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歌曲:《The Lady Don t Mind》

The Lady Don t Mind - TalkingHeads[传声头] 文本歌词

The Lady Don t Mind
悦笙音乐网 制作
专辑:Stay
Simply Red-Oh! What A Girl!
Words by Hucknall
Music by Hucknall/Andy Wright/Gary Go
Here she comes again
Walking right by next to me
Oh, she’s smelling so sweet, so fine
Make me loose my mind
Oh, making this man crazy now,
crazy, crazy
Oh what a girl
Oh what a girl,
what a lady
There came a time in my life
A time to move along
Left alone once more again
Yes I loved her
Images abound in my mind
They paint you like I love you
If I felt I had you
I’d open up my soul again
Now I just can’t stand being turned on my head
And I don’t need to be lonely in my bed
I don’t wanna be around until the curtain falls
When she walks in the room the moonlight beams
From her face and all those dreams
Come along where lost love stole a parking space
And oh what a girl
Oh what a girl, what a lady
These images abound in my mind
Painting me like I love you
Now I know I’ve found you
I’ve opened up my soul for sure
She’s walking right next to me
Here she comes now walking down the street
Looking so fine
Make me loose my mind
Oh, making this man crazy now,
crazy, crazy
And I don't need to be lonely in my bed
I don't wanna be around until the curtain falls
When she walks in the room the moonlight beams
From your face and all those dreams
Come along where lost love stole a parking space
And oh what a girl,
Oh what a girl, what a lady
LRC歌词网音乐网 http://悦笙音乐网提供

The Lady Don t Mind - TalkingHeads[传声头] LRC歌词

[ti:Oh! What A Girl!]
[ar:Simply Red]
[al:Stay]
[by: ]
[03:56.75]悦笙音乐网 制作
[03:50.83]专辑:Stay
[03:44.76]Simply Red-Oh! What A Girl!
[03:13.52]Words by Hucknall
[04:10.79][03:17.44]Music by Hucknall/Andy Wright/Gary Go
[04:03.34][00:01.74]
[00:03.84]Here she comes again
[00:06.97]Walking right by next to me
[00:10.44]Oh, she’s smelling so sweet, so fine
[00:17.54]Make me loose my mind
[00:19.95]Oh, making this man crazy now,
[00:23.85]crazy, crazy
[00:26.83]
[00:27.46]Oh what a girl
[00:33.89]
[00:34.41]Oh what a girl,
[00:38.66]what a lady
[00:41.15]
[00:42.37]There came a time in my life
[00:46.49]A time to move along
[00:50.52]Left alone once more again
[00:55.65]Yes I loved her
[00:59.60]Images abound in my mind
[01:05.58]They paint you like I love you
[01:09.99]If I felt I had you
[01:13.06]I’d open up my soul again
[01:18.97]
[02:25.49][01:19.91]Now I just can’t stand being turned on my head
[01:24.09]And I don’t need to be lonely in my bed
[01:28.18]I don’t wanna be around until the curtain falls
[01:35.03]When she walks in the room the moonlight beams
[01:40.77]From her face and all those dreams
[01:43.86]Come along where lost love stole a parking space
[01:50.74]
[01:52.37]And oh what a girl
[01:59.12]Oh what a girl, what a lady
[02:06.75]These images abound in my mind
[02:11.40]Painting me like I love you
[02:15.71]Now I know I’ve found you
[02:18.92]I’ve opened up my soul for sure
[02:24.15]
[03:22.20]She’s walking right next to me
[03:25.32]Here she comes now walking down the street
[03:29.77]Looking so fine
[03:33.68]Make me loose my mind
[03:37.22]Oh, making this man crazy now,
[03:41.76]crazy, crazy
[03:43.05]
[02:29.81]And I don't need to be lonely in my bed
[02:33.59]I don't wanna be around until the curtain falls
[02:39.96]
[02:41.31]When she walks in the room the moonlight beams
[02:45.55]From your face and all those dreams
[02:49.34]Come along where lost love stole a parking space
[02:56.52]
[02:58.14]And oh what a girl,
[03:05.89]Oh what a girl, what a lady
[03:11.82]
LRC歌词网音乐网 http://悦笙音乐网提供

TalkingHeads[传声头] 的歌曲

专辑 STAY 的歌曲

歌曲赏析

《The Lady Don't Mind》是Talking Heads乐队在1985年专辑《Little Creatures》中展现新浪潮美学的代表作。歌曲以跳跃的放克节奏为基底,搭配David Byrne标志性的神经质唱腔,构建出都市生活的疏离感与黑色幽默。

编曲上,Tina Weymouth极具弹性的贝斯线与Chris Frantz精准的切分鼓点形成动态张力,Jerry Harrison的合成器音效如同电子萤火虫般在声场中游走。这种看似松散实则精密的结构,暗合歌词中"她不在乎细节"的哲学态度——在机械复制的后现代生活中保持精神自由。

歌词通过重复的"she don't mind"形成语义漩涡,将日常琐事(迟到、电话、天气)升华为存在主义寓言。Byrne用第三人称视角解构人际关系,那个"不介意"的女士既是具体人物,也是对抗异化的象征符号。桥段部分突然插入的金属质感吉他riff,如同现代性焦虑的突然爆发,最终又回归到循环的律动中,完成对都市生存困境的戏谑式和解。

歌曲结尾处渐弱的电子音效仿佛消逝的无线电波,留下开放式的思考空间——当所有人都困在意义的迷宫里,或许"不介意"才是最高级的反抗。这种举重若轻的艺术处理,正是Talking Heads将先锋意识融入流行音乐的典范。

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