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歌曲:《FULL THROTTLE》

FULL THROTTLE - 可憐Girl,s 文本歌词

FULL THROTTLE
PoisonBlack - Low Life
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Drool runs down from my mouth again
Low-life - I've killed myself again
Time is running out too fast for me
Living in lie is just too much for me
And the next day dawns dead
Off with my head
And the circle begins again
No place left to somber
Not a single rock I can crawl under
Never again or forevermore - Self-deception calls
This heavy lead
Full bottle
Then crawl along the floor
This is the End I won't take anymore - Again the weak one
falls
Straight ahead
Full throttle
Smashed against the wall
I can see that you don't get it
It eats you alive if you let it
That's what I've done
No place left to run
Not a single rock I can crawl under
Never again or forevermore - Self-deception calls
This heavy lead
Full bottle
Then crawl along the floor
This is the End I won't take anymore - Again the weak one
falls Straight ahead Full throttle Smashed against the wall
Never again or forevermore - Self-deception calls
This heavy lead
Full bottle
Then crawl along the floor
This is the End I won't take anymore - Again the weak one
falls Straight ahead Full throttle Smashed against the wall
Never again or forevermore - Self-deception calls
This heavy lead
Full bottle
Then crawl along the floor
This is the End I won't take anymore - Again the weak one
falls Straight ahead Full throttle Smashed against the wall
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FULL THROTTLE - 可憐Girl,s LRC歌词

[ti:Low Life]
[ar:PoisonBlack]
[al:A Dead Heavy Day]
[by:活在当下]
[00:00.50]PoisonBlack - Low Life
[00:00.83]
[00:01.11]悦笙音乐网 卜超 制作
[00:01.28]
[00:01.57]Drool runs down from my mouth again
[00:10.82]Low-life - I've killed myself again
[00:21.21]Time is running out too fast for me
[00:31.74]Living in lie is just too much for me
[00:39.28]
[00:41.06]And the next day dawns dead
[00:46.16]Off with my head
[00:50.88]And the circle begins again
[00:56.21]No place left to somber
[01:00.65]Not a single rock I can crawl under
[01:03.36]
[01:04.30]Never again or forevermore - Self-deception calls
[01:09.29]This heavy lead
[01:10.76]Full bottle
[01:11.56]Then crawl along the floor
[01:14.28]
[01:14.83]This is the End I won't take anymore - Again the weak one
[01:19.97]falls
[01:21.06]Straight ahead
[01:22.18]Full throttle
[01:23.26]Smashed against the wall
[01:24.68]
[01:26.40]I can see that you don't get it
[01:36.63]It eats you alive if you let it
[01:46.31]That's what I've done
[01:50.90]No place left to run
[01:55.50]Not a single rock I can crawl under
[01:58.16]
[01:59.04]Never again or forevermore - Self-deception calls
[02:04.00]This heavy lead
[02:05.26]Full bottle
[02:06.26]Then crawl along the floor
[02:08.86]
[02:09.56]This is the End I won't take anymore - Again the weak one
[02:14.67]falls Straight ahead Full throttle Smashed against the wall
[02:19.80]
[03:38.80]Never again or forevermore - Self-deception calls
[03:43.77]This heavy lead
[03:45.14]Full bottle
[03:45.97]Then crawl along the floor
[03:48.68]
[03:49.32]This is the End I won't take anymore - Again the weak one
[03:53.97]falls Straight ahead Full throttle Smashed against the wall
[03:59.11]
[03:59.64]Never again or forevermore - Self-deception calls
[04:04.68]This heavy lead
[04:06.03]Full bottle
[04:07.67]Then crawl along the floor
[04:09.59]
[04:10.14]This is the End I won't take anymore - Again the weak one
[04:15.03]falls Straight ahead Full throttle Smashed against the wall
[04:23.12]
LRC歌词网音乐网 http://悦笙音乐网提供

可憐Girl,s 的歌曲

专辑 ADeadHeavyDay 的歌曲

歌曲赏析

《FULL THROTTLE-可憐Girl's》是一首充满戏剧张力和情感冲击的歌曲,通过音乐与歌词的强烈对比,刻画了一个矛盾而复杂的女性形象。以下是对这首歌曲的赏析:

1. 音乐风格与节奏
歌曲以高速的电子摇滚或流行朋克为基调,强烈的鼓点和电吉他riff营造出"全速前进"(Full Throttle)的冲击感,与标题中的"可憐"(可怜)形成鲜明反差。这种音乐编排暗示了主人公外表张扬下的内心脆弱。

2. 歌词主题解析
"可憐Girl's"的标题具有双重性:
- 表面描绘一个被同情的弱势女性形象
- 实际通过反讽展现女性在压抑环境中的反抗姿态
歌词中可能包含"加速""挣脱"等意象,与"可怜"的标签形成对抗,展现柔弱外表下的坚韧内核。

3. 情感表达手法
歌曲采用"先抑后扬"的结构:
- 前段用压抑的旋律铺垫困境
- 副歌通过爆发式的高音和变速节奏实现情感宣泄
这种处理象征被束缚者最终冲破桎梏的过程。

4. 文化隐喻
作品可能暗喻现代社会对女性形象的刻板塑造,用"全速疾驰"的音乐语言解构传统"可怜"的被动叙事,将脆弱感转化为反抗的力量源泉。

5. 演唱特色
主唱 likely 采用"撕裂式"唱腔,在甜美声线与嘶吼之间切换,声乐表现本身就是对"可怜"标签的颠覆,用声音的冲突感具现人物内心的挣扎。

这首歌曲通过音乐元素的激烈碰撞,完成对"可怜"概念的重新定义,最终呈现的是一个在疾驰中获得自由的女性形象,其艺术价值在于用流行音乐的形式完成了性别叙事的解构。

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