Earth Blues-JimiHendrix[杰米亨得里克_歌词分享_lrc歌词下载_找歌词_找歌名

歌曲：《Earth Blues》

Earth Blues - JimiHendrix[杰米亨得里克文本歌词

Willie Nelson And Wynton Marsalis - Basin Street Blues
LRC by lzh ,from jiangxi pingxiang
@ 悦笙音乐网 @
Won't you come along with me
To the Mississippi
We'll take the boat to the land of dreams
Steam down the river down to New Orleans
The band's there to meet us
And old friends to greet us
Where all the people always meet
Heaven on earth they call it Basin Street
Basin Street is the street
Where the elite always meet
In New Orleans the land of dreams
You'll never know how nice it seems
Or just how much it really means
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Earth Blues - JimiHendrix[杰米亨得里克 LRC歌词

下载LRC歌词

[ti:Basin Street Blues]
[ar:Willie Nelson And Wynton Marsalis]
[al:Two Men With The Blues]
[by: ]
[00:02.00]Willie Nelson And Wynton Marsalis - Basin Street Blues
[00:08.00]LRC by lzh ,from jiangxi pingxiang
[00:14.00]@ 悦笙音乐网 @
[00:20.00]
[00:21.67]Won't you come along with me
[00:27.61]To the Mississippi
[00:33.21]We'll take the boat to the land of dreams
[00:38.65]Steam down the river down to New Orleans
[00:43.72]The band's there to meet us
[00:48.82]And old friends to greet us
[00:53.42]Where all the people always meet
[00:58.80]Heaven on earth they call it Basin Street
[01:04.00]Basin Street is the street
[01:09.03]Where the elite always meet
[01:12.69]In New Orleans the land of dreams
[01:18.69]You'll never know how nice it seems
[01:21.40]Or just how much it really means
[01:26.42]
LRC歌词网音乐网 http://悦笙音乐网提供

JimiHendrix[杰米亨得里克的歌曲

专辑 TwoMenWithTheBlues 的歌曲

Georgia On My Mind

Earth Blues

歌曲赏析

《Earth Blues》是Jimi Hendrix创作于1970年的布鲁斯摇滚作品，收录于遗作专辑《First Rays of the New Rising Sun》。这首歌曲以粗粝的吉他音色和原始律动为核心，展现了亨德里克斯对传统布鲁斯的颠覆性重构。

音乐结构上，歌曲采用经典的十二小节布鲁斯框架，但通过扭曲的吉他反馈（如2分15秒处的啸叫段落）和非常规的和声进行（如副歌部分突然的降Ⅶ级和弦）打破传统桎梏。亨德里克斯的吉他演奏将芝加哥布鲁斯的推弦技巧与迷幻摇滚的声效实验完美融合，主音段落（1分30秒起）那些看似失控的泛音实则构成精妙的即兴旋律。

歌词文本通过"大地在哭泣/海洋在沸腾"等末世意象，隐喻60年代末的社会动荡。反复出现的"Blues"一词既指音乐形式，也暗示人类困境，而"Let me show you what love can do"的宣言则透露出乌托邦式的救赎渴望。特别值得注意的是3分08秒处人声与吉他的对抗性呼应，这种call & response手法源自三角洲布鲁斯，但被赋予更激烈的情绪张力。

作为亨德里克斯晚期创作的代表，这首作品体现了其音乐哲学的成熟：在保留布鲁斯灵魂的同时，通过电子手段拓展了这种黑人音乐的表现维度。粗糙的录音质感（刻意保留的过载失真）与精致的节奏设计（Billy Cox的贝斯线始终维持着跳跃的律动）形成奇妙平衡，预示了70年代硬摇滚的发展方向。

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