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歌曲:《LiesLiesLies》

LiesLiesLies - Ministry[内阁] 文本歌词

LiesLiesLies
Ministry - Lieslieslies
LRC by lzh ,from jiangxi pingxiang
@ 悦笙音乐网 @
Does anybody else see a problem here?
If the government has nothing to hide
why are they so afraid to answer a few questions?
This story does not add up
I'm on a mission to never forget
3,000 people that I've never met
We want some answers and all that we get
Some kind of shit about a terrorist threat
Lies Lies Lies Lies Lies Lies Lies
Lies Lies Lies Lies Lies Lies Lies
Lies Lies Lies Lies Lies Lies Lies
Surprise surprise
I'm on a mission to dig up the truth
You think we're stupid and there's no proof
Well let me tell you that the time has come
To pull the trigger on the smoking gun
Lies Lies Lies Lies Lies Lies Lies
Lies Lies Lies Lies Lies Lies Lies
Lies Lies Lies Lies Lies Lies Lies
Surprise surprise
Don't listen to me listen to your head
Don't listen
Don't listen to anything, they've said
Don't listen
America has been hijacked
Not by Al Qaeda, not by Bin Laden
But by a group of tyrants
That should be of great concern to all Americans
I'm on a mission to bring out the facts
You got your stories but they all have cracks
Misinformation, lies and deceit
What made you think that we were all asleep
Lies Lies Lies Lies Lies Lies Lies
Lies Lies Lies Lies Lies Lies Lies
Lies Lies Lies Lies Lies Lies Lies
Surprise surprise
Don't listen to me listen to your head
Don't listen
Don't listen to anything, they've said
Don't listen
LRC歌词网音乐网 http://悦笙音乐网提供

LiesLiesLies - Ministry[内阁] LRC歌词

[ti:Lieslieslies]
[ar:Ministry]
[al:Adios...]
[by: ]
[00:02.00]Ministry - Lieslieslies
[00:06.00]LRC by lzh ,from jiangxi pingxiang
[00:10.00]@ 悦笙音乐网 @
[00:14.00]
[00:15.23]Does anybody else see a problem here?
[00:18.20]If the government has nothing to hide
[00:21.57]why are they so afraid to answer a few questions?
[00:24.10]This story does not add up
[00:27.19]
[00:36.53]I'm on a mission to never forget
[00:40.24]3,000 people that I've never met
[00:43.07]We want some answers and all that we get
[00:45.87]Some kind of shit about a terrorist threat
[00:48.68]Lies Lies Lies Lies Lies Lies Lies
[00:51.66]Lies Lies Lies Lies Lies Lies Lies
[00:54.23]Lies Lies Lies Lies Lies Lies Lies
[00:56.97]Surprise surprise
[01:00.70]
[01:21.87]I'm on a mission to dig up the truth
[01:24.56]You think we're stupid and there's no proof
[01:27.36]Well let me tell you that the time has come
[01:30.20]To pull the trigger on the smoking gun
[01:33.01]Lies Lies Lies Lies Lies Lies Lies
[01:35.72]Lies Lies Lies Lies Lies Lies Lies
[01:38.29]Lies Lies Lies Lies Lies Lies Lies
[01:41.16]Surprise surprise
[01:44.48]
[02:06.23]Don't listen to me listen to your head
[02:15.38]Don't listen
[02:17.44]Don't listen to anything, they've said
[02:26.43]Don't listen
[02:29.19]
[02:39.58]America has been hijacked
[02:42.32]Not by Al Qaeda, not by Bin Laden
[02:44.95]But by a group of tyrants
[02:47.64]That should be of great concern to all Americans
[02:50.82]
[03:00.55]I'm on a mission to bring out the facts
[03:04.46]You got your stories but they all have cracks
[03:07.20]Misinformation, lies and deceit
[03:09.92]What made you think that we were all asleep
[03:12.77]Lies Lies Lies Lies Lies Lies Lies
[03:15.44]Lies Lies Lies Lies Lies Lies Lies
[03:18.36]Lies Lies Lies Lies Lies Lies Lies
[03:20.75]Surprise surprise
[03:24.57]
[03:45.96]Don't listen to me listen to your head
[03:54.78]Don't listen
[03:57.46]Don't listen to anything, they've said
[04:06.35]Don't listen
[04:10.04]
LRC歌词网音乐网 http://悦笙音乐网提供

Ministry[内阁] 的歌曲

专辑 Adios... 的歌曲

歌曲赏析

《Lies Lies Lies》是工业金属先驱Ministry[内阁]乐队的经典作品,以极具冲击力的音乐语言构建了一个对政治谎言的尖锐批判场域。以下为歌曲的深度解析:

1. 音乐暴力美学的政治隐喻
通过工业金属标志性的机械节奏与失真音墙,歌曲模拟了极权主义的话语暴力系统。Al Jourgensen撕裂般的唱腔并非单纯的愤怒宣泄,而是刻意采用"非人声化"处理,暗喻体制对人性的异化。合成器制造的警报音效贯穿全曲,形成高压统治的听觉符号。

2. 歌词文本的解构策略
重复的"Lies"三连音构成语言层面的权力消解,对应法兰克福学派提出的"否定辩证法"。看似直白的指控实则暗藏后现代修辞:"Truth is a crime"将主流话语的二元对立彻底颠覆,而"Your fiction is fact"则揭露了意识形态国家机器的叙事操控。

3. 工业音景的意识形态批判
采样里根总统演讲片段的行为,实践了本雅明式的"机械复制艺术"革命性。当政治演说被切碎重组为节奏元素,既完成了对权威话语的去神圣化,也暴露出媒体社会中真相的碎片化本质。鼓机编程中故意保留的电子杂音,构成对技术理性统治的听觉抗议。

该作品超越了普通抗议歌曲的范畴,通过工业金属特有的声音政治学,将乐器转化为福柯笔下的"异托邦"武器。其价值不仅在于80年代冷战语境下的具体批判,更建立了用噪音解构权力话语的美学范式,直接影响后来工业音乐的政治表达方式。

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