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歌曲:《Scared to be lonely(翻自Minnie 宋雨琦)》

Scared to be lonely(翻自Minnie 宋雨琦) - 兔子兔子蹦倒了爬起来 文本歌词

Scared to be lonely(翻自Minnie 宋雨琦)
作词 : Kyle Shearer/Georgia Ku Overton/Nathaniel Campany/Giorgio Tuinfort/Martijn Garritsen
作曲 : Kyle Shearer/Georgia Ku Overton/Nathaniel Campany/Giorgio Tuinfort/Martijn Garritsen
It was great at the very start
Hands on each other
Couldn't stand to be far apart
Closer the better
Now we're picking fights
And slamming doors
Magnifying all our flaws
And I wonder why
Wonder what for
Why we keep coming back for more
Do we need somebody
Just to feel like we're alright?
Is the only reason you're holding me tonight
Cause we're scared to be lonely
Scared to be lonely

Scared to be lonely(翻自Minnie 宋雨琦) - 兔子兔子蹦倒了爬起来 LRC歌词

[00:00.000] 作词 : Kyle Shearer\/Georgia Ku Overton\/Nathaniel Campany\/Giorgio Tuinfort\/Martijn Garritsen
[00:01.000] 作曲 : Kyle Shearer\/Georgia Ku Overton\/Nathaniel Campany\/Giorgio Tuinfort\/Martijn Garritsen
[00:07.109]It was great at the very start
[00:11.109]Hands on each other
[00:14.107]Couldn't stand to be far apart
[00:18.105]Closer the better
[00:21.112]Now we're picking fights
[00:23.100]And slamming doors
[00:25.110]Magnifying all our flaws
[00:28.109]And I wonder why
[00:30.104]Wonder what for
[00:32.104]Why we keep coming back for more
[00:37.113]Do we need somebody
[00:41.109]Just to feel like we're alright?
[00:45.113]Is the only reason you're holding me tonight
[00:48.110]Cause we're scared to be lonely
[00:56.111]Scared to be lonely

兔子兔子蹦倒了爬起来 的歌曲

专辑 Scared to be lonely 的歌曲

歌曲赏析

《Scared to be lonely》作为一首由Minnie和宋雨琦原唱、经兔子兔子蹦倒了爬起来翻唱的改编作品,通过独特的演绎方式呈现出对现代人际关系中孤独恐惧的深度探讨。以下为歌曲的逐层解析:

1. 主题内核
歌曲以"害怕孤独却更怕虚假亲密"为核心矛盾,通过"若即若离的拥抱比独处更寒冷"等意象,揭示当代情感关系中的疏离感。副歌部分重复的"scared to be lonely"形成情感漩涡,展现依赖与自保的心理拉锯。

2. 改编特色
翻唱版本在保留原曲电子流行基底的同时,通过更具呼吸感的咬字处理和段落留白,强化了脆弱感。第二段主歌突然的节奏抽离设计,具象化演绎了"情感断电"的瞬间体验。

3. 词曲互文
旋律线从压抑的低音区爬升到副歌的撕裂式高音,配合"我们像坏掉的霓虹灯"这类都市化比喻,构建出赛博朋克式的孤独图景。桥段部分加入的气声和声,营造出人群中的孤独回响。

4. 文化投射
改编版本通过加入更多喘息式停顿,呼应了Z世代"在社交亢奋与回避间摇摆"的心理特征。结尾处未解决的终止和弦,暗示着数字化时代情感困境的无解循环。

该作品以声音建筑学的方式,完成了从私人情感到群体心理的审美跨越,其价值在于用音乐语法具现了当代青年的情感悖论。

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