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歌曲:《Fire [Edit]》

Fire [Edit] - Prodigy[神童] 文本歌词

Fire [Edit]
Mika-Relax, Take It Easy(Radio Edit)
Album:Relax, Take It Easy (CD Single)
Producer: Prince William
Took a right
to the end of the line where
No one ever goes
Ended up
on a broken train with nobody I know
But the pain
and the longings the same where the dying
Now I`m lost and I`m screaming for help
Relax, take it easy
For there is nothing that we can do
Relax, take it easy
Blame it on me or blame it on you.
It`s as if I`m scared
It`s as if I`m terrified
It`s as if I`m scared
It`s as if I`m playing with fire
Scared
It`s as if I`m terrified
Are you scared?
Are we playing with fire?
Relax
There is an answer to the darkest times
It`s clear
we don`t understand but the last thing on my mind
Is to leave you
I believe that we`re in this together
Don`t scream
There are so many roads left
Relax, take it easy
For there is nothing that we can do
Relax, take it easy
Blame it on me or blame it on you.
Relax, take it easy
For there is nothing that we can do
Relax, take it easy
Blame it on me or blame it on you.
Relax, take it easy
For there is nothing that we can do
Relax, take it easy
Blame it on me or blame it on you.
Relax, take it easy
For there is nothing that we can do
Relax, take it easy
Blame it on me or blame it on you.
It`s as if I`m scared
It`s as if I`m terrified
It`s as if I`m scared
It`s as if I`m playing with fire
Relax
It`s as if I`m terrified
Are you scared?
Are we playing with fire?
Relax(Ah...)
Relax(Ah...)
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Fire [Edit] - Prodigy[神童] LRC歌词

[ti:Relax, Take It Easy (Radio Edit)]
[ar:Mika]
[al:Relax, Take It Easy]
[by: ]
[00:00.78]Mika-Relax, Take It Easy(Radio Edit)
[00:03.55]Album:Relax, Take It Easy (CD Single)
[00:07.68]
[00:11.26]Producer: Prince William
[00:16.21]
[00:16.58]Took a right
[00:18.78]to the end of the line where
[00:20.65]No one ever goes
[00:24.13]Ended up
[00:25.61]on a broken train with nobody I know
[00:31.03]But the pain
[00:33.03]and the longings the same where the dying
[00:39.14]Now I`m lost and I`m screaming for help
[00:44.19]Relax, take it easy
[00:49.24]For there is nothing that we can do
[00:52.66]Relax, take it easy
[00:57.16]Blame it on me or blame it on you.
[01:00.25]
[01:06.60]It`s as if I`m scared
[01:08.30]It`s as if I`m terrified
[01:10.68]It`s as if I`m scared
[01:12.35]It`s as if I`m playing with fire
[01:14.87]Scared
[01:16.14]It`s as if I`m terrified
[01:18.35]Are you scared?
[01:20.68]Are we playing with fire?
[01:22.70]Relax
[01:24.89]There is an answer to the darkest times
[01:30.26]It`s clear
[01:32.77]we don`t understand but the last thing on my mind
[01:38.04]Is to leave you
[01:40.11]I believe that we`re in this together
[01:46.04]Don`t scream
[01:47.82]There are so many roads left
[01:50.33]Relax, take it easy
[01:55.50]For there is nothing that we can do
[01:58.20]Relax, take it easy
[02:03.46]Blame it on me or blame it on you.
[02:05.90]Relax, take it easy
[02:11.75]For there is nothing that we can do
[02:13.92]Relax, take it easy
[02:19.20]Blame it on me or blame it on you.
[02:23.11]
[02:37.70]Relax, take it easy
[02:42.82]For there is nothing that we can do
[02:45.37]Relax, take it easy
[02:50.65]Blame it on me or blame it on you.
[02:53.28]Relax, take it easy
[02:58.54]For there is nothing that we can do
[03:01.14]Relax, take it easy
[03:06.41]Blame it on me or blame it on you.
[03:08.77]It`s as if I`m scared
[03:10.36]It`s as if I`m terrified
[03:12.31]It`s as if I`m scared
[03:14.65]It`s as if I`m playing with fire
[03:16.83]Relax
[03:18.29]It`s as if I`m terrified
[03:20.44]Are you scared?
[03:22.60]Are we playing with fire?
[03:24.77]Relax(Ah...)
[03:32.65]Relax(Ah...)
[03:41.24]
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Prodigy[神童] 的歌曲

专辑 TakeItEasy 的歌曲

歌曲赏析

《Fire [Edit]》是英国电子音乐传奇The Prodigy(神童)的代表作之一,融合了锐舞文化、工业电子与朋克精神的狂野能量。以下从音乐元素、文化内核与艺术影响三个维度进行赏析:

1. 声音美学的暴力重构
歌曲以160BPM的极速breakbeat节奏为骨架,叠加扭曲的合成器音效与采样碎片,营造出类似工厂机械暴走的听觉冲击。Liam Howlett通过低保真采样技术将金属撞击声、警笛等工业元素解构重组,形成具有攻击性的音墙,与Keith Flint标志性的嘶吼形成「人机对抗」式的张力。

2. 反叛美学的电子化转译
歌词「I'm the trouble starter / Punkin' instigator」直指90年代英国底层青年的虚无主义愤怒。The Prodigy巧妙地将朋克的原始破坏欲注入电子节拍,用数字化的狂暴对抗主流社会的规训,创造了「电子朋克」的亚文化范式。MV中燃烧的汽车与癫狂的舞姿成为青年反叛的视觉图腾。

3. 技术实验的舞蹈革命
歌曲结构打破传统EDM的递进模式,采用突变式段落切换,模拟嗑药后的感官碎片化体验。副歌部分突然插入的雷鬼低音线(源自Max Romeo经典采样)与主riff形成诡异反差,这种「文化采样拼贴」手法后来成为Big Beat运动的标志性创作策略。

该作品不仅定义了1990年代电子音乐的激进方向,更通过将地下锐舞场景的非法能量转化为全球流行现象,重塑了舞曲文化的政治表达可能性。其声音暴力美学的余波仍可见于当代工业电子、EDM-metal等跨界风格中。

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