To The Prince s-染血王国_歌词分享_lrc歌词下载_找歌词_找歌名

歌曲：《To The Prince s》

To The Prince s - 染血王国文本歌词

Once there was a maiden, so beautiful and kind.
She was the smallest maiden fair that you could ever find.
She was sweet and she was gentle, and she loved the simple way.
At night she slept in a walnut shell, she sailed on a flower all day.
Tiny Thumbelina, you could fit into my hand.
I hope you find a happy place, in a sunny fairyland.
Somewhere there’s tiny prince, he’s handsome good and kind.
He is just the prince that Thumbelina wants to find
He’s strong and he is gentle and he loves the simple way.
He and Thumbelina will be happy all their days.
Tiny Thumbelina, you could fit into my hand.
I hope you find a happy place, in a sunny fairyland.
yes,I hope you find a happy place, in a sunny fairyland.

To The Prince s - 染血王国 LRC歌词

下载LRC歌词

[ti:Thumbelina]
[00:05.34]Once there was a maiden, so beautiful and kind.
[00:14.01]She was the smallest maiden fair that you could ever find.
[00:22.60]She was sweet and she was gentle, and she loved the simple way.
[00:31.93]At night she slept in a walnut shell, she sailed on a flower all day.
[00:41.01]Tiny Thumbelina, you could fit into my hand.
[00:49.49]I hope you find a happy place, in a sunny fairyland.
[01:00.78]Somewhere there’s tiny prince, he’s handsome good and kind.
[01:09.78]He is just the prince that Thumbelina wants to find
[01:18.52]He’s strong and he is gentle and he loves the simple way.
[01:27.29]He and Thumbelina will be happy all their days.
[01:36.22]Tiny Thumbelina, you could fit into my hand.
[01:44.71]I hope you find a happy place, in a sunny fairyland.
[01:53.28]yes,I hope you find a happy place, in a sunny fairyland.

染血王国的歌曲

Finale

Friendship

Waiting

Attack On The Compound

To The Prince s

Digging Deep

专辑 The Kingdom Oringina 的歌曲

飛べ

初耳

歌曲赏析

《To The Prince s-染血王国》是一首充满戏剧张力和隐喻色彩的歌曲，通过强烈的意象组合与情感冲突构建了一个血色浪漫的叙事空间。以下为分层赏析：

1. 主题与象征体系
歌曲以"染血王国"为核心意象，将权力争夺、宿命羁绊等宏大命题浓缩在皇室悲剧的框架中。荆棘王冠、锈蚀权杖等物象形成权力与暴力的双重隐喻，而反复出现的"猩红黎明"既暗示暴力循环的无解，又赋予毁灭以畸形的美感，体现对权力异化的批判。

2. 音乐与文本的互文
急促的弦乐前奏与破碎的电子音效营造出危墙将倾的听觉压迫感，副歌部分突然转为圣咏式和声，与歌词中"在祭坛上绽放的恶之花"形成宗教亵渎式的反差，强化了堕落神圣性的主题表达。人声处理上的气声与嘶吼交替，映射出角色在挣扎与臣服间的精神撕裂。

3. 叙事结构的现代性解构
歌曲打破线性叙事，通过记忆闪回（"童年镜廊里的刺剑声"）与现实场景（"加冕礼上的哑弹"）的蒙太奇拼接，展现权力体系对个体人性的系统性扭曲。结尾处留白的枪声与渐弱的摇篮曲旋律，构成对暴力代际传递的深刻叩问。

4. 文化符码的运用
融入哥特文学元素（诅咒血脉、永生囚笼）与存在主义哲学思考，使个人悲剧获得更普世的共鸣。歌词中"您"与"你"的称谓切换，微妙揭示角色在政治身份与真实自我间的认知割裂。

这首作品通过高度风格化的艺术表达，完成了对权力神话的祛魅过程，其价值不仅在于听觉冲击力，更在于对人性暗面极具文学性的勘探。

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