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歌曲:《Still In Love》

Still In Love - 陈以桐 文本歌词

Still In Love
Eric Benet - Still I Believe
卜超 制作
I once believed that the face of love
would be so clear to see
one kiss conceives giving birth to
endless joy
that's what i believed
but i've been slapped out my trance
from this bliss of ignorance
while the stench of disappointment i
would breathe
i've played the roles brilliantly
the villain, the victim, and in between
pushed the limits of my strength and
sanity
still i believe in love
still i believe in love
still i believe in love
still i believe in love
your eyes your eyes if given half a chance
could slice my heart in two
i've tried at least a half a dozen times
probably the same for you
i've been the angel, been the beast
i've been confused and had clarity
i went the distance only to find there was
nothing there
take your hearts place your bets
on this game of russian roulette
if you loose they won't remember or even care
still i believe in love
still i believe in love
still i believe in love
still i believe in love
though i walk thru the valley i don't fear you
i'll never stop believing though i hear you
though i walk thru the valley i don't fear you
i'll never stop believing though i hear you
though i walk thru the valley i don't fear you
i'll never stop believing though i hear you
still i believe in love
still i believe in love
still i believe in love
still i believe in love
still i believe in love
still i believe in love
still i believe
still i believe
still i believe in love
still i believe in love

Still In Love - 陈以桐 LRC歌词

[ti:Still I Believe]
[ar:Eric Benet]
[al:Love & Life]
[by:活在当下]
[00:01.12]Eric Benet - Still I Believe
[00:08.10]
[00:08.31] 卜超 制作
[00:24.96]
[00:27.31]I once believed that the face of love
[00:32.29]would be so clear to see
[00:37.24]one kiss conceives giving birth to
[00:41.93]endless joy
[00:43.87]that's what i believed
[00:46.35]
[00:46.74]but i've been slapped out my trance
[00:49.37]from this bliss of ignorance
[00:51.90]while the stench of disappointment i
[00:54.37]would breathe
[00:56.50]i've played the roles brilliantly
[00:59.11]the villain, the victim, and in between
[01:01.99]pushed the limits of my strength and
[01:04.83]sanity
[01:06.01]
[01:06.23]still i believe in love
[01:10.88]still i believe in love
[01:15.79]still i believe in love
[01:20.73]still i believe in love
[01:26.40]
[01:26.81]your eyes your eyes if given half a chance
[01:31.73]could slice my heart in two
[01:36.64]i've tried at least a half a dozen times
[01:43.20]probably the same for you
[01:45.82]i've been the angel, been the beast
[01:48.95]i've been confused and had clarity
[01:51.40]i went the distance only to find there was
[01:54.28]nothing there
[01:56.05]take your hearts place your bets
[01:58.45]on this game of russian roulette
[02:01.45]if you loose they won't remember or even care
[02:05.96]
[02:06.17]still i believe in love
[02:10.31]still i believe in love
[02:15.85]still i believe in love
[02:20.16]still i believe in love
[02:25.59]
[02:49.62][02:39.32][02:29.91]though i walk thru the valley i don't fear you
[02:54.76][02:44.39][02:34.71]i'll never stop believing though i hear you
[03:04.13]
[03:04.76]still i believe in love
[03:09.73]still i believe in love
[03:14.71]still i believe in love
[03:19.69]still i believe in love
[03:24.71]still i believe in love
[03:29.59]still i believe in love
[03:34.47]still i believe
[03:39.87]still i believe
[03:44.45]still i believe in love
[03:50.04]still i believe in love
[03:59.48]

陈以桐 的歌曲

歌曲赏析

《Still In Love》是陈以桐(Jason Chen)创作的一首融合流行与R&B元素的抒情歌曲,以细腻的情感表达和流畅的旋律线条打动听众。以下为歌曲的赏析:

1. 主题与情感内核
歌曲围绕“分手后难以割舍的眷恋”展开,通过第一人称视角刻画了主人公在理性与感性间的矛盾。歌词中“即使知道该放手,却仍沉溺回忆”的挣扎,展现了爱情中常见的后遗症——情感惯性。这种具象化的矛盾心理容易引发听众共鸣,尤其贴合当代年轻人面对感情困境时的真实状态。

2. 音乐制作特色
编曲采用极简主义的钢琴铺底,搭配电子合成器营造的空间感,形成冷暖交织的听觉层次。副歌部分突然加入的节奏吉他切分音,巧妙模拟了心跳失序的生理反应,将“Still in love”的执念转化为可感知的律动。陈以桐的假声转音处理(如第二段主歌尾句)凸显其声线中的脆弱感,强化了歌曲的倾诉属性。

3. 歌词文本的诗意重构
“你的香水味在雨中扩散/像未发送的短信留在凌晨三点”等意象运用,将抽象思念具象化为感官记忆的闪回。这种蒙太奇式的歌词写作手法,使私人化情感获得画面通感。bridge段落的“我们”到“我”的人称转换,暗示关系终结后个体身份认同的重建过程,赋予情歌更深的成长命题。

4. 文化语境映射
歌曲中“刷旧照片直到手机没电”等细节精准捕捉数字时代的分手症候群,传统情歌的“写信”“等电话”被重构为现代人特有的情感仪式。这种对当代恋爱肌理的观察,使作品在抒情之外兼具社会记录价值。

该作品通过制作细节与文本深度的双重打磨,实现了从个人情感到集体记忆的升华,堪称华语流行情歌的精致范本。

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