Saga-Sepultura[埋葬]_歌词分享_lrc歌词下载_找歌词_找歌名

歌曲：《Saga》

Saga - Sepultura[埋葬] 文本歌词

The Libertines - The Saga
A problem, here comes a problem
When you let down your friends
When you let down the people
When you let down yourself
Oh, and only fools, vultures and undertakers
Will have any time for you
Oh
A problem, here comes a problem
When you lie to your friends
And you lie to your people
And you lie to yourself
And the truth's too harsh to comprehend
You just pretend there isn't a problem
I am a pimp and a slave
And in my bed you dig my bad
I dig my grave
And the truth's too harsh to comprehend
You just pretend there isn't a problem
No no, I ain't got a problem
It's you with the problem!
END
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Saga - Sepultura[埋葬] LRC歌词

下载LRC歌词

[ti:The Saga]
[ar:The Libertines]
[al:The Libertines]
[by:LRC歌词网 lrcgeci.com]
[offset:500]
[00:00.00]The Libertines - The Saga
[00:07.52]
[00:09.52]A problem, here comes a problem
[00:13.60]When you let down your friends
[00:15.90]When you let down the people
[00:18.26]When you let down yourself
[00:20.83]Oh, and only fools, vultures and undertakers
[00:26.27]Will have any time for you
[00:30.24]Oh
[00:31.15]
[00:32.43]A problem, here comes a problem
[00:36.43]When you lie to your friends
[00:38.82]And you lie to your people
[00:41.15]And you lie to yourself
[00:46.21]And the truth's too harsh to comprehend
[00:49.11]You just pretend there isn't a problem
[00:52.08]
[01:04.46]I am a pimp and a slave
[01:09.46]And in my bed you dig my bad
[01:12.76]I dig my grave
[01:18.55]And the truth's too harsh to comprehend
[01:20.35]You just pretend there isn't a problem
[01:23.20]
[01:23.62]No no, I ain't got a problem
[01:26.12]It's you with the problem!
[01:27.17]
[01:34.83]
[01:46.90]
[01:52.82]END
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Sepultura[埋葬] 的歌曲

专辑 TheLibertines 的歌曲

Saga

歌曲赏析

《Saga-Sepultura[埋葬]》赏析

作为巴西金属传奇Sepultura的代表作之一，《Saga》以暴烈的节奏架构与原始野性的美学，构建了一场关于文明冲突的史诗叙事。

1. 工业化的部落仪式
歌曲通过机械化的双踩鼓点模拟部落战鼓的律动，电吉他失真音色与非洲打击乐采样形成工业文明与原始文明的音色对撞。主唱Max Cavalera的嘶吼采用葡萄牙语与英语双语切换，如同两种文化在殖民语境下的撕裂性对话。

2. 反殖民的声学图腾
副歌段落的五声音阶riff暗含南美原住民音乐基因，而突变的硬核朋克段落则像被现代性扭曲的古老咒语。歌词中"blood of the ancient"的反复吟诵，将金属乐的侵略性转化为对文化根脉的追索。

3. 技术暴力的诗学
乐队用死亡金属的速弹技术解构传统民谣结构，吉他solo中不协和音的运用隐喻着文化杂交的阵痛。专辑封面上的原始面具被电路侵蚀的视觉符号，与音乐中工业噪音的运用形成跨媒介互文。

这首诞生于1989年的作品，以金属乐的极端形式完成了对文化殖民的声学反抗，其混血美学至今仍影响着全球极端音乐的发展轨迹。