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歌曲:《Holy Wars》

Holy Wars - Megadeth[麦格戴斯/大屠杀] 文本歌词

Holy Wars
The birds they sang
at the break of day
Start again
I heard them say
Don't dwell on what
has passed away
or what is yet to be.
Ah the wars they will
be fought again
The holy dove
She will be caught again
bought and sold
and bought again
the dove is never free.
Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That's how the light gets in.
We asked for signs
the signs were sent:
the birth betrayed
the marriage spent
Yeah the widowhood
of every government --
signs for all to see.
I can't run no more
with that lawless crowd
while the killers in high places
say their prayers out loud.
But they've summoned, they've summoned up
a thundercloud
and they're going to hear from me.
Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That's how the light gets in.
You can add up the parts
but you won't have the sum
You can strike up the march,
there is no drum
Every heart, every heart
to love will come
but like a refugee.
Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in.
Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in.
That's how the light gets in.
That's how the light gets in.

Holy Wars - Megadeth[麦格戴斯/大屠杀] LRC歌词

[ti:anthem]
[ar:leonard cohen ]
[al:The Future]
[by:]
[00:09.50]The birds they sang
[00:12.50]at the break of day
[00:16.50]Start again
[00:19.50]I heard them say
[00:24.50]Don't dwell on what
[00:28.50]has passed away
[00:32.50]or what is yet to be.
[00:34.50]
[00:39.50]Ah the wars they will
[00:43.50]be fought again
[00:47.50]The holy dove
[00:50.50]She will be caught again
[00:55.50]bought and sold
[00:59.50]and bought again
[01:01.50]the dove is never free.
[01:05.50]
[01:09.50]Ring the bells that still can ring
[01:17.50]Forget your perfect offering
[01:23.50]There is a crack in everything
[01:32.50]That's how the light gets in.
[01:34.50]
[01:46.50]We asked for signs
[01:49.50]the signs were sent:
[01:53.50]the birth betrayed
[01:57.50]the marriage spent
[02:02.50]Yeah the widowhood
[02:05.50]of every government --
[02:09.50]signs for all to see.
[02:11.50]
[02:15.50]I can't run no more
[02:19.50]with that lawless crowd
[02:24.50]while the killers in high places
[02:27.50]say their prayers out loud.
[02:31.50]But they've summoned, they've summoned up
[02:35.50]a thundercloud
[02:38.50]and they're going to hear from me.
[02:41.50]
[02:46.50]Ring the bells that still can ring
[02:54.50]Forget your perfect offering
[03:01.50]There is a crack in everything
[03:08.50]That's how the light gets in.
[03:11.50]
[03:23.50]You can add up the parts
[03:27.50]but you won't have the sum
[03:31.50]You can strike up the march,
[03:35.50]there is no drum
[03:39.50]Every heart, every heart
[03:43.50]to love will come
[03:46.50]but like a refugee.
[03:49.50]
[03:54.50]Ring the bells that still can ring
[04:01.50]Forget your perfect offering
[04:08.50]There is a crack, a crack in everything
[04:16.50]That's how the light gets in.
[04:19.50]
[04:31.50]Ring the bells that still can ring
[04:39.50]Forget your perfect offering
[04:47.50]There is a crack, a crack in everything
[04:53.50]That's how the light gets in.
[04:56.50]That's how the light gets in.
[05:01.50]That's how the light gets in.
[05:05.50]

Megadeth[麦格戴斯/大屠杀] 的歌曲

歌曲赏析

《Holy Wars... The Punishment Due》是激流金属先驱Megadeth最具代表性的作品之一,融合了政治批判、宗教反思与技术性演奏的巅峰之作。以下从三个维度进行赏析:

1. 音乐结构的战争美学
歌曲采用双章节叙事结构,前段"Holy Wars"以锯齿状riff开场,Dave Mustaine用不和谐音程构建出战场般的听觉张力。鼓手Nick Menza的复合拍切换(如3/4与4/4交替)模拟战争无序感,而"战争序幕"的吉他solo采用中东音阶,暗喻冲突的地缘根源。后段"The Punishment Due"突然转入西部电影式拨弦,通过 Marty Friedman 的尼龙弦吉他solo完成风格裂变,体现善恶惩罚的二元对立。

2. 歌词的预言性批判
Mustaine通过"假先知借上帝之名屠戮"直指宗教工具化,歌词中"十字架成为刺刀"的意象解构了神圣符号。第二段转向冷战思维批判,"核弹发射密码刻在圣经上"的悖论式表述,揭露意识形态战争的非理性。值得注意的是,1990年发行的这首歌预见了21世纪持续发酵的宗教冲突。

3. 技术暴力的艺术转化
歌曲堪称激流金属教科书:Chris Poland的贝斯线在"惩罚"段落采用行走低音(walking bass),与吉他构成复调对抗;Mustaine的"蛇形"推弦技巧(如主歌riff的半音下滑)制造眩晕感;结尾的琶音群像陨石雨般砸落,将技术难度转化为情感冲击力。这种精密编排的"暴力美学",使7分12秒的时长充满戏剧张力。

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