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歌曲:《殷雀撕汀》

殷雀撕汀 - 海皮威尔 文本歌词

殷雀撕汀
殷雀撕汀 (On The Spree) - 海皮威尔
词:余润泽
曲:梁策
There's things changed
Why would I stay the same
By 7:00 he was working
So many opportunities
As you pursue pleasure
Get me out of the movement
Set us out of the movement
So go to meet ya' maker
Going out on the spree
It's better than landing
On the San Francisco
Don't want to be a mortal
Hiding in the cupboard
Just get hopping
On my elevator
It is time for the lights on
We ain't got no time to show off
There's things changed
Why would I stay the same
By 7:00 he was working
So many opportunities
As you pursue pleasure
Get me out of the movement
Get me out of the movement
Set us out of the movement
Set us out of the movement
There's things changed
Why would I stay the same
So go to meet ya' maker
Going out on the spree
It's better than landing
On the San Francisco
Don't want to be a mortal
Hiding in the cupboard
Just get hopping
On my elevator
It is time for the lights on
We ain't got no time to show off
Listen to this speach here
We gonna find somewhere we could put the dicks in
The bloody fight someone here was starying at you
All you need just a damn mess
Controled by meanings opjectives
We here ready to pay them a big good price
Enemys friends good golden days
Whose word that was saying
The more things change the more they stay the same
So go to meet ya' maker
Going out on the spree
It's better than landing
On the San Francisco
Don't want to be a mortal
Hiding in the cupboard
Just get hopping
On my elevator
It is time for the lights on
We ain't got no time to show off

殷雀撕汀 - 海皮威尔 LRC歌词

[ti:殷雀撕汀 (On The Spree)]
[ar:海皮威尔]
[al:]
[by:]
[offset:0]
[00:00.39]殷雀撕汀 (On The Spree) - 海皮威尔
[00:02.49]词:余润泽
[00:03.43]曲:梁策
[00:38.14]There's things changed
[00:41.75]Why would I stay the same
[00:45.38]By 7:00 he was working
[00:52.83]So many opportunities
[00:56.87]As you pursue pleasure
[01:00.49]Get me out of the movement
[01:04.39]Set us out of the movement
[01:07.92]So go to meet ya' maker
[01:10.17]Going out on the spree
[01:12.06]It's better than landing
[01:13.90]On the San Francisco
[01:15.51]Don't want to be a mortal
[01:17.55]Hiding in the cupboard
[01:19.35]Just get hopping
[01:20.60]On my elevator
[01:22.99]It is time for the lights on
[01:26.63]We ain't got no time to show off
[02:23.23]There's things changed
[02:26.77]Why would I stay the same
[02:30.28]By 7:00 he was working
[02:37.86]So many opportunities
[02:41.93]As you pursue pleasure
[02:45.68]Get me out of the movement
[02:49.33]Get me out of the movement
[02:53.19]Set us out of the movement
[02:56.74]Set us out of the movement
[03:00.45]There's things changed
[03:04.21]Why would I stay the same
[03:08.02]So go to meet ya' maker
[03:10.27]Going out on the spree
[03:11.96]It's better than landing
[03:13.83]On the San Francisco
[03:15.51]Don't want to be a mortal
[03:17.54]Hiding in the cupboard
[03:19.39]Just get hopping
[03:20.63]On my elevator
[03:23.09]It is time for the lights on
[03:26.73]We ain't got no time to show off
[03:37.73]Listen to this speach here
[03:42.46]We gonna find somewhere we could put the dicks in
[03:47.45]The bloody fight someone here was starying at you
[03:50.41]All you need just a damn mess
[03:52.38]Controled by meanings opjectives
[03:54.94]We here ready to pay them a big good price
[03:57.43]Enemys friends good golden days
[04:00.12]Whose word that was saying
[04:02.15]The more things change the more they stay the same
[04:07.94]So go to meet ya' maker
[04:10.04]Going out on the spree
[04:11.81]It's better than landing
[04:14.00]On the San Francisco
[04:15.52]Don't want to be a mortal
[04:17.61]Hiding in the cupboard
[04:19.40]Just get hopping
[04:20.61]On my elevator
[04:23.05]It is time for the lights on
[04:26.74]We ain't got no time to show off

海皮威尔 的歌曲

歌曲赏析

《殷雀撕汀-海皮威尔》是一首充满实验性与情绪张力的作品,通过解构化的音乐语言传递出强烈的后现代美学。歌曲以破碎的电子音效为基底,搭配失真的人声处理,营造出疏离而迷幻的听觉空间。节奏设计采用非常规切分,在机械感与无序感之间形成微妙平衡,暗喻当代社会的认知割裂。

歌词文本呈现出意识流特征,通过意象拼贴(如"玻璃羽翼""数据沼泽")构建出数字时代的生存寓言。主歌部分压抑的喃喃自语与副歌突然爆发的嘶吼形成戏剧性对比,揭示个体在虚拟与现实夹缝中的身份焦虑。bridge段落加入环境噪音采样,进一步强化了歌曲的异化质感。

音乐制作上刻意保留粗糙的毛边感,失谐的和声进行与脉冲式低频构成听觉压迫,而高频段飘忽的合成器旋律又赋予作品某种病态的诗意。这种矛盾性正是对歌曲核心主题——技术文明下人性挣扎的精准音效化呈现。

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