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歌曲:《Meet the Reaper》

Meet the Reaper - SteveVai[史蒂夫.范] 文本歌词

Meet the Reaper
Loreena McKennitt - The Lady Of Shalott
On either side of the river lie
Long fields of barley and of rye,
That clothe the world and meet the sky;
And thro' the field the road run by
To many-towered Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver,
Little breezes and dusk and shiver
Thro' the wave that runs forever
By the island in the river
Flowing down to Camelot.
Four grey walls, and four grey towers,
Overlook a space of flowers,
And the silent island imbowers
The Lady of Shalott.
Only reapers, reaping early,
In among the bearded barley
Hear a song that echoes cheerly
From the river winding clearly
Flowing down to tower'd Camelot;
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers "'tis the fairy
The Lady of Shalott."
There she weaves by night and day
A magic web with colours gay,
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and with lights
And music, went to Camelot;
Or when the Moon was overhead,
Came two young lovers lately wed.
"I am half sick of shadows," she said
The Lady Of Shalott.
A bow-shot from her bower-eaves,
He rode between the barley sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.
His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flashed into the crystal mirror,
"Tirra Lirra," by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces taro' the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She looked down to Camelot.
Out flew the web and floated wide;
The mirror cracked from side to side;
"The curse is come upon me," cried
The Lady of Shalott.
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining.
Heavily the low sky raining
Over towered Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
The Lady of Shalott
And down the river's dim expanse
Like some bold seer in a trance,
Seeing all his own mischance
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
Who is this? And what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they crossed themselves for fear,
All the Knights at Camelot;
But Lancelot mused a little space
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."
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Meet the Reaper - SteveVai[史蒂夫.范] LRC歌词

[ti:The Lady Of Shalott]
[ar:Loreena McKennitt]
[al:The Visit]
[by:Van]
[00:00.00]Loreena McKennitt - The Lady Of Shalott
[00:18.00]
[00:36.66]On either side of the river lie
[00:40.53]Long fields of barley and of rye,
[00:45.09]That clothe the world and meet the sky;
[00:49.17]And thro' the field the road run by
[00:52.68]To many-towered Camelot;
[00:56.93]And up and down the people go,
[01:00.60]Gazing where the lilies blow
[01:04.89]Round an island there below,
[01:07.92]The island of Shalott.
[01:10.87]
[01:12.90]Willows whiten, aspens quiver,
[01:16.56]Little breezes and dusk and shiver
[01:20.41]Thro' the wave that runs forever
[01:24.19]By the island in the river
[01:27.52]Flowing down to Camelot.
[01:31.92]Four grey walls, and four grey towers,
[01:35.89]Overlook a space of flowers,
[01:39.77]And the silent island imbowers
[01:43.27]The Lady of Shalott.
[01:45.91]
[01:48.07]Only reapers, reaping early,
[01:51.59]In among the bearded barley
[01:55.38]Hear a song that echoes cheerly
[01:59.30]From the river winding clearly
[02:02.85]Flowing down to tower'd Camelot;
[02:07.14]And by the moon the reaper weary,
[02:10.85]Piling sheaves in uplands airy,
[02:14.51]Listening, whispers "'tis the fairy
[02:18.35]The Lady of Shalott."
[02:21.02]
[02:38.26]There she weaves by night and day
[02:41.78]A magic web with colours gay,
[02:45.52]She has heard a whisper say,
[02:49.33]A curse is on her if she stay
[02:52.78]To look down to Camelot.
[02:56.93]She knows not what the curse may be,
[03:00.44]And so she weaveth steadily,
[03:04.44]And little other care hath she,
[03:07.84]The Lady of Shalott.
[03:10.91]
[03:12.74]But in her web she still delights
[03:16.36]To weave the mirror's magic sights,
[03:20.78]For often thro' the silent nights
[03:24.12]A funeral, with plumes and with lights
[03:27.89]And music, went to Camelot;
[03:32.48]Or when the Moon was overhead,
[03:35.78]Came two young lovers lately wed.
[03:39.66]"I am half sick of shadows," she said
[03:43.19]The Lady Of Shalott.
[03:46.12]
[04:05.16]A bow-shot from her bower-eaves,
[04:08.76]He rode between the barley sheaves,
[04:12.51]The sun came dazzling thro' the leaves,
[04:16.23]And flamed upon the brazen greaves
[04:20.05]Of bold Sir Lancelot.
[04:24.43]A red-cross knight for ever kneel'd
[04:28.26]To a lady in his shield,
[04:31.92]That sparkled on the yellow field,
[04:35.12]Beside remote Shalott.
[04:38.00]
[04:39.76]His broad clear brow in sunlight glow'd;
[04:43.32]On burnish'd hooves his war-horse trode;
[04:46.84]From underneath his helmet flow'd
[04:50.31]His coal-black curls as on he rode,
[04:53.94]As he rode down to Camelot.
[04:58.36]From the bank and from the river
[05:01.76]He flashed into the crystal mirror,
[05:06.02]"Tirra Lirra," by the river
[05:09.40]Sang Sir Lancelot.
[05:12.13]
[05:13.91]She left the web, she left the loom,
[05:17.55]She made three paces taro' the room,
[05:21.74]She saw the water-lily bloom,
[05:25.85]She saw the helmet and the plume,
[05:29.07]She looked down to Camelot.
[05:33.03]Out flew the web and floated wide;
[05:37.23]The mirror cracked from side to side;
[05:40.99]"The curse is come upon me," cried
[05:44.36]The Lady of Shalott.
[05:47.33]
[06:04.38]In the stormy east-wind straining,
[06:07.99]The pale yellow woods were waning,
[06:11.65]The broad stream in his banks complaining.
[06:15.37]Heavily the low sky raining
[06:18.95]Over towered Camelot;
[06:23.23]Down she came and found a boat
[06:26.30]Beneath a willow left afloat,
[06:30.46]And round about the prow she wrote
[06:33.72]The Lady of Shalott
[06:36.72]
[06:38.16]And down the river's dim expanse
[06:41.98]Like some bold seer in a trance,
[06:45.76]Seeing all his own mischance
[06:49.49]With a glassy countenance
[06:52.79]Did she look to Camelot.
[06:57.28]And at the closing of the day
[07:00.54]She loosed the chain and down she lay;
[07:04.80]The broad stream bore her far away,
[07:08.11]The Lady of Shalott.
[07:11.46]
[07:31.18]Who is this? And what is here?
[07:35.65]And in the lighted palace near
[07:39.51]Died the sound of royal cheer;
[07:43.43]And they crossed themselves for fear,
[07:47.17]All the Knights at Camelot;
[07:51.66]But Lancelot mused a little space
[07:57.94]He said, "She has a lovely face;
[08:02.02]God in his mercy lend her grace,
[08:06.53]The Lady of Shalott."
[08:19.28]
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SteveVai[史蒂夫.范] 的歌曲

