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歌曲:《From The Same Hill》

From The Same Hill - BrianEno[布赖恩·伊诺] 文本歌词

From The Same Hill
Thom Yorke - Harrowdown Hill
悦笙音乐网 制作
Don't walk the plank like I did
You will be dispensed with
When you've become inconvenient
upon the harrowdown hill
Where you used to go to school
That's where I am
That's where I'm lying down
Did I fall or was I pushed?
Did I fall or was I pushed?
And where's the blood?
And where's the blood?
I'm coming home
I'm coming home
To make it all right
So dry your eyes
We think the same things at the same time
We just cant do anything about it
So don't ask me
Ask the ministry
Don't ask me
Ask the ministry
We think the same things at the same time
There are so many of us
So you can't count
We think the same things at the same time
There are too many of us
So you can't count
Can you see me when I'm running?
Can you see me when I'm running?
Away from them
I can't take their pressure
No one cares if you live or die
They just want me gone
They want me gone
I'm coming home
I'm coming home
To make it all right
So dry your eyes
We think the same things at the same time
We just cant do anything about it
We think the same things at the same time
There are too many of us
So you can't
There are too many of us
So you can't count
It was a slippery slippery slippery slope
It was a slippery slippery slippery slope
I feel me slipping in and out of consciousness
I feel me slipping in and out of consciousness
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END
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From The Same Hill - BrianEno[布赖恩·伊诺] LRC歌词

[ti:Harrowdown Hill]
[ar:Thom Yorke]
[al:The Eraser]
[by: ]
[offset:500]
[00:00.00]Thom Yorke - Harrowdown Hill
[00:19.20]悦笙音乐网 制作
[00:21.20]
[00:23.20]Don't walk the plank like I did
[00:27.10]You will be dispensed with
[00:31.44]When you've become inconvenient
[00:38.73]upon the harrowdown hill
[00:42.62]Where you used to go to school
[00:46.86]That's where I am
[00:50.42]That's where I'm lying down
[00:52.73]
[00:54.50]Did I fall or was I pushed?
[00:58.30]Did I fall or was I pushed?
[01:02.24]And where's the blood?
[01:06.02]And where's the blood?
[01:07.77]
[01:09.15]I'm coming home
[01:10.75]I'm coming home
[01:12.71]To make it all right
[01:14.34]So dry your eyes
[01:28.69][01:16.90]We think the same things at the same time
[01:32.31][01:20.91]We just cant do anything about it
[01:36.60][01:25.53]
[01:39.51]So don't ask me
[01:41.13]Ask the ministry
[01:43.55]Don't ask me
[01:44.89]Ask the ministry
[01:47.52]We think the same things at the same time
[01:51.42]There are so many of us
[01:53.57]So you can't count
[01:55.80]
[01:59.14]We think the same things at the same time
[02:02.90]There are too many of us
[02:05.02]So you can't count
[02:07.24]
[02:25.38]Can you see me when I'm running?
[02:29.88]Can you see me when I'm running?
[02:33.92]Away from them
[02:39.66]
[02:41.35]I can't take their pressure
[02:44.66]No one cares if you live or die
[02:49.22]They just want me gone
[02:52.99]They want me gone
[02:55.09]
[02:56.10]I'm coming home
[02:57.67]I'm coming home
[02:59.76]To make it all right
[03:01.32]So dry your eyes
[03:03.91]
[03:04.23]We think the same things at the same time
[03:07.95]We just cant do anything about it
[03:12.66]
[03:15.54]We think the same things at the same time
[03:19.32]There are too many of us
[03:21.50]So you can't
[03:23.28]There are too many of us
[03:25.25]So you can't count
[03:28.27]
[03:56.65]It was a slippery slippery slippery slope
[04:00.35]It was a slippery slippery slippery slope
[04:04.19]I feel me slipping in and out of consciousness
[04:08.01]I feel me slipping in and out of consciousness
[04:11.85]
[04:18.26]
[04:22.13]悦笙音乐网 制作
[04:26.35]
[04:33.73]END
LRC歌词网音乐网 http://悦笙音乐网提供

BrianEno[布赖恩·伊诺] 的歌曲

专辑 TheEraser 的歌曲

歌曲赏析

《From The Same Hill》是Brian Eno标志性环境音乐美学的典型代表,通过极简的合成器音色与循环结构构建出冥想式的声景空间。整曲以缓慢演进的电子音序为骨架,绵延的琶音如同光线在水面折射出的波纹,呈现出Eno所追求的"能忽略也能沉浸"的听觉哲学。

在音色设计上,Eno采用冷调的数字合成音色模拟自然声态,高频泛音带有冰川般的通透质感,低频脉冲则暗喻地壳运动般的原始能量。这种人造与有机的悖论统一,正是他对"科技田园主义"的声学实践。乐曲结构采用非线性发展模式,类似莫比乌斯环的声部叠加制造出无限延伸的时空错觉,每个音符都像被悬置在量子态中等待观测。

标题"The Same Hill"的隐喻值得玩味——既指向地理实体的恒定存在,又暗示观察角度的永恒位移。这种认知的相对性通过音频相位处理技术得到具象化:左右声道轻微延迟的相同音序,创造出山体在晨雾中虚实交替的听觉透视。Eno在此成功将约翰·凯奇的偶然音乐理论转化为数字时代的声学禅意,使听众在重复中感知差异,在静止中体察流动。

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