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歌曲:《Bruce Goes Home》

Bruce Goes Home - 无敌浩克 文本歌词

Bruce Goes Home
LCD Soundsystem - Pow Pow
LRC by lzh, from jiangxi pingxiang
@ 悦笙音乐网 @
From this position
I will relax
I can see the whole place
Oh, just relax
I make some stand
I make my peace with the man
And it goes pow, pow, pow, pow, pow, pow, pow, pow, pow
It goes pow, pow, pow, pow, pow, pow, pow, pow, pow
I can see both of them
I totally get how the decision was reached
I can say "serious" or "cop-out" or "hard to define"
From this position, from this position
It's kind of like eating myself to death
You on the outside
Me on the inside
There's adtage to both
And me being uptight
And you being all right
There's adtages to each
From this perspective, from this position
I have a good grip on both of them
Because I have stayed home
and have learned a little more about my neighbourhood, which is important
You know, there's a lot of good places to eat
So it goes pow, pow, pow, pow, pow, pow, pow, pow, pow
Pow, pow, pow, pow, pow, pow, pow, pow, pow
So it's pow, pow, pow, pow, pow, pow, pow, pow, pow
With you on the keystroke
And me in the gang blank
There's adtages to both
And you have been all right
And I have been filmed being ridiculous
Oh, eat it, Michael Musto
You're no Bruce Vilanch
I have been untied
And you are all cross-eyed
And I'm coming back, coming back, coming back
Until there's nothing left in the well
Is that what they call it, the well?
I'm paralyzed and looking through you
But if nothing's right, we try anyway
As we compromised an arrogant person
I'm amazed at my decision to blame
LRC歌词网音乐网 http://悦笙音乐网提供

Bruce Goes Home - 无敌浩克 LRC歌词

[ti:Pow Pow]
[ar:LCD Soundsystem]
[al:This Is Happening]
[by: ]
[00:02.00]LCD Soundsystem - Pow Pow
[00:07.00]LRC by lzh, from jiangxi pingxiang
[00:12.00]@ 悦笙音乐网 @
[03:42.87][03:27.51][03:13.75][03:05.08][02:58.51][02:49.69][02:41.72][02:26.99][02:12.19][01:56.35][01:48.50][01:42.65][01:25.86][01:10.72][00:56.03][00:40.04][00:17.00]
[01:26.75][01:19.88][01:12.06][00:46.91][00:41.67][00:33.92][00:26.00]From this position
[00:30.42]I will relax
[00:37.89]I can see the whole place
[00:43.79]Oh, just relax
[00:49.31]I make some stand
[00:52.18]I make my peace with the man
[00:57.14]And it goes pow, pow, pow, pow, pow, pow, pow, pow, pow
[02:35.56][01:03.76]It goes pow, pow, pow, pow, pow, pow, pow, pow, pow
[01:14.80]I can see both of them
[01:23.09]I totally get how the decision was reached
[01:30.11]I can say "serious" or "cop-out" or "hard to define"
[01:36.01]From this position, from this position
[01:38.84]It's kind of like eating myself to death
[01:43.58]You on the outside
[01:45.05]Me on the inside
[01:46.76]There's adtage to both
[01:50.28]And me being uptight
[01:52.23]And you being all right
[03:02.77][01:54.17]There's adtages to each
[01:57.93]From this perspective, from this position
[02:01.55]I have a good grip on both of them
[02:05.36]Because I have stayed home
[02:07.58]and have learned a little more about my neighbourhood, which is important
[02:11.18]You know, there's a lot of good places to eat
[02:13.07]So it goes pow, pow, pow, pow, pow, pow, pow, pow, pow
[02:20.07]Pow, pow, pow, pow, pow, pow, pow, pow, pow
[02:28.27]So it's pow, pow, pow, pow, pow, pow, pow, pow, pow
[02:43.47]With you on the keystroke
[02:45.57]And me in the gang blank
[02:47.45]There's adtages to both
[02:51.22]And you have been all right
[02:53.13]And I have been filmed being ridiculous
[02:55.46]Oh, eat it, Michael Musto
[02:57.38]You're no Bruce Vilanch
[02:59.17]I have been untied
[03:00.95]And you are all cross-eyed
[03:06.48]And I'm coming back, coming back, coming back
[03:10.25]Until there's nothing left in the well
[03:12.38]Is that what they call it, the well?
[03:14.53]I'm paralyzed and looking through you
[03:21.31]But if nothing's right, we try anyway
[03:29.08]As we compromised an arrogant person
[03:36.54]I'm amazed at my decision to blame
LRC歌词网音乐网 http://悦笙音乐网提供

无敌浩克 的歌曲

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歌曲赏析

《Bruce Goes Home-无敌浩克》是一首充满戏剧张力和情感层次的配乐作品,通过音乐语言生动刻画了浩克这一复杂英雄的内心世界。全曲以低沉压抑的弦乐开场,仿佛在描绘布鲁斯·班纳被愤怒与痛苦吞噬的挣扎过程。铜管乐器的加入逐渐强化了情绪的爆发力,暗示着不可控的变身即将来临。

节奏设计上采用了不规则的切分音型,模拟了心跳加速的生理反应,与浩克情绪失控时的生理变化形成巧妙呼应。中段突然出现的钢琴独奏段落宛如人性闪回,单薄的琴音象征着班纳残存的理性意识,与厚重的管弦乐形成强烈对比。

配器上运用了电子音效与传统交响乐的混合编制,失真音色的穿插暗示着基因突变的科幻色彩。旋律线条的断裂感与不和谐和弦的频繁使用,共同构建出超级英雄题材中少见的心理现实主义风格。尾奏部分渐弱的处理手法,暗喻了愤怒平息后的虚无与孤独,为角色赋予了悲剧英雄的深度。

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