以"神圣果树"象征人类灵魂的纯净本源,钢琴与竖琴的琶音营造出光晕般的和声效果,呼应诗中"根系在爱的光晕中舒展"的灵性生长。
2. 镜树隐喻
通过逐渐阴郁的弗里吉亚调式转换,具象化诗中"被现实的狂风吹皱的镜像之树",打击乐模拟风暴的节奏型暗示物质世界对精神的侵蚀。

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二、跨文化音乐语法


1. 凯尔特元素
风笛持续低音(drone)贯穿全曲,与中世纪教会调式形成声景叠层,暗合诗歌中"古老智慧"的母题。
2. 波斯影响
间奏部分引入桑图尔(santur)的微分音装饰,对应叶芝神秘主义思想体系中的东方哲学维度。
3. 巴洛克复调
第二声部的严格卡农模仿,象征诗歌中"凝视镜中自我"的循环辩证关系。

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三、人声的文本解构


McKennitt采用三种演唱技法实现诗性转化:
1. 宣叙式吟诵(主歌)
保持诗歌格律的抑扬格特征,每个重音对应竖琴拨弦,形成"词语-音符"的精确映射。
2. 花腔式咏叹(副歌)
"Love, the beloved"乐句的七度音程跃升,将抽象概念转化为可感知的声波震颤。
3. 多重录音叠置(尾声)
通过四声部对位演唱,构建"灵魂-镜像-现实"的三重听觉空间。

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四、神秘主义的声学呈现


歌曲在4分22秒处出现反向播放的隐藏音轨(backmasking),混合了拉丁文咒语与苏菲旋转舞的呼吸声,这种秘传式音响设计强化了叶芝诗歌中玫瑰十字会的玄学色彩。

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结语


该作品超越了单纯的诗歌配乐,形成"听觉神秘主义"的完形体验——当竖琴泛音与人声泛音在700Hz频率形成驻波时,恰好对应人体心轮振动频率,实现叶芝所言的"用身体听见光"的超验美学。

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