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歌曲:《Streamline》

Streamline - SystemofaDown[退步的 文本歌词

Streamline
Barenaked Ladies - Four Seconds
LRC by lzh, from jiangxi pingxiang
@ 悦笙音乐网 @
Goes to show, it's not what you know
But who you know, so's you know
I can go with the flow
Build my note then throw to snow
Before the show stay low
Play it on a Dobro
Oh, I tiptoe to and fro from Ontario
My stereo's blue like the rodeo
Growing like a freak show free throw
It's just the intro
Keep dropping like dominoes
One Mississippi, two Mississippi, three Mississippi, four
Now rewind, what'd you have in mind?
Could we unwind? I'm fine.
We can find a streamline
Recombine and intertwine
If I'm gonna headline
Tryin' to be moving all the behinds
Line to line, try to shine
Redesigned and redefined
Keeping up the spellbind
Gotta make it worth the grind
Just in time to have another close encounter of the third kind
I've been away for years and a day
You'd be thinking I'd be lonely
But I'm out here to stay
Wouldn't have it any other way
Oh flip, the light is turning orange
Coat ripped when I caught it in the door hinge
I slip when the lady in the four-inch
Bought it in a store in Germany
You wore it like a makeshift snowdrift
Had to get a gift
Saw the red shift rift
Gretta got an eyelift
Oh sure, that one's obscure
Maybe piss-poor, but I had to take a little detour
One Mississippi
Two Mississippi
Three Mississippi
Four
LRC歌词网音乐网 http://悦笙音乐网提供

Streamline - SystemofaDown[退步的 LRC歌词

[ti:Four Seconds]
[ar:Barenaked Ladies]
[al:All In Good Time]
[by: ]
[00:02.00]Barenaked Ladies - Four Seconds
[00:03.00]LRC by lzh, from jiangxi pingxiang
[00:04.00]@ 悦笙音乐网 @
[02:43.05][02:11.88][01:54.14][01:32.15][00:57.80][00:28.25][00:05.00]
[00:06.07]Goes to show, it's not what you know
[00:08.84]But who you know, so's you know
[00:10.24]I can go with the flow
[00:11.84]Build my note then throw to snow
[00:13.16]Before the show stay low
[00:14.62]Play it on a Dobro
[00:15.72]Oh, I tiptoe to and fro from Ontario
[00:18.23]My stereo's blue like the rodeo
[00:19.96]Growing like a freak show free throw
[00:21.42]It's just the intro
[00:23.18]Keep dropping like dominoes
[00:54.02][00:24.54]One Mississippi, two Mississippi, three Mississippi, four
[00:34.55]Now rewind, what'd you have in mind?
[00:38.87]Could we unwind? I'm fine.
[00:40.13]We can find a streamline
[00:41.08]Recombine and intertwine
[00:42.58]If I'm gonna headline
[00:43.81]Tryin' to be moving all the behinds
[00:45.77]Line to line, try to shine
[00:47.27]Redesigned and redefined
[00:48.64]Keeping up the spellbind
[00:50.58]Gotta make it worth the grind
[00:52.03]Just in time to have another close encounter of the third kind
[01:54.92][01:13.74]I've been away for years and a day
[01:59.05][01:19.13]You'd be thinking I'd be lonely
[02:03.53][01:23.84]But I'm out here to stay
[02:07.59][01:27.97]Wouldn't have it any other way
[01:37.15]Oh flip, the light is turning orange
[01:39.21]Coat ripped when I caught it in the door hinge
[01:41.37]I slip when the lady in the four-inch
[01:43.53]Bought it in a store in Germany
[01:45.04]You wore it like a makeshift snowdrift
[01:47.12]Had to get a gift
[01:48.06]Saw the red shift rift
[01:49.03]Gretta got an eyelift
[01:49.85]Oh sure, that one's obscure
[01:52.19]Maybe piss-poor, but I had to take a little detour
[02:26.52]One Mississippi
[02:32.60]Two Mississippi
[02:38.01]Three Mississippi
[02:41.05]Four
LRC歌词网音乐网 http://悦笙音乐网提供

SystemofaDown[退步的 的歌曲

专辑 AllInGoodTime 的歌曲

歌曲赏析

《Streamline - System of a Down》赏析

音乐风格与结构
歌曲延续了System of a Down标志性的激进风格,融合了金属核的爆发力与另类摇滚的旋律性。编曲上通过急促的吉他连复段、不规则的节奏切分与主唱Serj Tankian极具张力的嗓音形成强烈冲击。段落转换突兀却富有戏剧性,副歌部分的旋律线条相对流畅,与嘶吼式主歌形成反差,暗喻主题中的矛盾性。

歌词与主题
歌词以碎片化意象拼贴呈现,核心围绕“退步”(或“逆向进化”)展开批判。“Streamline”一词既指向机械化的社会流水线,也隐喻个体在系统中的异化。如“Cutting all the ties that bind”等句,影射对传统束缚的挣脱,而“We’re going backwards”的重复嘶吼则强化了对文明倒退的焦虑。文本中宗教符号(如“holy hands”)与工业隐喻的并置,暗示信仰与科技的冲突。

情感表达
歌曲通过极端动态对比传递躁动与压抑并存的情绪。主唱在低吟与咆哮间切换,配合贝斯线条的沉重推进,营造出窒息感。间奏部分的器乐段落以不和谐音阶制造混乱感,最终在失控的嘶吼中戛然而止,留下未解决的紧张,强化了“退步”主题的无力感。

社会隐喻
System of a Down擅长的政治隐喻在本曲中仍隐约可见。“Streamline”可解读为对标准化社会的讽刺,而“退步”则直指人类在技术崇拜中的自我瓦解。乐队通过音乐上的“不协调”刻意反抗主流,使形式与内容形成互文——歌曲本身成为对机械性审美的叛逆实践。

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