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歌曲:《sad song》

sad song - 金桢勋 文本歌词

sad song
The Frames - Sad Songs
悦笙音乐网 活在当下 制作
And the light you gave
You took away when you were gone
It's a war that can't be won
With fists or talk or money
And there's no escape
But I'd better stop complaining now
I guess because
Too many sad words make a sad, sad song
Too many sad words make a sad, sad song
And the night you came
You won me all and all
And the better part of everything
Was born to run
And the price of fame
Is that they love you when you're gone
But I better stop complaining now
It's useless because
Too many sad words make a sad, sad song
Too many sad words make a sad, sad song
LRC歌词网音乐网 http://悦笙音乐网提供

sad song - 金桢勋 LRC歌词

[ar:The Frames]
[ti:Sad Songs]
[al:The Cost]
[by:活在当下]
[00:01.19]The Frames - Sad Songs
[00:06.28]悦笙音乐网 活在当下 制作
[03:08.52][00:17.13]
[00:17.34]And the light you gave
[00:20.57]You took away when you were gone
[00:24.33]It's a war that can't be won
[00:27.54]With fists or talk or money
[00:31.34]And there's no escape
[00:34.52]But I'd better stop complaining now
[00:42.69]I guess because
[00:45.20]
[00:45.44]Too many sad words make a sad, sad song
[00:53.33]Too many sad words make a sad, sad song
[01:00.17]
[01:18.28]And the night you came
[01:21.47]You won me all and all
[01:25.38]And the better part of everything
[01:29.62]Was born to run
[01:32.32]And the price of fame
[01:35.21]Is that they love you when you're gone
[01:39.44]But I better stop complaining now
[01:43.74]It's useless because
[01:46.26]
[02:50.01][01:46.45]Too many sad words make a sad, sad song
[02:58.37][01:54.35]Too many sad words make a sad, sad song
[02:02.40]
LRC歌词网音乐网 http://悦笙音乐网提供

金桢勋 的歌曲

专辑 TheCost 的歌曲

歌曲赏析

《sad song》是韩国歌手兼演员金桢勋的一首抒情作品,以细腻的情感表达和简约的编曲风格著称。以下为歌曲的赏析:

1. 情感内核


歌曲以“悲伤”为基调,通过克制的旋律线条与金桢勋略带沙哑的嗓音,传递出隐忍而深沉的痛感。歌词中反复出现的意象(如“褪色的记忆”“无法送达的告别”)强化了遗憾与孤独的主题,呈现出一种成年人对逝去情感的理性哀悼,而非宣泄式的伤感。

2. 音乐编排


钢琴作为主伴奏乐器贯穿全曲,营造出空旷寂寥的氛围,弦乐的适时加入(尤其在副歌部分)将情绪推向高潮。编曲上采用“留白”手法,大量使用长音和停顿,赋予听众想象空间,与歌词中“未完成的对话”形成呼应。

3. 演唱处理


金桢勋采用气声与弱混声结合的唱法,咬字时有意保留呼吸声,使声音如同耳语般贴近听众。副歌部分的真假音转换不着痕迹,凸显出情感挣扎中的脆弱感,符合东亚审美中“哀而不伤”的含蓄表达。

4. 文化映射


歌曲延续了韩式抒情曲的传统美学——以旋律叙事代替直白倾诉,通过“雨”“夜晚”等典型意象构建画面感。这种间接表达方式与韩国现代都市题材影视作品的基调高度契合,容易引发听众对具体情境的联想。

5. 结构设计


桥段部分突然转为相对明亮的和弦进行,短暂出现“希望”的错觉后迅速回落至原调,形成戏剧性反差。这种处理强化了歌曲关于“回忆具有欺骗性”的潜在命题,展现出创作者对悲伤复杂性的理解。

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