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歌曲:《Amethyst Remembrance~紫水晶色(アメジスト)の想い出(マリア・ウォン)》

Amethyst Remembrance~紫水晶色(アメジスト)の想い出(マリア・ウォン) - 斉藤恒芳 文本歌词

Amethyst Remembrance~紫水晶色(アメジスト)の想い出(マリア・ウォン)
Amethyst Remembrance~紫水晶色(アメジスト)の想い出(マリア・ウォン) - 斉藤恒芳 (さいとうつねよし)
I held a Jewel in my fingers
And went to sleep
The day was warm and winds were prosy
I said I said Twill keep
I held a Jewel in my fingers
And went to sleep
The day was warm and winds were prosy
I said I said 'Twill keep
I woke-and chid my fingers
The Gem was gone in my hands
And now
An Amethyst remembrance
Is all I own
Go from me
Yet I feel that I shall stand
Henceforward in thy shadow
God from me
God from me
Yet I feel that I shall stand
Henceforward in thy shadow
God from me

Amethyst Remembrance~紫水晶色(アメジスト)の想い出(マリア・ウォン) - 斉藤恒芳 LRC歌词

[ti:Amethyst Remembrance~紫水晶色(アメジスト)の想い出(マリア・ウォン)]
[ar:斉藤恒芳 (さいとうつねよし)]
[al:闇の末裔サウンドファイル 緋色の月 (暗之末裔原声音乐)]
[by:]
[offset:0]
[kana:1むらさき1すい1しょう1いろ1おも1で1せい1ふじ1こう1ほう]
[00:00.45]Amethyst Remembrance~紫水晶色(アメジスト)の想い出(マリア・ウォン) - 斉藤恒芳 (さいとうつねよし)
[00:20.30]I held a Jewel in my fingers
[00:24.99]And went to sleep
[00:27.41]The day was warm and winds were prosy
[00:34.99]I said I said Twill keep
[00:39.61]I held a Jewel in my fingers
[00:44.12]And went to sleep
[00:46.58]The day was warm and winds were prosy
[00:54.31]I said I said 'Twill keep
[00:59.22]I woke-and chid my fingers
[01:03.95]The Gem was gone in my hands
[01:08.82]And now
[01:09.31]An Amethyst remembrance
[01:13.23]Is all I own
[01:37.46]Go from me
[01:41.82]Yet I feel that I shall stand
[01:47.04]Henceforward in thy shadow
[01:53.91]God from me
[01:56.62]God from me
[02:00.79]Yet I feel that I shall stand
[02:05.95]Henceforward in thy shadow
[02:13.04]God from me

斉藤恒芳 的歌曲

专辑 闇の末裔サウンドファイル 緋色の月 (暗之末裔原声音乐) 的歌曲

歌曲赏析

《Amethyst Remembrance~紫水晶色的回忆》是一首充满情感张力的音乐作品,由斉藤恒芳创作,以Maria Wong的视角展开。整首曲子以紫水晶(Amethyst)为象征意象,通过细腻的旋律和丰富的编曲,营造出一种既梦幻又忧伤的氛围。

音乐结构上,作品采用了渐进式的情感铺陈。开篇以柔和的钢琴旋律引入,仿佛在回忆中缓缓展开一幅画面。随着弦乐的加入,情感逐渐升温,中段的高潮部分通过强烈的和声与节奏变化,将思念与回忆的情绪推向顶点。结尾处旋律回归平静,如同记忆最终沉淀,留下淡淡的余韵。

紫水晶在曲中不仅是色彩的象征,更隐喻着珍贵而易碎的回忆。音乐通过冷暖色调的交织,展现了回忆中甜蜜与苦涩并存的特质。斉藤恒芳在编曲中巧妙运用了东西方音乐元素的融合,既有西方交响乐的恢弘感,又保留了东方音乐特有的细腻与留白。

人声部分(假设为Maria Wong的演唱)若存在,应当是以富有叙事性的嗓音诠释,将歌词中未言明的思念与遗憾通过音色的微妙变化传递出来,使抽象的情感具象化。整首作品最终形成了一种超越语言的情感共鸣,让听者在旋律中寻找到属于自己的"紫水晶回忆"。

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