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歌曲:《500Miles》

500Miles - 松隆子 文本歌词

500Miles
歌手:松隆子
「500Miles」
作詞∶Hedy West
作曲∶Hedy West
歌∶松たか子
If you miss the train i'm on,
you will know that i am gone
You can hear the whistle blow a hundred miles,
A hundred miles, a hundred miles,
a hundred miles, a hundred miles,
You can hear the whistle blow a hundred miles.
Lord i'm one, lord i'm two,
lord i'm three, lord i'm four,
Lord i'm 500 miles from my home.
500 miles, 500 miles, 500 miles, 500 miles
Lord i'm five hundred miles from my home.
Not a shirt on my back,
not a penny to my name
Lord i can't go a-home this a-way
This a-way, this a-way, this a-way, this a-way,
Lord i can't go a-home this a-way.
If you miss the train i'm on
you will know that i am gone
You can hear the whistle blow a hundred miles.
〖 LRC By 賴潤誠卐地獄門歌詞組 〗
【 おわり 】

500Miles - 松隆子 LRC歌词

[ti:500Miles]
[ar:松たか子]
[al:Time for music]
[by:賴潤誠]
[00:01.08]「500Miles」
[00:04.08]作詞∶Hedy West
[00:07.08]作曲∶Hedy West
[00:10.08]歌∶松たか子
[00:16.08]
[00:18.08]If you miss the train i'm on,
[00:24.33]you will know that i am gone
[00:29.86]You can hear the whistle blow a hundred miles,
[00:40.26]A hundred miles, a hundred miles,
[00:45.74]a hundred miles, a hundred miles,
[00:51.52]You can hear the whistle blow a hundred miles.
[01:01.00]
[01:02.74]Lord i'm one, lord i'm two,
[01:08.26]lord i'm three, lord i'm four,
[01:13.74]Lord i'm 500 miles from my home.
[01:24.76]500 miles, 500 miles, 500 miles, 500 miles
[01:36.31]Lord i'm five hundred miles from my home.
[01:45.38]
[01:54.24]Not a shirt on my back,
[01:59.61]not a penny to my name
[02:04.99]Lord i can't go a-home this a-way
[02:16.01]This a-way, this a-way, this a-way, this a-way,
[02:27.43]Lord i can't go a-home this a-way.
[02:36.64]
[02:38.49]If you miss the train i'm on
[02:44.71]you will know that i am gone
[02:50.18]You can hear the whistle blow a hundred miles.
[02:59.69]
[03:02.69]〖 LRC By 賴潤誠卐地獄門歌詞組 〗
[03:05.69]【 おわり 】

松隆子 的歌曲

歌曲赏析

《500 Miles》由松隆子重新演绎后,呈现出独特的日式民谣气质。歌曲以简约的吉他伴奏为基底,松隆子清澈的声线将离愁别绪娓娓道来,在原版美式乡村风格的基础上注入了东方式的含蓄美学。

歌词通过"五百英里"的物理距离映射心理疏离感,三段式重复结构强化了漂泊无依的意境。编曲中钢琴与弦乐的渐进式加入,暗示着回忆的层层晕染,而突然收束的结尾处理则留下余韵未尽的苍茫感。

歌者通过气息控制展现出细腻的情感层次,从开篇的平静叙述到副歌部分的克制爆发,完美诠释了东方文化中"哀而不伤"的美学追求。高频泛音与录音空间的轻微混响,共同营造出具有透明感的孤独氛围。

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