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歌曲:《i m amazed》

i m amazed - Pixies[精灵] 文本歌词

i m amazed
「Amazing Grace」
作詞∶ジョンニュートン
作曲∶ジョンニュートン
歌∶アンジェラアキ
Amazing grace, how sweet the sound
That saved a wretch like me
I once was lost, but now I’m found
Was blind, but now I see
‘Twas grace that taught my heart to fear
And grace that fear relieved
How precious did that grace appear
The hour I first believed
When we’ve been here ten thousand years
Bright shining as the sun,
We’ve no less days to sing
God’s praise than when we first begun
Amazing grace, how sweet the sound
That saved a wretch like me
I once was lost, but now I’m found
Was blind, but now I see
Amazing grace, how sweet the sound
Lrc By VINE (C) 悦笙音乐网
終わり
LRC歌词网音乐网 http://悦笙音乐网提供

i m amazed - Pixies[精灵] LRC歌词

[ti:Amazing Grace]
[ar:アンジェラアキ]
[al:夢の終わり 愛の始まり]
[by:Vine]
[00:00.25]「Amazing Grace」
[00:05.25]作詞∶ジョンニュートン
[00:10.25]作曲∶ジョンニュートン
[00:20.25]歌∶アンジェラアキ
[00:25.25]
[00:28.25]Amazing grace, how sweet the sound
[00:40.74]That saved a wretch like me
[00:53.61]I once was lost, but now I’m found
[01:06.45]Was blind, but now I see
[01:16.98]
[01:19.22]‘Twas grace that taught my heart to fear
[01:32.07]And grace that fear relieved
[01:44.82]How precious did that grace appear
[01:57.66]The hour I first believed
[02:08.45]
[02:36.01]When we’ve been here ten thousand years
[02:48.87]Bright shining as the sun,
[03:01.59]We’ve no less days to sing
[03:11.25]God’s praise than when we first begun
[03:24.86]
[03:27.24]Amazing grace, how sweet the sound
[03:40.05]That saved a wretch like me
[03:52.86]I once was lost, but now I’m found
[04:05.67]Was blind, but now I see
[04:17.18]
[04:18.57]Amazing grace, how sweet the sound
[04:30.15]
[04:32.15]Lrc By VINE (C) 悦笙音乐网
[04:34.15]終わり
[04:37.15]
LRC歌词网音乐网 http://悦笙音乐网提供

Pixies[精灵] 的歌曲

专辑 夢の終わり愛の始まり 的歌曲

歌曲赏析

《i m amazed》是另类摇滚先驱Pixies乐队的作品,延续了他们标志性的极简主义美学与情绪张力。以下从三个维度解析这首歌曲:

1. 音乐结构设计
歌曲采用非常规的段落编排,主副歌界限被故意模糊化。吉他riff以锯齿状的切分节奏贯穿全曲,贝斯线在低频区制造出压迫性的脉冲感,鼓组则通过突然的休止制造听觉断层。这种"构建-崩塌"的动态结构,典型体现了Pixies"安静-爆发"(loud-quiet-loud)的创作哲学。

2. 歌词意象系统
歌词文本呈现碎片化的意识流特征,"amazed"作为核心词被解构为多重含义:既有对异化现实的惊愕,也暗含存在主义的荒诞体验。第二人称"you"的反复出现,构建出虚实交错的对话场域,使私人化叙事获得普世共鸣。

3. 声学暴力美学
Black Francis的嗓音在压抑的低语与撕裂的嘶吼间瞬态切换,配合Kim Deal极具弹性的和声,形成危险的声场平衡。录音工程刻意保留粗糙的毛边感,失真吉他的高频泛音与房间混响形成物理性压迫,实现了Lo-Fi美学的工业级呈现。

这首作品浓缩了Pixies颠覆性的创作理念:用看似简单的音乐元素,通过非常规组合制造出令人不安的听觉体验。其价值在于突破了传统摇滚歌曲的叙事逻辑,将后现代解构思维转化为具破坏力的声音诗学。

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