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歌曲:《the wheelchair》

the wheelchair - Kingdiamond[钻石王] 文本歌词

the wheelchair
Ben Folds - Doc Pomus
LRC by lzh, from jiangxi pingxiang
@ www.1ting.com @
Man in a wheelchair, lobby of the Forrest
With freighters, hustlers, hard-up millionaires.
Mobsters, cops, whores, pimps and Marxist.
All human life is there.
Man in a wheelchair listens to the chatter,
Writes down all the insane crap he hears.
He can't move around, but it doesn't really matter
In the Forrest all you need is eyes and ears.
And out they pour, the hits and the misses.
Turn Me Loose, Lonely Avenue,
And down in Nashville, they always sing Suspicion.
Pomus/Shuman, 1962.
And he never could be one of those happy cripples,
The kind that smile and tell you life's OK.
He was mad as hell, frightened and bitter.
He found a way to make his feelings pay.
Back at the Forrest, in the steakhouse of the lobby,
The diner gets three bullets in the head.
Doc looks down, eating his linguine,
Thinking up a lyric for the dead.
Fred Neil, Jack Benny, crazy Phil Spector,
Pumpkin Juice and Eydie Gorm
Damon Runyon Jr. and the Duke's orchestra
All superhuman life was there
And he never could be one of those happy cripples
The kind that smile and tell you life's OK
He was mad as hell, frightened and bitter
He found a way to make his isolation pay
LRC歌词网音乐网 http://悦笙音乐网提供

the wheelchair - Kingdiamond[钻石王] LRC歌词

[ti:Doc Pomus]
[ar:Ben Folds]
[al:Lonely Avenue]
[by: ]
[00:00.00]Ben Folds - Doc Pomus
[00:02.00]LRC by lzh, from jiangxi pingxiang
[00:04.00]@ www.1ting.com @
[03:58.02][03:42.52][03:26.59][03:05.26][02:27.80][02:09.33][01:55.62][01:42.58][01:29.24][01:15.16][00:56.11][00:42.20][00:28.68][00:15.80][00:06.00]
[00:07.20]Man in a wheelchair, lobby of the Forrest
[00:10.58]With freighters, hustlers, hard-up millionaires.
[00:20.71]Mobsters, cops, whores, pimps and Marxist.
[00:24.35]All human life is there.
[00:34.09]Man in a wheelchair listens to the chatter,
[00:37.51]Writes down all the insane crap he hears.
[00:46.85]He can't move around, but it doesn't really matter
[00:50.84]In the Forrest all you need is eyes and ears.
[03:43.17][03:29.86][02:13.21][01:00.50]And out they pour, the hits and the misses.
[03:46.58][03:33.50][02:16.91][01:04.24]Turn Me Loose, Lonely Avenue,
[03:49.64][03:36.76][02:20.19][01:07.55]And down in Nashville, they always sing Suspicion.
[03:53.15][03:40.03][02:23.48][01:10.84]Pomus/Shuman, 1962.
[01:20.51]And he never could be one of those happy cripples,
[01:24.15]The kind that smile and tell you life's OK.
[01:33.59]He was mad as hell, frightened and bitter.
[01:37.28]He found a way to make his feelings pay.
[01:47.01]Back at the Forrest, in the steakhouse of the lobby,
[01:50.61]The diner gets three bullets in the head.
[02:00.54]Doc looks down, eating his linguine,
[02:03.87]Thinking up a lyric for the dead.
[02:39.54]Fred Neil, Jack Benny, crazy Phil Spector,
[02:46.72]Pumpkin Juice and Eydie Gorm
[02:53.31]Damon Runyon Jr. and the Duke's orchestra
[02:59.73]All superhuman life was there
[03:09.51]And he never could be one of those happy cripples
[03:13.24]The kind that smile and tell you life's OK
[03:16.66]He was mad as hell, frightened and bitter
[03:20.11]He found a way to make his isolation pay
LRC歌词网音乐网 http://悦笙音乐网提供

Kingdiamond[钻石王] 的歌曲

专辑 LonelyAvenue 的歌曲

歌曲赏析

《The Wheelchair》是丹麦重金属乐队King Diamond(钻石王)的一首叙事性极强的概念歌曲,融合了哥特式恐怖美学与前卫金属的编曲手法。以下为歌曲的深度赏析:

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主题与叙事


歌曲以第一人称视角展开病态叙事,讲述一位被囚禁在轮椅上的瘫痪者逐渐精神扭曲的故事。通过"轮椅"这一核心意象,隐喻肉体禁锢与精神失控的双重困境。歌词中反复出现的"锁链""黑暗房间"等意象,强化了哥特文学中常见的幽闭恐惧主题,而叙述者从受害者到加害者的身份转变(如歌词暗示的复仇行为),体现了King Diamond对人性阴暗面的戏剧化挖掘。

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音乐结构


1. 编曲设计
前奏以不和谐的键盘音效营造诡谲氛围,主歌部分采用压抑的切分riff推进叙事,副歌突然爆发的双吉他solo象征角色情绪的崩溃。桥段插入教堂钟声与女声和声,暗示宗教救赎的虚妄,延续了乐队一贯的反宗教主题。

2. 人声演绎
King Diamond运用标志性的多声部唱腔——从压抑的低语到刺耳的假声尖叫,具象化呈现角色精神分裂的状态。歌词中"Look into my eyes!"等台词通过颤音处理,强化了病态的操控欲。

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象征体系


- 轮椅:既是物理束缚的符号,也暗喻社会边缘人的被规训状态。歌词中"my throne of pain"将痛苦神圣化,体现受虐与权力的畸形共生。
- 镜像意象:反复出现的"镜子"折射角色自我认知的异化,与专辑整体概念(如《Abigail》中的鬼婴叙事)形成互文。
- 色彩隐喻:歌词中"white walls turning grey"通过色彩褪变暗示希望湮灭,与乐队黑白色调的视觉美学相呼应。

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艺术价值


歌曲延续了King Diamond"恐怖剧场"的创作理念,将重金属的暴力美学转化为心理惊悚的听觉体验。相比传统金属乐对死亡的表层描写,该曲通过渐进式的精神堕落叙事,完成对人性深渊的仪式化窥探。音乐上对古典对位法的运用(如键盘与吉他的复调交织),提升了金属乐的戏剧表现力,成为哥特金属史上的经典文本。

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