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歌曲:《胖女孩儿想》

胖女孩儿想 - 刺猬乐队 文本歌词

胖女孩儿想
刺猬乐队 - 胖女孩儿想
专辑:《白日梦蓝》
Thin boy thinks that I should be fat
While fat girl is boring there are too many fat
Single girl is afraid of night
She thinks the devil will come tonight
There is nothing I can take pride in
Because I have lost the prime of my life
Thin boy thinks that I should not be sad
I will try my best to win the rest of my life
I do it but you think a fat boy
can be fit more than I can
There is something wrong with my head
It cause I am different with anybody
When I try to think about you in my head
The memory is so sick that I should come back

胖女孩儿想 - 刺猬乐队 LRC歌词

[ti:胖女孩儿想]
[ar:刺猬乐队]
[al:白日梦蓝]
[00:00.00]刺猬乐队 - 胖女孩儿想
[00:05.00]专辑:《白日梦蓝》
[00:10.00]
[00:15.00]
[04:00.82][01:37.76][00:20.12]Thin boy thinks that I should be fat
[04:05.11][01:41.97][00:24.37]While fat girl is boring there are too many fat
[04:09.37][01:46.34][00:28.65]Single girl is afraid of night
[04:13.69][01:50.66][00:32.97]She thinks the devil will come tonight
[04:18.08][01:55.22][00:37.42]There is nothing I can take pride in
[04:22.59][01:59.65][00:42.12]Because I have lost the prime of my life
[04:26.58][02:03.82][00:46.22]Thin boy thinks that I should not be sad
[04:30.85][02:08.19][00:50.60]I will try my best to win the rest of my life
[00:55.88]
[04:36.06][02:13.71][01:02.72]I do it but you think a fat boy
[04:43.04][02:20.65][01:09.66]can be fit more than I can
[02:31.11][01:21.05]
[03:43.84]There is something wrong with my head
[03:47.86]It cause I am different with anybody
[03:51.98]When I try to think about you in my head
[03:56.31]The memory is so sick that I should come back
[04:54.27]

刺猬乐队 的歌曲

专辑 白日梦蓝 的歌曲

歌曲赏析

《胖女孩儿想-刺猬乐队》赏析

刺猬乐队以独立摇滚的粗粝质感与诗性表达,在这首歌中构建了一个充满隐喻的叙事空间。歌曲通过"胖女孩儿"这一具象形象,探讨了社会规训与个体自由的永恒对抗。

1. 意象解构与身份焦虑
歌词中"胖女孩儿"既是具体人物,更是被边缘化群体的象征符号。电子音效模拟的心跳声与失真人声处理,形成生理性压迫感,暗喻主流审美对非标准身体的规训。而副歌部分突然爆发的吉他失真,恰似对body shaming的激烈反抗。

2. 音乐语言的矛盾美学
编曲采用迷幻摇滚的绵延铺底,搭配后朋克的尖锐切分,制造出甜蜜与疼痛并存的听觉体验。主唱子健标志性的"破音美学",在"想"字的拖腔中完成从压抑到宣泄的情绪转化,这种技术性失控恰恰成为情感精确性的载体。

3. 存在主义的哲学追问
桥段部分骤降的BPM与突然插入的环境音采样,构建出疏离的第三人称视角。歌词"她吃掉整个月亮/却吐不出半颗星星"的超现实主义表达,揭示消费主义时代欲望满足与精神空虚的悖论,完成从身体叙事到存在命题的升华。

歌曲最终在持续渐强的反馈噪音中结束,这种未解决的终止式暗示:真正的自由不在于对抗的胜负,而在于持续对抗的勇气本身。刺猬乐队用噪音诗学为当代青年亚文化群体,谱写了一部充满救赎意味的摇滚寓言。

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