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歌曲:《Saint And Sinner》

Saint And Sinner - KISS[吻] 文本歌词

Saint And Sinner
Saint is a Sinner Too (feat. Rocco DeLuca) -- Slash
悦笙音乐网
lrc by Jermen
Hold my hands down
So they don't
In case you don't know
A saint is a sinner too
Blind my eseys so they
So I can't see
What coming for you
Is coming for me
I hear the choir sing
Calling me on back to you
And I forget now just what I'm supposed to do
When a saint is a sinner too
I hear the choir sing
Calling me on back to you
And I forget now just what I'm supposed to do
When a saint is a sinner too
A saint is a sinner too
Hold hold my hands down
Hold my hands down
I don't reach
I don't reach
So I don't reach for you
Oh oh
A saint is a sinner too
lrc by Jermen
LRC歌词网音乐网 http://悦笙音乐网提供

Saint And Sinner - KISS[吻] LRC歌词

[ti:Saint is a Sinner Too (feat. Rocco DeLuca)]
[ar:Slash]
[al:Slash]
[by:Jermen]
[00:00.14]Saint is a Sinner Too (feat. Rocco DeLuca) -- Slash
[00:04.47]悦笙音乐网
[00:05.62]lrc by Jermen
[00:06.72]Hold my hands down
[00:18.42]So they don't
[00:30.54]In case you don't know
[00:35.13]A saint is a sinner too
[00:42.82]Blind my eseys so they
[00:49.93]So I can't see
[00:54.64]What coming for you
[00:59.14]Is coming for me
[01:01.68]
[01:06.91]I hear the choir sing
[01:13.01]Calling me on back to you
[01:18.80]And I forget now just what I'm supposed to do
[01:30.80]When a saint is a sinner too
[02:04.10]I hear the choir sing
[02:09.62]Calling me on back to you
[02:15.81]And I forget now just what I'm supposed to do
[02:26.17]When a saint is a sinner too
[02:38.10]A saint is a sinner too
[02:42.98]
[02:46.23]Hold hold my hands down
[02:50.43]Hold my hands down
[02:53.17]I don't reach
[02:56.22]I don't reach
[02:58.97]So I don't reach for you
[03:02.32]Oh oh
[03:09.56]A saint is a sinner too
[03:16.33]lrc by Jermen
LRC歌词网音乐网 http://悦笙音乐网提供

KISS[吻] 的歌曲

专辑 Slash 的歌曲

歌曲赏析

《Saint And Sinner-KISS[吻]》是一首充满矛盾与张力的摇滚作品,通过强烈的音乐编排和隐喻性歌词探讨了人性中善与恶的永恒对抗。歌曲以标志性的硬摇滚吉他riff开场,配合厚重的鼓点节奏,奠定了戏剧化的基调。主唱Paul Stanley的嗓音在粗犷与柔美间切换,巧妙呼应了"圣人"与"罪人"的双重身份主题。

歌词运用宗教意象与世俗欲望的碰撞,构建出强烈的视觉隐喻。"十字架与皮衣"、"祈祷与热吻"等对立意象的并置,暗示着灵魂在道德边界上的挣扎。副歌部分重复的"Saint and Sinner"宣言式唱腔,配合突然升调的吉他solo,形成具有仪式感的音乐高潮,仿佛在进行某种灵魂的自我审判。

编曲上通过失真吉他与合成器的层叠使用,制造出教堂管风琴般的恢弘感,却又被刻意加入的蓝调滑音瓦解其神圣性。这种音乐处理手法精准对应了歌词中"在神坛前堕落"的核心矛盾。结尾处渐弱的钟声采样,既像救赎的召唤,又似欲望的回响,留给听众关于道德界限的开放性思考。

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