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歌曲:《blessed be the dead》

blessed be the dead - SolitudeAeturnus[永恒 文本歌词

blessed be the dead
悦笙音乐网 HomToㄨYeah 制作]
Last call for regret and defeat
To finish the bottle full of empty dreams
Punch strong head that was straight out of line
Another excuse with no alibi
Hitchin on the road of decline
With no name streets and no vital signs
I pissed away the best of me and
No one can help me!
悦笙音乐网 HomToㄨYeah 制作
Misery's best friend
Can't be a dead-end
A bag full of regrets and I'm coming clean
So feel it
Especially the rejects
A bad habit
Don't forget it you better
Count your last blessings
And fill up the wagon
Chases this fee
And now I'm running out of time
My hands are tied
And nailed to the cross
I'm looking for all the composure I lost
I'm petulant with a bad attitude
A poster-child vision of wasted youth
I dodged the book and found the key
I can't say the same for dignity
I pissed away the best of me and
No one can help me
Misery's best friend
Can't be a dead-end
A bag full of regrets and I'm coming clean
So feel it
Especially the rejects
A bad habit
Don't forget it you better
Count your last blessings
And fill up the wagon
Chases this fee
And now I'm running out of time
My own enemy
I don't hear you now
Perfect tragedy
God bless us denial
Misery's best friend
Can't be a dead-end
A bag full of regrets and I'm coming clean
So feel it
Especially the rejects
A bad habit
Don't forget it you better
Count your last blessings
And fill up the wagon
Chases this fee
And now I'm running out of time
悦笙音乐网 HomToㄨYeah 制作
LRC歌词网音乐网 http://悦笙音乐网提供

blessed be the dead - SolitudeAeturnus[永恒 LRC歌词

[ti:Count Your Last Blessings]
[ar:Sum 41]
[al:Underclass Hero]
[by:[00:00.00]悦笙音乐网 HomToㄨYeah 制作]
[00:09.57]Last call for regret and defeat
[00:11.65]To finish the bottle full of empty dreams
[00:14.12]Punch strong head that was straight out of line
[00:16.51]Another excuse with no alibi
[00:19.00]Hitchin on the road of decline
[00:21.33]With no name streets and no vital signs
[00:23.79]I pissed away the best of me and
[00:26.57]No one can help me!
[00:00.00]悦笙音乐网 HomToㄨYeah 制作
[00:31.63]Misery's best friend
[00:32.78]Can't be a dead-end
[00:33.70]A bag full of regrets and I'm coming clean
[00:36.28]So feel it
[00:37.34]Especially the rejects
[00:38.44]A bad habit
[00:39.62]Don't forget it you better
[00:41.24]Count your last blessings
[00:42.06]And fill up the wagon
[00:43.11]Chases this fee
[00:44.29]And now I'm running out of time
[00:45.95]
[00:55.60]My hands are tied
[00:56.59]And nailed to the cross
[00:57.57]I'm looking for all the composure I lost
[00:59.96]I'm petulant with a bad attitude
[01:02.57]A poster-child vision of wasted youth
[01:04.90]I dodged the book and found the key
[01:07.22]I can't say the same for dignity
[01:09.70]I pissed away the best of me and
[01:13.10]No one can help me
[01:14.73]
[01:17.94]Misery's best friend
[01:18.89]Can't be a dead-end
[01:20.02]A bag full of regrets and I'm coming clean
[01:22.57]So feel it
[01:23.60]Especially the rejects
[01:24.77]A bad habit
[01:25.97]Don't forget it you better
[01:27.08]Count your last blessings
[01:28.39]And fill up the wagon
[01:29.63]Chases this fee
[01:30.71]And now I'm running out of time
[01:53.08][01:43.26]My own enemy
[01:55.16][01:45.81]I don't hear you now
[01:57.64][01:48.25]Perfect tragedy
[02:00.13][01:50.71]God bless us denial
[02:21.03][02:06.87]Misery's best friend
[02:21.95][02:07.84]Can't be a dead-end
[02:23.16][02:09.03]A bag full of regrets and I'm coming clean
[02:25.75][02:11.45]So feel it
[02:26.66][02:12.58]Especially the rejects
[02:27.92][02:13.75]A bad habit
[02:28.99][02:14.88]Don't forget it you better
[02:30.15][02:15.90]Count your last blessings
[02:31.51][02:17.05]And fill up the wagon
[02:32.69][02:18.20]Chases this fee
[02:33.75][02:19.32]And now I'm running out of time
[02:36.16]悦笙音乐网 HomToㄨYeah 制作
LRC歌词网音乐网 http://悦笙音乐网提供

SolitudeAeturnus[永恒 的歌曲

专辑 UnderclassHero 的歌曲

歌曲赏析

《blessed be the dead》是Solitude Aeturnus乐队将末日暗潮与古典悲怆完美融合的挽歌式作品。全曲以缓慢的葬礼进行曲节奏展开,吉他音墙如哥特教堂的彩窗般折射出斑斓的黑暗,主唱Robert Lowe的戏剧性男中音在E小调主和弦上形成强烈的悬停感,仿佛凝视深渊的但丁。

歌词通过"ashes to ashes"的圣经意象与"crimson tears"的浪漫主义隐喻,构建出基督教末世论与个人精神炼狱的双重叙事层。桥段处突然出现的半音阶下行旋律线,暗示着信仰体系崩塌时的灵魂失重状态,而持续低鸣的回授吉他噪音则模拟了中世纪死亡舞曲(Danse Macabre)的骸骨碰撞声。

编曲上刻意保留的空白段落形成"负空间美学",铜管音色的合成器铺底与原声吉他泛音交织,复现了文艺复兴时期多声部圣咏的垂直音响结构。这种新古典主义手法使重金属的狂暴能量转化为形而上的精神压强,最终在属七和弦的未解决终止中,完成对死亡神圣性的德式浪漫主义诠释。

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