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歌曲:《Road to Charleston》

Road to Charleston - 天雷地火 文本歌词

Road to Charleston
Duncan Sheik - The Tale Of Solomon Snell
LRC by lzh ,from jiangxi pingxiang
@ @
Listen if you will, I have a tale to tell.
Of an unfortunate man, the name of Solomon Snell,
And the philosophy he should have embraced,
That says no matter what you do,
You'll never be safe.
Ring the bell, ring the bell
For Solomon Snell.
Too much trust,
Is the road to Hell
Rightfully nervous, he took every precaution,
He paid three armed men to drive him to Boston.
But wouldn't you know it, he was broke on arrival.
His own men robbed him and took off in style.
So he wanted to marry a girl who was true,
And on the basis of her name he would fidelity prove.
She had a handsome cousin she would visit in Charlotte.
Well she said he was her cousin,
The brazen harlot.
Ring the bell, ring the bell
For Solomon Snell.
He played it safe,
And it didn't end well.
Ring the bell, ring the bell
For Solomon Snell.
Too much trust
Is the road to Hell.
He caught yellow fever, down Charleston way.
Before you knew it, they were digging his grave.
But he was most terrified of being buried alive.
And so to his finger a bell was tied.
You see Snell had arranged for a man to be paid,
To listen for the bell when he was buried in his grave.
But the man got drunk, and when the bell did sound,
Solomon lived but he stayed in the ground.
No one heard a sound.
Ring the bell, ring the bell
For Solomon Snell.
Too much trust is the road to hell.
Ring the bell, ring the bell
For Solomon Snell.
You can play it safe,
But it wont end well.
You can play it safe,
But it wont end well.
You can play it safe,
But it wont end well.

Road to Charleston - 天雷地火 LRC歌词

[ti:The Tale Of Solomon Snell]
[ar:Duncan Sheik]
[al:Whisper House]
[by: ]
[00:02.00]Duncan Sheik - The Tale Of Solomon Snell
[00:03.00]LRC by lzh ,from jiangxi pingxiang
[00:04.00]@ @
[00:05.00]
[00:06.52]Listen if you will, I have a tale to tell.
[00:12.49]Of an unfortunate man, the name of Solomon Snell,
[00:18.90]And the philosophy he should have embraced,
[00:24.91]That says no matter what you do,
[00:27.97]You'll never be safe.
[00:31.16]
[00:33.78]Ring the bell, ring the bell
[00:37.61]For Solomon Snell.
[00:41.12]Too much trust,
[00:43.84]Is the road to Hell
[00:47.14]
[00:50.33]Rightfully nervous, he took every precaution,
[00:56.76]He paid three armed men to drive him to Boston.
[01:03.05]But wouldn't you know it, he was broke on arrival.
[01:09.06]His own men robbed him and took off in style.
[01:15.36]
[01:18.51]So he wanted to marry a girl who was true,
[01:24.96]And on the basis of her name he would fidelity prove.
[01:31.28]She had a handsome cousin she would visit in Charlotte.
[01:37.64]Well she said he was her cousin,
[01:40.71]The brazen harlot.
[01:43.71]
[01:46.54]Ring the bell, ring the bell
[01:50.66]For Solomon Snell.
[01:53.90]He played it safe,
[01:56.56]And it didn't end well.
[01:59.44]
[02:00.12]Ring the bell, ring the bell
[02:03.53]For Solomon Snell.
[02:06.29]Too much trust
[02:09.19]Is the road to Hell.
[02:12.02]
[02:15.50]He caught yellow fever, down Charleston way.
[02:22.13]Before you knew it, they were digging his grave.
[02:28.11]But he was most terrified of being buried alive.
[02:34.42]And so to his finger a bell was tied.
[02:40.58]
[02:43.03]You see Snell had arranged for a man to be paid,
[02:50.56]To listen for the bell when he was buried in his grave.
[02:56.55]But the man got drunk, and when the bell did sound,
[03:02.79]Solomon lived but he stayed in the ground.
[03:08.93]
[03:12.36]No one heard a sound.
[03:18.99]Ring the bell, ring the bell
[03:22.43]For Solomon Snell.
[03:25.37]Too much trust is the road to hell.
[03:30.30]
[03:31.48]Ring the bell, ring the bell
[03:34.68]For Solomon Snell.
[03:38.00]You can play it safe,
[03:40.82]But it wont end well.
[03:43.63]
[03:46.63]You can play it safe,
[03:52.91]But it wont end well.
[03:59.45]You can play it safe,
[04:05.05]But it wont end well.
[04:08.51]

天雷地火 的歌曲

专辑 天雷地火(Cyborg) 的歌曲

歌曲赏析

《Road to Charleston-天雷地火》是一首充满戏剧张力和史诗感的音乐作品,通过强烈的节奏对比与丰富的器乐编排,构建出战争般的冲突与壮烈氛围。

音乐结构分析
1. 主题与动机:开篇以急促的弦乐和打击乐引入,模拟行军般的紧迫感,铜管乐器的爆发性旋律象征不可阻挡的力量,而穿插的民谣元素(如风笛或班卓琴音色)暗示历史叙事的地域背景。
2. 动态对比:乐曲通过骤然的静默与爆发的段落切换(如雷声采样后的鼓点齐鸣),强化“天雷地火”的意象,展现对抗中的悲壮与宿命感。
3. 和声设计:小调主导的旋律线结合不和谐音程的短暂穿插,营造出危机四伏的听觉体验,而尾声部分转向大调的升华则可能隐喻希望或牺牲后的救赎。

情感与象征
音乐通过层叠的声场与重复的动机变形,暗示历史洪流中个体的挣扎。打击乐的机械性节奏与弦乐的绵长线条形成“人性与战争机器”的对抗,而民谣旋律的碎片化重现,则强化了家园记忆在硝烟中的脆弱性。

整体评价
这首作品以高度视觉化的音乐语言,完成了一场无需歌词的叙事。其价值不仅在于技术的复杂性,更在于通过声音的“暴力美学”引发听众对历史、战争与人性代价的深层思考。

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