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歌曲:《天国へようこそ For The Tube》

天国へようこそ For The Tube - 东京事变 文本歌词

天国へようこそ For The Tube
歌手:东京事变
There's only one truth if you say still I'm dreaming
You're acting in a play you call your life
The sketch of flowers on paper
Can you smell them?
Well, I would rather bloom for eternity
Don't talk to me
I'm gonna suck and drink your life right from you
No life in me
I've got no time for changeless things
and useless things
Which one's the real face of the sky,day or night?
How do you think?Uh...I suppose it's both
It's contradicting the nature of existence
It's somewhere I must go without delay
Good bye my sunshine
Good bye my darkest days
Cause I have just wasted my life away
I'm more dead than alive
Hello
I'm gonna suck and drink your life right from you
Don't come near me
Now it is time to recognize when you've crossed the bar
I am dead

天国へようこそ For The Tube - 东京事变 LRC歌词

There's only one truth if you say still I'm dreaming
You're acting in a play you call your life
The sketch of flowers on paper
Can you smell them?
Well, I would rather bloom for eternity
Don't talk to me
I'm gonna suck and drink your life right from you
No life in me
I've got no time for changeless things
and useless things
Which one's the real face of the sky,day or night?
How do you think?Uh...I suppose it's both
It's contradicting the nature of existence
It's somewhere I must go without delay
Good bye my sunshine
Good bye my darkest days
Cause I have just wasted my life away
I'm more dead than alive
Hello
I'm gonna suck and drink your life right from you
Don't come near me
Now it is time to recognize when you've crossed the bar
I am dead

东京事变 的歌曲

歌曲赏析

《天国へようこそ For The Tube》是东京事变乐队极具实验性的作品,展现了他们标志性的音乐解构能力与艺术野心。整曲以不规则的节奏架构为基底,钢琴与失真吉他的对话营造出既迷幻又锋利的听觉空间。

椎名林檎的声线在歌曲中扮演着戏剧化的叙事者角色,从气声呢喃到爆发式嘶吼的转换,暗喻着现代人游走于虚幻天国与残酷现实的撕裂感。副歌部分突然插入的铜管乐段形成华丽反差,宛如对消费主义时代"虚假天堂"的辛辣反讽。

编曲上刻意制造的电子杂音与乐器失衡,解构了传统J-POP的流畅性,却意外强化了歌曲主题——在数字时代洪流中,人们对"天国"的追寻不过是Tube(管道/屏幕)折射出的扭曲镜像。结尾处戛然而止的留白,留给听众对虚实界限的永恒叩问。

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