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歌曲:《Flying Through The Air》

Flying Through The Air - 生化危机5 文本歌词

Flying Through The Air
Deadlines, meetings and contracts all breached
D-days and structure responsibility
Have-to's and need-to's and get-to's by three
Eleventh hours and upset employees
I want to be naked, running through the streets
I want to invite this so called chaos,
that you'd think I dare not be
I want to be weightless, flying through the air
I want to drop all these limitations
and return to who I was meant to be
Heartburn and headaches and soon-to-be ulcers
Compulsive yearnings non-stop to please others
I want to be naked, running through the streets
I want to invite this so called chaos,
that you'd think I dare not be
I want to be weightless, flying through the air
I want to drop all these limitations
at the shoes upon my feet
All wont be lost if I'm governed by my own uniqueness
Stop lights won't work
I'll get home sound and safe regardless
Won't deem me had if I'm led by my own rulelessness
My fire wont quell and I'll be harm-free and distressless
Trust me
Line towing, and helping, expectations up to living
Inside box obeying, inside line cutting
I want to be naked, running through the streets
I want to invite this so called chaos,
that you'd think I dare not be
I want to be weightless, flying through the air
I want to drop all these limitations
at the shoes upon my feet
I want to be naked, running through the streets
I want to invite this so called chaos,
that you'd think I dare not be
I want to be weightless, flying through the air
I want to drop all these limitations
and return to who I was meant to be
END

Flying Through The Air - 生化危机5 LRC歌词

[ti:So-Called Chaos]
[ar:Alanis Morissette]
[al:So-Called Chaos]
[by:van]
[offset:500]
[00:04.99]
[00:06.99]Deadlines, meetings and contracts all breached
[00:18.89]D-days and structure responsibility
[00:29.82]
[00:31.28]Have-to's and need-to's and get-to's by three
[00:43.57]Eleventh hours and upset employees
[00:54.48]
[00:54.92]I want to be naked, running through the streets
[01:01.00]I want to invite this so called chaos,
[01:04.13]that you'd think I dare not be
[01:07.09]I want to be weightless, flying through the air
[01:13.19]I want to drop all these limitations
[01:16.14]and return to who I was meant to be
[01:21.75]
[01:26.38]Heartburn and headaches and soon-to-be ulcers
[01:38.66]Compulsive yearnings non-stop to please others
[01:49.31]
[01:49.93]I want to be naked, running through the streets
[01:56.05]I want to invite this so called chaos,
[01:59.19]that you'd think I dare not be
[02:02.14]I want to be weightless, flying through the air
[02:08.26]I want to drop all these limitations
[02:11.47]at the shoes upon my feet
[02:14.24]
[02:21.76]All wont be lost if I'm governed by my own uniqueness
[02:27.75]Stop lights won't work
[02:29.64]I'll get home sound and safe regardless
[02:34.01]Won't deem me had if I'm led by my own rulelessness
[02:39.99]My fire wont quell and I'll be harm-free and distressless
[02:46.19]Trust me
[02:47.61]
[02:51.68]Line towing, and helping, expectations up to living
[03:03.71]Inside box obeying, inside line cutting
[03:15.08]
[03:15.56]I want to be naked, running through the streets
[03:21.65]I want to invite this so called chaos,
[03:24.84]that you'd think I dare not be
[03:27.85]I want to be weightless, flying through the air
[03:34.02]I want to drop all these limitations
[03:37.12]at the shoes upon my feet
[03:40.17]I want to be naked, running through the streets
[03:46.14]I want to invite this so called chaos,
[03:49.30]that you'd think I dare not be
[03:52.27]I want to be weightless, flying through the air
[03:58.35]I want to drop all these limitations
[04:01.62]and return to who I was meant to be
[04:08.58]
[04:32.84]
[04:58.94]END

生化危机5 的歌曲

歌曲赏析

《Flying Through The Air-生化危机5》是一首充满紧张感和戏剧性的电子摇滚风格配乐,其赏析可从以下几个维度展开:

1. 音乐结构设计
通过急促的电子鼓点与失真吉他riff构建出机械般的节奏骨架,配合突然出现的合成器滑音,模拟出直升机螺旋桨的听觉意象。中段突然降调的弦乐组营造出悬疑氛围,与游戏高空作战场景形成声画同步。

2. 情绪张力营造
采用不和谐音程堆叠制造压迫感,铜管声部以断奏形式穿插其中,如同生化危机中突如其来的威胁。高频段电子音效的运用,成功再现了游戏场景中高空坠落的失重体验。

3. 游戏叙事呼应
低音区持续嗡鸣的合成器bassline暗示潜伏危机,而突然爆发的电吉他solo段落则对应游戏中的战斗高潮。音乐动态的剧烈起伏与游戏关卡设计形成精准的情绪映射。

4. 音色实验性
将工业噪音元素与传统管弦乐融合,金属碰撞声经过延迟处理后成为节奏组件,这种处理方式既保留恐怖游戏配乐的阴郁特质,又赋予其现代电子音乐的科技感。

该作品通过多层次的音响织体,成功实现了功能性游戏音乐与艺术性表达的平衡,其声场设计尤其凸显了CAPCOM在动作游戏配乐领域的前卫探索。

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