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歌曲:《county jail》

county jail - 专案高手 文本歌词

county jail
Elvis Presley - Jailhouse Rock
The warden threw a party in the county jail.
The prison band was there and they began to wail.
The band was jumpin' and the joint began to swing.
You should've heard those knocked out jailbirds sing.
Let's rock, everybody, let's rock.
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock.
Spider Murphy played the tenor saxophone,
Little Joe was blowin' on the slide trombone.
The drummer boy from Illinois went crash, boom, bang,
The whole rhythm section was the Purple Gang.
Let's rock, everybody, let's rock.
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock.
Number forty-seven said to number three:
"You're the cutest jailbird I ever did see.
I sure would be delighted with your company,
Come on and do the Jailhouse Rock with me."
Let's rock, everybody, let's rock.
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock.
The sad sack was a sittin' on a block of stone
Way over in the corner weepin' all alone.
The warden said, "Hey, buddy, don't you be no square.
If you can't find a partner use a wooden chair."
Let's rock, everybody, let's rock.
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock.
Shifty Henry said to Bugs, "For Heaven's sake,
No one's lookin', now's our chance to make a break."
Bugsy turned to Shifty and he said, "Nix nix,
I wanna stick around a while and get my kicks."
Let's rock, everybody, let's rock.
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock.
Dancin' to the Jailhouse Rock...
END

county jail - 专案高手 LRC歌词

[ti:Jailhouse Rock]
[ar:Elvis Presley]
[al:Elv1s 30 #1 Hits]
[by:]
[00:00.00]Elvis Presley - Jailhouse Rock
(words & music by Jerry Leiber - Mike Stoller)
[00:04.60]
[00:06.60]The warden threw a party in the county jail.
[00:09.25]The prison band was there and they began to wail.
[00:12.00]The band was jumpin' and the joint began to swing.
[00:14.79]You should've heard those knocked out jailbirds sing.
[00:17.51]Let's rock, everybody, let's rock.
[00:23.18]Everybody in the whole cell block
[00:26.19]Was dancin' to the Jailhouse Rock.
[00:28.42]
[00:29.26]Spider Murphy played the tenor saxophone,
[00:31.97]Little Joe was blowin' on the slide trombone.
[00:34.82]The drummer boy from Illinois went crash, boom, bang,
[00:37.71]The whole rhythm section was the Purple Gang.
[00:40.28]Let's rock, everybody, let's rock.
[00:46.05]Everybody in the whole cell block
[00:49.16]Was dancin' to the Jailhouse Rock.
[00:51.36]
[00:52.19]Number forty-seven said to number three:
[00:54.66]\"You're the cutest jailbird I ever did see.
[00:57.81]I sure would be delighted with your company,
[01:00.42]Come on and do the Jailhouse Rock with me.\"
[01:03.09]Let's rock, everybody, let's rock.
[01:08.82]Everybody in the whole cell block
[01:11.97]Was dancin' to the Jailhouse Rock.
[01:13.90]
[01:26.45]The sad sack was a sittin' on a block of stone
[01:29.08]Way over in the corner weepin' all alone.
[01:31.83]The warden said, \"Hey, buddy, don't you be no square.
[01:34.69]If you can't find a partner use a wooden chair.\"
[01:37.26]Let's rock, everybody, let's rock.
[01:43.14]Everybody in the whole cell block
[01:46.13]Was dancin' to the Jailhouse Rock.
[01:48.74]
[01:49.15]Shifty Henry said to Bugs, \"For Heaven's sake,
[01:51.79]No one's lookin', now's our chance to make a break.\"
[01:54.67]Bugsy turned to Shifty and he said, \"Nix nix,
[01:57.46]I wanna stick around a while and get my kicks.\"
[02:00.17]Let's rock, everybody, let's rock.
[02:05.55]Everybody in the whole cell block
[02:09.01]Was dancin' to the Jailhouse Rock.
[02:11.26]
[02:12.23]Dancin' to the Jailhouse Rock...
[02:31.77]
[02:32.92]
[02:33.56]END

专案高手 的歌曲

专辑 随性所至 的歌曲

歌曲赏析

《county jail-专案高手》是一首充满叙事张力的说唱作品,通过冷峻的电子音效与密集的押韵编排,构建出极具画面感的都市罪案图景。歌词以第一人称视角展开,大量使用刑侦术语(如"现场采样""指纹比对")与街头俚语的碰撞,形成强烈的戏剧反差。副歌部分重复的"county jail"采样既强化了监狱主题,又通过声效处理营造出铁门回响的听觉隐喻。

编曲上采用工业感十足的808鼓组,搭配忽远忽近的警笛声采样,巧妙模拟出追捕过程中的紧张节奏。第二段主歌出现的变速flow设计,如同案情突现转折,配合"证据链在暗处发光"等双关语,展现作案者与执法者智力博弈的微妙平衡。结尾处突然中断的beat,留下开放式结局,暗示这场猫鼠游戏仍在继续。

作品通过犯罪叙事外壳,实质探讨了都市生存法则的荒诞性——那些游走在灰色地带的"专案高手",既是秩序的破坏者又是另类规则的制定者。合成器音色制造的冰冷质感,与主人公炽热的求生欲望形成残酷对照,最终在"保释金换算成尊严"这句点睛之笔中,完成对现代司法体系的黑色幽默解构。

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