Mary Ann-StevieWonder[史提夫汪达_歌词分享_lrc歌词下载_找歌词_找歌名

歌曲：《Mary Ann》

Mary Ann - StevieWonder[史提夫汪达文本歌词

Bob Dylan - If You Ever Go To Houston
LRC by lzh ,from jiangxi pingxiang
@ 悦笙音乐网 @
If you ever go to Houston, better walk right
Keep your hands in your pockets and your gun belt tight
You'll be asking for trouble if you're looking for a fight
If you ever go to Houston, boy you better walk right
If you're ever down there on Bagby and Lamar
You better watch out for the man with the shining star
Better know where you're going or stay where you are
If you're ever down there on Bagby and Lamar
Well I know these streets, I've been here before
I nearly got killed here during the Mexican War
Something always keeps me coming back for more
I know these streets, I've been here before
If you ever go to Dallas, say hello to Mary Ann
Say I'm still pulling on the trigger, hanging on the best I can
If you see her sister Lucy, say I'm sorry I'm not there
Tell her other sister Betsy to pray the sinner's prayer
I got a restless fever burnin' in my brain
Got to keep right forward, can't spoil the game
The same way I'll leave here will be the way that I came
Got a restless fever burnin' in my brain
Mister policeman, can you help me find my gal?
Last time I saw her was at the Magnolia Motel
If you help me find her, you can be my pal
Mister policeman, can you help me find my gal?
If you ever go to Austin, Fort Worth or San Antone
Find the barrooms I got lost in and send my memories home
Put my tears in a bottle, screw the top on tight
If you ever go to Houston, boy you'd better walk right
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Mary Ann - StevieWonder[史提夫汪达 LRC歌词

下载LRC歌词

[ti:If You Ever Go To Houston]
[ar:Bob Dylan]
[al:Together Through Life]
[by: ]
[00:02.00]Bob Dylan - If You Ever Go To Houston
[00:04.00]LRC by lzh ,from jiangxi pingxiang
[00:06.00]@ 悦笙音乐网 @
[00:08.00]
[00:09.53]If you ever go to Houston, better walk right
[00:18.04]Keep your hands in your pockets and your gun belt tight
[00:27.51]You'll be asking for trouble if you're looking for a fight
[00:36.39]If you ever go to Houston, boy you better walk right
[00:44.06]
[00:46.16]If you're ever down there on Bagby and Lamar
[00:55.47]You better watch out for the man with the shining star
[01:04.36]Better know where you're going or stay where you are
[01:13.17]If you're ever down there on Bagby and Lamar
[01:20.68]
[01:22.47]Well I know these streets, I've been here before
[01:30.55]I nearly got killed here during the Mexican War
[01:40.51]Something always keeps me coming back for more
[01:49.50]I know these streets, I've been here before
[01:56.45]
[02:16.55]If you ever go to Dallas, say hello to Mary Ann
[02:25.49]Say I'm still pulling on the trigger, hanging on the best I can
[02:34.55]If you see her sister Lucy, say I'm sorry I'm not there
[02:43.74]Tell her other sister Betsy to pray the sinner's prayer
[02:52.13]
[03:11.50]I got a restless fever burnin' in my brain
[03:20.55]Got to keep right forward, can't spoil the game
[03:28.99]The same way I'll leave here will be the way that I came
[03:39.37]Got a restless fever burnin' in my brain
[03:47.07]
[03:48.50]Mister policeman, can you help me find my gal?
[03:57.67]Last time I saw her was at the Magnolia Motel
[04:06.46]If you help me find her, you can be my pal
[04:15.71]Mister policeman, can you help me find my gal?
[04:24.09]
[04:42.58]If you ever go to Austin, Fort Worth or San Antone
[04:51.55]Find the barrooms I got lost in and send my memories home
[05:00.56]Put my tears in a bottle, screw the top on tight
[05:10.15]If you ever go to Houston, boy you'd better walk right
[05:18.33]
LRC歌词网音乐网 http://悦笙音乐网提供

StevieWonder[史提夫汪达的歌曲

专辑 TogetherThroughLife 的歌曲

Mary Ann

歌曲赏析

《Mary Ann》是Stevie Wonder创作于1966年的早期灵魂乐作品，收录于专辑《Down to Earth》。这首歌曲展现了16岁的Stevie对传统R&B与摩城之声的成熟驾驭能力，同时预示了他未来在音乐创新上的非凡潜力。

音乐技法层面，歌曲采用经典的12小节布鲁斯结构，钢琴与管乐组的对话式编配形成鲜明特色。Stevie的人声演绎充满少年特有的清亮质感，在高音区的即兴转音中已初现后来标志性的自由节奏处理。和声进行在传统I-IV-V框架中加入九和弦的爵士化点缀，为简单的爱情主题增添了细腻层次。

歌词文本以直白的告白式表达构建叙事，"Mary Ann"作为反复呼唤的中心意象，通过昼夜思念的场景白描，呈现青春期爱情的纯粹悸动。值得注意的是，Stevie将传统布鲁斯中常见的痛苦情愫转化为阳光积极的告白，这种情感基调的处理成为他早期创作的显著特征。

作为Stevie Wonder风格形成期的重要标本，这首歌在保留摩城唱片标志性甜美感的同时，通过器乐间奏中的萨克斯咆哮和钢琴切分音，隐约透露出他后来在《Music of My Mind》时期将展现的革新意识。其价值在于让我们听到一个天才音乐人在商业框架中寻找艺术个性的最初足音。

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