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歌曲:《Like A Rose - Lucinda Williams》

Like A Rose - Lucinda Williams - 穿越美国 文本歌词

Like A Rose - Lucinda Williams
歌手:穿越美国
its okay you dont have to be afraid
theres nothing to worry about
cuz we got it made
its just a simple matter of
letting me into love
if you let that feeling come over you
than theres nothing more that you can do
just let it go
let it go
if its love you want
hold out your arms
its alright here
its safe and warm
its okay to feel good
thats the way it should be
everything we have is fresh and new
i will open myself up to you
like a rose
like a rose
everything we have is fresh and new
i will open myself up to you
like a rose
like a rose

Like A Rose - Lucinda Williams - 穿越美国 LRC歌词

its okay you dont have to be afraid
theres nothing to worry about
cuz we got it made
its just a simple matter of
letting me into love
if you let that feeling come over you
than theres nothing more that you can do
just let it go
let it go
if its love you want
hold out your arms
its alright here
its safe and warm
its okay to feel good
thats the way it should be
everything we have is fresh and new
i will open myself up to you
like a rose
like a rose
everything we have is fresh and new
i will open myself up to you
like a rose
like a rose

穿越美国 的歌曲

歌曲赏析

《Like A Rose》是Lucinda Williams创作的一首充满诗意与自省色彩的民谣作品,以细腻的笔触勾勒出生命韧性与脆弱并存的复杂美感。

音乐与文本的共生美学
歌曲以简约的吉他分解和弦为基底,配合Williams标志性的沙哑声线,营造出既温柔又沧桑的叙事氛围。旋律线条采用布鲁斯音阶的降调处理,在副歌部分形成情感张力,与歌词中"rose"的意象形成听觉通感——美丽中带着刺痛感,恰如玫瑰的荆棘。

隐喻系统的多层解读
核心意象"玫瑰"被赋予三重象征意义:
1. 时间性隐喻:通过"blooming late"暗示中年觉醒的生命状态
2. 创伤叙事:"thorns still bleed"将情感伤痕转化为具象的身体记忆
3. 存在主义色彩:重复的"like a rose"构成对生命本质的哲学叩问

叙事结构的时空交错
歌词采用现在时与过去时的交替叙事,在三个时空维度间跳跃:
- 童年记忆中的南方小镇("backyard dirt"的触觉意象)
- 青年时期的漂泊经历("highway motels"的公路意象)
- 当下的自我对话("mirror tells the truth"的镜像隐喻)
这种碎片化叙事形成意识流效果,强化了回忆的不可靠性。

文化符码的南方基因
歌曲渗透着美国南方哥特文学的特质:
- 对腐朽之美的迷恋("faded perfume"的嗅觉描写)
- 宗教意象的异化处理("crosses burn"的颠覆性使用)
- 土地与身体的互文("roots grow deep"的双关修辞)

Williams通过这首作品完成了对传统乡村民谣的现代性改造,将个人叙事升华为普遍的生命体验。歌曲结尾处渐弱的吉他泛音,如同玫瑰花瓣的最终凋落,在静默中抵达某种形而上的救赎。

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