专辑 TheVisit 的歌曲

歌曲赏析

《Meet the Reaper》是吉他大师Steve Vai的一首极具代表性的器乐作品,展现了他超凡的技术与深邃的音乐表达。以下是对这首歌曲的赏析:

1. 技术表现
歌曲以复杂的吉他技巧为核心,融合了速弹、点弦、摇把颤音等标志性手法,体现了Vai对乐器极限的探索。尤其是主旋律段落中,他通过细腻的揉弦和动态控制,将情感注入每一个音符,使技术性与艺术性达到完美平衡。

2. 结构编排
全曲采用非传统的叙事结构,通过多段落的情绪转换构建戏剧张力。前奏以阴郁的旋律铺垫神秘氛围,中段爆发激烈的即兴华彩,尾声则回归内省,形成完整的听觉旅程。这种编排赋予作品交响乐般的层次感。

3. 音色设计
Vai通过效果器塑造了极具辨识度的音色——从尖锐的过载到空灵的延时回声,每个音色选择都服务于情感表达。尤其在过渡段落中,扭曲音色与纯净清音的对比,隐喻了与"死神"对话的挣扎与释然。

4. 哲学内涵
尽管是器乐作品,但通过标题和音乐意象,Vai探讨了生死命题。反复出现的下行音阶象征宿命的降临,而高亢的泛音段落则像灵魂的挣脱,展现了对终极命题的诗意诠释。

5. 创新性
歌曲突破了传统摇滚吉他的框架,将古典音乐的严谨、爵士乐的即兴与实验摇滚的前卫融为一体,体现了Vai"声音雕塑家"的创作理念,为现代吉他音乐树立了新的美学标准。

这首作品不仅是技巧的展示,更是一次通过器乐语言完成的哲学叙事,彰显了Steve Vai将技术转化为深刻艺术表达的能力。

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