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歌曲:《Send In The Clowns - Judy Collins》

Send In The Clowns - Judy Collins - 英文群星 文本歌词

Send In The Clowns - Judy Collins
歌手:英文群星
Send In The Clowns 小丑进场 - Judy Collins
Isn't it rich, aren't we a pair
Me here at last on the ground - you in mid-air
Where are the clowns
Isn't it bliss, don't you approve
One who keeps tearing around, one who can't move
Where are the clowns - there ought to be clowns
Just when I stopped, opening doors
Finally knowing the one that I wanted was yours
Making my entrance again with my usual flair
Sure of my lines - no one is there
Don't you love a farce; my fault I fear
I thought that you'd want what I want, sorry my dear
But where are the clowns - send in the clowns
Don't bother, they're here
Isn't it rich, isn't it queer
Losing my timing this late in my career
But where are the clowns, there ought to be clowns
Well maybe next yea

Send In The Clowns - Judy Collins - 英文群星 LRC歌词

Send In The Clowns 小丑进场 - Judy Collins
Isn't it rich, aren't we a pair
Me here at last on the ground - you in mid-air
Where are the clowns
Isn't it bliss, don't you approve
One who keeps tearing around, one who can't move
Where are the clowns - there ought to be clowns
Just when I stopped, opening doors
Finally knowing the one that I wanted was yours
Making my entrance again with my usual flair
Sure of my lines - no one is there
Don't you love a farce; my fault I fear
I thought that you'd want what I want, sorry my dear
But where are the clowns - send in the clowns
Don't bother, they're here
Isn't it rich, isn't it queer
Losing my timing this late in my career
But where are the clowns, there ought to be clowns
Well maybe next yea

英文群星 的歌曲

歌曲赏析

《Send In The Clowns》由美国民谣传奇歌手朱迪·科林斯(Judy Collins)演绎的版本,以其独特的艺术处理成为经典。这首作品源自斯蒂芬·桑德海姆(Stephen Sondheim)1973年的音乐剧《小夜曲》(A Little Night Music),科林斯1975年的翻唱赋予了它更深刻的个人印记。

歌曲以"Isn't it rich?"开篇的诘问,奠定了全曲反讽的基调。科林斯清透如水晶的嗓音与钢琴的简约编配形成强烈反差,恰如其分地传递出歌词中"clowns"的隐喻——那些在感情错位时刻显得笨拙可笑的自我。副歌部分"Send in the clowns"的重复咏叹,通过渐强的情感递进,将表面戏谑下的苦涩层层剥开。

音乐结构上采用非传统的AABA形式,配合频繁的转调制造出情感的不稳定感。科林斯对气息的精妙控制,尤其在"Just when I'd stopped opening doors"等乐句的弱声处理,使遗憾与自嘲的情绪更具穿透力。歌词中"perfect lovers"与"clowns"的意象对比,揭示了理想化爱情与现实落差间的永恒命题。

这个版本最动人的在于其"破碎的美学"——科林斯刻意保留的某些气息不稳的瞬间,恰似剧中人物面对命运玩笑时强撑的体面。当最后一句"Maybe next year"以近乎耳语的音量消散时,完成了对人生荒诞性最优雅的哀悼。

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