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歌曲:《dear (instrumental)》

dear (instrumental) - 川嶋あい(KawashimaAi) 文本歌词

dear (instrumental)
Plus 44 - Lycanthrope
悦笙音乐网 沉醉寒风 制作
I wake up at the end of a long, dark, lonely year
It's bringing out the worst in me
I hear your voice start breaking in fear
When the lights go down
And I still feel you looking over my shoulder
Your sinking guilt and approaching nightmare
And I know none of us will survive
Because I know everything
And my dear I need you to move a little faster
This second counts as the rest of your life
Your final word and an itchy finger
And then it's taken away
And we'll be beaten down without mercy or meaning
I turn my face to a careless skyline
I'm searching hard for a sign from heaven
But they've forgotten me here
You can just stop talking, I get it
I hear your silence loud and clear
I know it's barely a thought but it'll see us through
I'm only setting you free so just let it happen
Just let it happen, no need to fear
Yeah you can just stop talking, I get it
Sex, f*ck, and fluorescent lighting
A hollow point on an angry bullet
We're on the teeth of a crocodile
We're in the mouth of the gun
And sometimes at night I feel I'm just a broken vessel
An instrument with a darker purpose
I'm at the throat of the young and the helpless
Because they've got nothing to say
So you can just stop talking, I get it
I hear your silence loud and clear
I know it's barely a thought but it'll see us through
I'm only setting you free so just let it happen
Just let it happen, no need to fear
Yeah you can just stop talking, I get it
LRC歌词网音乐网 http://悦笙音乐网提供

dear (instrumental) - 川嶋あい(KawashimaAi) LRC歌词

[ti:Lycanthrope]
[ar:Plus 44]
[al:When Your Heart Stops Beating]
[by:沉醉寒风]
[00:04.00]Plus 44 - Lycanthrope
[00:08.00]悦笙音乐网 沉醉寒风 制作
[00:20.85]I wake up at the end of a long, dark, lonely year
[00:26.59]It's bringing out the worst in me
[00:29.15]I hear your voice start breaking in fear
[00:31.40]When the lights go down
[00:33.96]And I still feel you looking over my shoulder
[00:36.93]Your sinking guilt and approaching nightmare
[00:39.76]And I know none of us will survive
[00:41.98]Because I know everything
[00:45.47]
[00:57.06]And my dear I need you to move a little faster
[01:00.45]This second counts as the rest of your life
[01:02.38]Your final word and an itchy finger
[01:05.53]And then it's taken away
[01:08.11]And we'll be beaten down without mercy or meaning
[01:11.24]I turn my face to a careless skyline
[01:13.91]I'm searching hard for a sign from heaven
[01:16.92]But they've forgotten me here
[01:19.56]You can just stop talking, I get it
[01:22.75]I hear your silence loud and clear
[01:26.44]I know it's barely a thought but it'll see us through
[01:29.12]I'm only setting you free so just let it happen
[01:35.33]Just let it happen, no need to fear
[01:37.59]Yeah you can just stop talking, I get it
[01:40.50]
[01:54.96]Sex, f*ck, and fluorescent lighting
[01:57.18]A hollow point on an angry bullet
[01:59.94]We're on the teeth of a crocodile
[02:02.59]We're in the mouth of the gun
[02:05.56]And sometimes at night I feel I'm just a broken vessel
[02:08.14]An instrument with a darker purpose
[02:11.30]I'm at the throat of the young and the helpless
[02:14.27]Because they've got nothing to say
[02:16.86]So you can just stop talking, I get it
[03:03.67][02:20.04]I hear your silence loud and clear
[03:06.11][02:23.62]I know it's barely a thought but it'll see us through
[03:09.41][02:27.67]I'm only setting you free so just let it happen
[03:14.67][02:32.43]Just let it happen, no need to fear
[03:18.15][02:34.00]Yeah you can just stop talking, I get it
[03:31.55][02:44.24]
LRC歌词网音乐网 http://悦笙音乐网提供

川嶋あい(KawashimaAi) 的歌曲

歌曲赏析

《dear (instrumental)》是日本音乐人川嶋あい(Kawashima Ai)创作的一首纯器乐作品。作为一首没有歌词的纯音乐,它通过细腻的旋律和编曲传递出丰富的情感内涵。

从音乐结构来看,这首曲子采用了简洁而富有层次感的编排。钢琴作为主奏乐器贯穿全曲,清澈的音色奠定了作品温暖而略带忧伤的基调。弦乐的加入为音乐增添了流动感和深度,与钢琴形成对话般的呼应。

在情感表达上,作品呈现出一种内敛而深沉的抒情性。开篇的钢琴独奏营造出私密感,仿佛在轻声诉说;随着弦乐的渐入,情绪逐渐铺展开来,但始终保持着克制的表达方式。这种含蓄的情感处理方式,让音乐具有更强的想象空间。

音乐发展上,作品通过动机的重复与变奏来推进。主旋律在不同音区、不同配器中的重现,既保持了统一性,又通过音色和力度的变化带来微妙的情感转变。特别是中段的高潮部分,通过力度的增强和声部的丰富,将情感推向顶点后又回归平静,形成完整的情绪弧线。

作为器乐作品,它展现了川嶋あい在旋律创作上的天赋。简单的音符组合却能唤起听众强烈的情感共鸣,这种"少即是多"的美学理念,正是其音乐魅力的核心所在。作品整体散发着日式抒情音乐特有的细腻与克制,在静谧中蕴含深沉的情感力量。

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