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歌曲:《You Got My Head》

You Got My Head - 爵士dianakrall 文本歌词

You Got My Head
Meg & Dia - Inside My Head
LRC by lzh ,from jiangxi pingxiang
@ 悦笙音乐网 @
I'm not anymore surprised at your phone calls at four in the morning, (hello, hello?)
you try to write me letters like you transformed
into Charles Dickens overnight or something (oh I'm sorry)
And I doubt that you'll consider, that maybe just maybe,
those games that you were forced in, although heavy,
are no excuse for your lack of trust in anyone, even you.
that boy would use my palm as an ashtray
that was on his good days, yeah.
The scar looks like a bear or a rabbit
they said it's just his bad habit, yeah.
He's got inside my head,
I'm not even scared to come cure your past or try to reinvent it,(just leave it alone!)
I can be your lover and your mother and your father you never
really had to take you fishing or teach compassion (you're never enough)
You used my voice as your spokesman,
you couldn't walk on your own feet,
ain't that hard, yeah? oh.
He's got inside my head
He's sleeping in my head
He's got hold of my hand
What's the use of common blindness?
He's got inside my head
He's sleeping in my head
He's got hold of my hand
Are you gonna tell me that you can't bury this?
We know that the present road is from this day,
well this time you're at the edge of tri- tri-ocean,
anything that you can __ __ __
He's got inside my head
He's sleeping in my head
He's got hold of my hand
What's the use of common blindness?
He's got inside my head
He's sleeping in my head
He's got hold of my hand
What's the use of common blindness?
LRC歌词网音乐网 http://悦笙音乐网提供

You Got My Head - 爵士dianakrall LRC歌词

[ti:Inside My Head]
[ar:Meg & Dia]
[al:Here, Here And Here]
[by: ]
[00:02.00]Meg & Dia - Inside My Head
[00:08.00]LRC by lzh ,from jiangxi pingxiang
[00:12.00]@ 悦笙音乐网 @
[00:17.00]
[00:43.01]I'm not anymore surprised at your phone calls at four in the morning, (hello, hello?)
[00:48.57]you try to write me letters like you transformed
[00:50.94]into Charles Dickens overnight or something (oh I'm sorry)
[00:55.04]
[00:55.94]And I doubt that you'll consider, that maybe just maybe,
[00:58.82]those games that you were forced in, although heavy,
[01:02.24]are no excuse for your lack of trust in anyone, even you.
[01:08.08]
[01:09.11]that boy would use my palm as an ashtray
[01:14.55]that was on his good days, yeah.
[01:21.44]
[01:22.74]The scar looks like a bear or a rabbit
[01:27.75]they said it's just his bad habit, yeah.
[01:35.23]
[01:36.72]He's got inside my head,
[01:48.37]
[01:49.28]I'm not even scared to come cure your past or try to reinvent it,(just leave it alone!)
[01:54.64]I can be your lover and your mother and your father you never
[01:57.82]really had to take you fishing or teach compassion (you're never enough)
[02:01.76]
[02:02.62]You used my voice as your spokesman,
[02:07.52]you couldn't walk on your own feet,
[02:10.49]ain't that hard, yeah? oh.
[02:15.06]
[02:16.50]He's got inside my head
[02:20.40]He's sleeping in my head
[02:23.60]He's got hold of my hand
[02:27.34]What's the use of common blindness?
[02:29.17]
[02:29.99]He's got inside my head
[02:33.48]He's sleeping in my head
[02:36.96]He's got hold of my hand
[02:41.67]
[02:42.50]Are you gonna tell me that you can't bury this?
[02:45.49]We know that the present road is from this day,
[02:54.83]well this time you're at the edge of tri- tri-ocean,
[02:58.52]anything that you can __ __ __
[03:06.25]
[03:35.65]He's got inside my head
[03:39.76]He's sleeping in my head
[03:43.18]He's got hold of my hand
[03:46.55]What's the use of common blindness?
[03:48.58]
[03:49.35]He's got inside my head
[03:52.89]He's sleeping in my head
[03:56.43]He's got hold of my hand
[03:59.77]What's the use of common blindness?
[04:04.20]
LRC歌词网音乐网 http://悦笙音乐网提供

爵士dianakrall 的歌曲

专辑 Here 的歌曲

歌曲赏析

《You Got My Head》是一首充满慵懒情调的爵士作品,Diana Krall以标志性的沙哑嗓音和细腻的钢琴演奏,构建出深夜酒吧般的私密氛围。歌曲以摇摆节奏(swing rhythm)为基底,搭配简约的贝斯walking line和 brush鼓点,形成流动感十足的律动框架。

Krall的演唱展现了成熟的即兴处理能力,在主旋律基础上通过细微的节奏拖曳(rubato)和装饰音(grace notes)增添即兴色彩,尤其副歌部分"you got my head spinning"的尾音处理,以气声下滑音营造出微醺般的眩晕感。钢琴solo段落采用block chords技法,左手密集的和声转换与右手旋律线形成精妙对话,致敬了Oscar Peterson式的和声密度。

歌词文本以简洁的都市爱情叙事,通过"head spinning"、"whisper sweet"等意象传递暧昧情愫,与爵士乐特有的暧昧和声(如副歌中使用的延伸和弦9th、13th)形成通感效应。曲式结构上打破传统流行歌曲范式,采用爵士乐常见的AABA形式,并在结尾处加入戏剧性的ritardando(渐慢)处理,使终止式更具悬念感。整首作品体现了当代爵士在传统语汇与现代简约审美间的平衡。

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