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歌曲:《No Queen Blues》

No Queen Blues - SonicYouth[音速青年] 文本歌词

No Queen Blues
Spice Girls
The Lady Is A Vamp
Elvis was a coola shaker
Marley, Ziggy, Melody Makers
She's a Bond babe, kick some ass
Doctor No this girl's got class
Charlie's Angels, girls on top
Handbags, heels their pistols rocked
"Baby Love" a soul glam queen
Sing the blues "A Love Supreme"
Sixties Twiggy set the pace
Way back then she had the face
That's all in the past, legends built to last
But she's got something new
She's a power girl in a nineties world
And she knows just what to do
Cos the lady is a vamp
She's a vixen not a tramp
She's a da da da da da da da
Come on fellows raise your bets
Cos you ain't seen nothing yet
She's the top of the top she's the best, yes
Jackie O, we loved her so
Sorry Mr. President As far as we know
Norma Jean had a "Seven Year Itch"
"Some Like It Hot" to a fever pitch
Sandy, Danny, summer love
Pink Ladies, T-birds, the moon above
That's all in the past, legends built to last
But she's got somethin' new
She's a power girl in a nineties world
She's a downtown swingin' dude
Cos the lady is a vamp
She's a vixen not a tramp
She's a da da da da da da da
Come on fellows raise your bets
Cos you ain't seen nothin' yet
She's the top of the top she's the best, yes
Scary, Baby, Ginger, Posh
Sporty yes now that's your lot
We're the Spice Girls ready to go
Ladies and Gents'
Can you please take your seats
And we hope that you enjoy the show
Thank you very much
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No Queen Blues - SonicYouth[音速青年] LRC歌词

[ti:The Lady Is A Vamp]
[ar:Spice Girls]
[by:Heartplace]
[offset:500]
[00:00.00]Spice Girls
[00:01.54]The Lady Is A Vamp
[00:13.01]Elvis was a coola shaker
[00:18.78]Marley, Ziggy, Melody Makers
[00:24.88]She's a Bond babe, kick some ass
[00:27.83]Doctor No this girl's got class
[00:30.88]Charlie's Angels, girls on top
[00:33.66]Handbags, heels their pistols rocked [harmony]
[00:36.96]"Baby Love" a soul glam queen
[00:39.79]Sing the blues "A Love Supreme"
[00:42.91]Sixties Twiggy set the pace
[00:45.92]Way back then she had the face [harmony]
[00:48.99]That's all in the past, legends built to last
[00:55.08]But she's got something new
[01:01.00]She's a power girl in a nineties world
[01:06.99]And she knows just what to do
[01:13.46]Cos the lady is a vamp
[01:15.05]She's a vixen not a tramp
[01:16.33]She's a da da da da da da da
[01:19.30]Come on fellows raise your bets
[01:20.86]Cos you ain't seen nothing yet
[01:22.38]She's the top of the top she's the best, yes
[01:25.87]Jackie O, we loved her so
[01:31.58]Sorry Mr. President As far as we know
[01:37.86]Norma Jean had a "Seven Year Itch"
[01:40.58]"Some Like It Hot" to a fever pitch [harmony]
[01:43.66]Sandy, Danny, summer love
[01:46.73]Pink Ladies, T-birds, the moon above [harmony]
[01:49.56]That's all in the past, legends built to last
[01:56.16]But she's got somethin' new
[02:01.85]She's a power girl in a nineties world
[02:07.79]She's a downtown swingin' dude
[02:14.25]Cos the lady is a vamp
[02:15.77]She's a vixen not a tramp
[02:17.03]She's a da da da da da da da
[02:20.15]Come on fellows raise your bets
[02:21.51]Cos you ain't seen nothin' yet
[02:23.05]She's the top of the top she's the best, yes
[02:26.51]Scary, Baby, Ginger, Posh
[02:32.34]Sporty yes now that's your lot
[02:38.57]We're the Spice Girls ready to go
[02:44.52]Ladies and Gents'
[02:45.97]Can you please take your seats
[02:47.35]And we hope that you enjoy the show
[02:58.41]Thank you very much
LRC歌词网音乐网 http://悦笙音乐网提供

SonicYouth[音速青年] 的歌曲

歌曲赏析

《No Queen Blues》是Sonic Youth(音速青年)乐队极具实验性的一首作品,典型地体现了他们解构传统摇滚框架的美学追求。以下从音乐结构、主题表达和乐队风格三个维度进行赏析:

1. 解构主义的声响实验
歌曲以非标准的吉他调弦(如C-G-D-G-B-E)为基础,通过反馈噪音与不协和和弦堆砌出粗粝的声场。鼓点采用反常规的切分节奏,与贝斯线形成错位对话,刻意打破蓝调音乐的传统12小节结构。这种"破坏性"编排正是乐队对"Blues"标题的颠覆性诠释——用噪音美学消解布鲁斯的程式化表达。

2. 性别政治的隐喻文本
"Queen"的缺席构成核心意象,歌词碎片化地呈现权力真空状态下的混乱场景("No crown to steal / No throne to break")。Kim Gordon的嘶吼式演唱将女性从被凝视的摇滚传统中解放出来,用声波暴力对抗主流摇滚的男性霸权叙事。这种处理延续了乐队对性别议题的先锋探索。

3. 即兴与控制的辩证
看似混乱的器乐段落实则暗含精密设计:吉他手Thurston Moore和Lee Ranaldo通过预备的琴弓、螺丝刀等非常规演奏工具,在即兴噪音中植入控制变量。这种"有计划的偶然性"体现了纽约无浪潮运动对Sonic Youth的深层影响,也标志着另类摇滚从朋克破坏向艺术建构的转型。

该作品最终成为90年代独立美学的宣言——用不和谐音程构建新的听觉秩序,用反叛姿态重写摇滚史的权力叙事。其价值不仅在于音乐本身,更在于为后来的实验摇滚开辟了方法论路径。

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