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歌曲:《追龙《追龙》电影原声碟》

追龙《追龙》电影原声碟 - 朱隽言 文本歌词

追龙《追龙》电影原声碟
追龙 - 朱隽言
词:朱隽言
曲:陈光荣
编曲:陈光荣
监制:陈光荣
发行:完美青春OST
There's a place everybody knows
A place so small but a place that's filled with gold
We're here to make some miracles
We're here to make the diamonds glow
Across the globe
Yeah here we go
Welcome to the 70s'
Oh oh oh
Oh oh oh
Let's paint the city black and gold
Money money money make them grow
I'm feeling so invincible
I'm gonna be a miracle*
I'm feeling
Unstoppable
Oh oh oh
Oh oh oh
Let's paint the city black and gold
Money money money make them grow
I'm feeling so invincible
I'm gonna be a miracle*

追龙《追龙》电影原声碟 - 朱隽言 LRC歌词

[ti:追龙]
[ar:朱隽言]
[al:追龙 电影原声碟]
[by:]
[offset:0]
[00:01.33]追龙 - 朱隽言
[00:02.70]词:朱隽言
[00:03.78]曲:陈光荣
[00:04.89]编曲:陈光荣
[00:06.16]监制:陈光荣
[00:07.39]发行:完美青春OST
[00:09.43]
[00:49.32]There's a place everybody knows
[00:51.73]
[00:53.60]A place so small but a place that's filled with gold
[00:57.23]
[00:58.28]We're here to make some miracles
[01:01.26]
[01:02.81]We're here to make the diamonds glow
[01:06.03]Across the globe
[01:07.28]
[01:08.10]Yeah here we go
[01:09.97]
[01:10.99]Welcome to the 70s'
[01:13.01]
[01:15.09]Oh oh oh
[01:16.53]
[01:19.30]Oh oh oh
[01:20.89]
[01:24.01]Let's paint the city black and gold
[01:27.14]
[01:28.26]Money money money make them grow
[01:31.66]
[01:32.50]I'm feeling so invincible
[01:34.54]
[01:36.74]I'm gonna be a miracle*
[01:38.67]
[01:56.95]I'm feeling
[01:58.27]
[01:59.31]Unstoppable
[02:00.51]
[02:06.11]Oh oh oh
[02:07.81]
[02:10.31]Oh oh oh
[02:11.62]
[02:15.00]Let's paint the city black and gold
[02:18.00]
[02:18.89]Money money money make them grow
[02:22.65]
[02:23.37]I'm feeling so invincible
[02:25.73]
[02:27.41]I'm gonna be a miracle*

朱隽言 的歌曲

专辑 追龙电影原声碟 的歌曲

歌曲赏析

《追龙》电影原声碟中朱隽言的配乐作品,以极具张力的音乐语言构建了一个充满江湖气息与时代烙印的听觉世界。整首作品通过以下艺术手法实现深层表达:

1. 音色设计上,采用弦乐群与电子音效的混合编制,铜管乐器的压迫性音色模拟了黑帮对峙的紧张感,而二胡与琵琶的穿插运用则暗喻了传统江湖道义在现代社会中的挣扎。

2. 节奏处理颇具特色,复合节拍(如5/8拍与7/8拍的交替)制造出命运无常的听觉隐喻,打击乐声部模仿心跳的渐强处理,强化了剧情关键节点的心理压迫。

3. 和声进行突破传统,大量使用减七和弦与全音阶,模糊调性的同时营造出道德界限的混沌感。主题旋律通过四次变奏呈现,每次配器变化暗示人物命运转折。

4. 空间处理上运用多声道技术,枪声等环境音效的方位移动形成沉浸式听觉场景,与画面蒙太奇形成通感效应。

该作品超越了普通场景配乐的功能性,通过音乐叙事完整构建了香港灰色年代的生存图景。特别是主题旋律的逆行变奏手法,暗合电影中"生死轮回"的核心命题,使音乐成为独立于画面的叙事载体。

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